What are the components of youth cultures today? This encyclopedia examines the facets of youth cultures and brings them to the forefront. Although issues of youth culture are frequently cited in classrooms and public forums, most encyclopedias of childhood and youth are devoted to history, human development, and society. A limitation on the reference bookshelf is the restriction of youth to pre-adolescence, although issues of youth continue into young adulthood. This encyclopedia addresses an academic audience of professors and students in childhood studies, American studies, and culture studies. The authors span disciplines of psychology, sociology, anthropology, history, and folklore. The Encyclopedia of Youth Cultures in America addresses a need for historical, social, and cultural information on a wide array of youth groups. Such a reference work serves as a corrective to the narrow public view that young people are part of an amalgamated youth group or occupy malicious gangs and satanic cults. Widespread reports of bullying, school violence, dominance of athletics over academics, and changing demographics in the United States has drawn renewed attention to the changing cultural landscape of youth in and out of school to explain social and psychological problems.

Youth as a unique group is a 20th century idea. The changes wrought worldwide by WWII, propelled adolescence to a status and identity that coincided with unparalleled economic growth. While developmental psychologists refined their theories of normal growth and maturation, society and the media were at work constructing youth as consumers, thereby liberating them from traditional family controls. An increasingly smaller world impinges mightily on the culture of youth. An international and inter-disciplinary roster of experts shed light on today's youth culture by exploring such topics as hip hop culture; punk culture; social justice movements; video games; political activism; language and identity; post-feminism; television; rites of passage; heterosexuality and homosexuality; race and ethnicity; social class; poetry and literature; visual art; conceptions of beauty and body image; academics; sports; drugs; families; refugee youth; the Internet; youth journalism; fashion; and violence. Adults and adolescents will find this authoritative and reliable guide accessible and fascinating. In addition to excellent essays, users will find a timeline of contemporaneous international develpments in youth culture. An introductory essay places youth in historical and contemporary contexts and underscores the notion that despite their power as consumers in a market-oriented world, youth are still seen--and see themselves--in contradictory ways. In short, this work brings new understanding to the complex and fluid phenomenon of youth culture.

Ten essays by British, US, and Canadian academics explore popular books, films, and television shows for clues to the meanings of youth representation in American culture. Drawing on a framework of ideas from cultural and social theory, they consider themes such as race, class, gender, power, and sexuality as well as the ideological nature of youth and its centrality to American popular culture. Originally published in 2000 as The Radiant Hour: Versions of Youth in American Culture (U. of Exeter Press). Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).

In their introduction, "Angels of History, Demons of History," the editors allude to the complex social anxieties projected into concerns about youth. Contributors examine the problems of identity, juvenile delinquency, intergenerational tensions, and downward mobility, as well as more positive aspects of youth culture (art, activism, and cyber-communities)--in the early 20th century, the World War II/postwar era, and the contemporary scene. Annotation copyrighted by Book News, Inc., Portland, OR

This two-volume set chronicles how technology, economics, the media and society created the modern concept of youth. Topics explored include hip hop culture, punk culture, social justice movements, video games, political activism, post-feminism, television, race and ethnicity, visual art, sports, drugs, and much more.

Mike Brake suggests that subcultures develop in response to social problems which a group experiences collectively, and shows how individuals draw on collective identities to define themselves.

An international and inter-disciplinary roster of experts shed light by exploring such topics as hip hop culture; punk culture; social justice movements; video games and others.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Brings together recent and new work on youth and youth cultures by social historians and American/cultural studies scholars. Chapters are arranged in chronological order within the 20th century. Subjects include youth and ethnicity in New York City high schools in the 1930s and 1940s, intercultural dance halls in post-WWII greater Los Angeles, art and activism in the Chicano Movement, the music of Public Enemy, the emergence of a lesbian, bisexual, and gay youth cyberculture, and zines and the making of underground community. Annotation copyrighted by Book News, Inc., Portland, OR