In the winter of 1972, the first issue of Ms. magazine hit the newsstands. For some activists in the women's movement, the birth of this new publication heralded feminism's coming of age; for others, it signaled the capitulation of the women's movement to crass commercialism. But whatever its critical reception, Ms. quickly gained national success, selling out its first issue in only eight days and becoming a popular icon of the women's movement almost immediately. Amy Erdman Farrell traces the history of Ms. from its pathbreaking origins in 1972 to its final commercial issue in 1989. Drawing on interviews with former editors, archival materials, and the text of Ms. itself, she examines the magazine's efforts to forge an oppositional politics within the context of commercial culture. While its status as a feminist and mass media magazine gave Ms. the power to move in circles unavailable to smaller, more radical feminist periodicals, it also created competing and conflicting pressures, says Farrell. She examines the complicated decisions made by the Ms. staff as they negotiated the multiple--frequently incompatible--demands of advertisers, readers, and the various and changing constituencies of the feminist movement. An engrossing and objective account, Yours in Sisterhood illuminates the significant yet difficult connections between commercial culture and social movements. It reveals a complex, often contradictory magazine that was a major force in the contemporary feminist movement.

Allie Richards has always dreamed of having her own landscaping business and her Pinky Promise girlfriends convince her to enter Shady Grove's Beautiful Town Landscaping Competition. Daniel Montgomery, the man behind the camera who is filming the competition, is after more than just a story. Will he be satisfied with anything less than Allie's heart?

Soul to Sisterhood is an invitation for readers to fall in love – or deeper in love - with themselves, their lives, and their relationships. With 36 autobiographic stories, 108 universal themes for self-reflection, and 180 experiential activities, this book offers hundreds of transformational opportunities that can be done individually or shared with friends and family. Readers can step into their cyclical Lunar Wisdom, get to know themselves better by connecting to their Chakras, and raise the vibe of their relationships with playful practices... all while remembering the timeless yet potent wisdom that they are not alone. The women featured in these pages hold up the mirror for readers to reclaim and reignite their passions, purpose, and desires. The engaging Sacred Play Suggestions open the doors of replenishment and rejuvenation. The Themes support readers as they release unwanted patterns and old belief systems. This book is a must have for women interested in recreating and reviving their connection to empowerment, oneness, and their Higher Self. Soul to Sisterhood is about extraordinary women triumphing over extraordinary things. Soul to Sisterhood is you!

Feminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinema; feminist porn screened at public festivals; Sweden's A-Markt for films that pass the Bechdel Test; and Pussy Riot's online videos sending shockwaves around the world. A new generation of feminist filmmakers, curators and critics is not only influencing contemporary debates on gender and sexuality, but starting to change cinema itself, calling for a film world that is intersectional, sustainable, family-friendly and far-reaching. Political Animals argues that, forty years since Laura Mulvey's seminal essay 'Visual Pleasure and Narrative Cinema' identified the urgent need for a feminist counter-cinema, this promise seems to be on the point of fulfilment. Forty years of a transnational, trans-generational cinema has given rise to conversations between the work of now well-established filmmakers such as Abigail Child, Sally Potter and Agnes Varda, twenty-first century auteurs including Kelly Reichardt and Lucretia Martel, and emerging directors such as Sandrine Bonnaire, Shonali Bose, Zeina Daccache, and Hana Makhmalbaf. A new and diverse generation of British independent filmmakers such as Franny Armstrong, Andrea Arnold, Amma Asante, Clio Barnard, Tina Gharavi, Sally El Hoseini, Carol Morley, Samantha Morton, Penny Woolcock, and Campbell X join a worldwide dialogue between filmmakers and viewers hungry for a new and informed point of view. Lovely, vigorous and brave, the new feminist cinema is a political animal that refuses to be domesticated by the persistence of everyday sexism, striking out boldly to claim the public sphere as its own.

Contrary to clichés about the end of feminism, Deborah Siegel argues that younger women are reliving the battles of its past, and reinventing it--with a vengeance. From feminist blogging to the popularity of the WNBA, girl culture is on the rise. A lively and compelling look back at the framing of one of the most contentious social movements of our time, Sisterhood, Interrupted exposes the key issues still at stake, outlining how a twenty-first century feminist can reconcile the personal with the political and combat long-standing inequalities that continue today.

After spending Thanksgiving with their loved ones on Big Pine Mountain, the ladies of the Sisterhood prepare to assist attorney Lizzie Fox in breaking up an illegal baby-selling ring.

“Political intrigue, high-level high jinks, and characters with charisma to spare . . . a real crowd-pleaser” in the New York Times bestselling series (Booklist, starred review). With yet another successful assignment behind them, the ladies of the Sisterhood have enjoyed a relaxing break together and celebrated the wedding of Myra and Charles on Big Pine Mountain. But as soon as the newlyweds return from their shortened honeymoon, they are hit with some exciting yet unsettling news . . . It seems their dear ally Lizzie Fox, recently ensconced as Chief White House Counsel, is rumored to be near the top of the short list for a soon to be vacated seat on the Supreme Court. While the Sisters are thrilled for Lizzie, they are concerned about her being ripped to shreds in the approval process, partly due to her connections with the Sisterhood. They also fear it will delay or even derail their long-awaited pardon promised to them by President Martine Connor. It will take a masterful plan—and loyal friends aiding them at every turn—for the Sisters to succeed in protecting Lizzie while securing their own freedom at last. Series praise “Spunky women who fight for truth, justice, and the American way.”—Fresh Fiction on Final Justice “Readers will enjoy seeing what happens when well-funded, very angry women take the law into their own hands.”—Booklist on Weekend Warriors “Delectable . . . deliver[s] revenge that’s creatively swift and sweet, Michaels-style.”—Publishers Weekly on Hokus Pokus

"Margaretta Jolly provides the first cultural study of these letters, charting the evolution of feminist political consciousness from the height of the women's movement to today's e-mail networks. Jolly uncovers the passionate, contradictory emotions of both politics and letter writing and sets out the theory behind them as a fragile yet persistent ideal of care ethics, women's love, and epistolary art. She follows several compelling feminist relationships sustained through writing and confronts the mixed messages of the "open letter," which complicated political relations between women (such as Audre Lorde's "Open Letter to Mary Daly," which called out white feminists for their implicit racism)."

For a generation of teenage girls, Sassy magazine was nothing short of revolutionary—so much so that its audience, which stretched from tweens to twentysomething women, remains obsessed with it to this day and back issues are sold for hefty sums on the Internet. For its brief but brilliant run from 1988 to 1994, Sassy was the arbiter of all that was hip and cool, inspiring a dogged devotion from its readers while almost single-handedly bringing the idea of girl culture to the mainstream. In the process, Sassy changed the face of teen magazines in the United States, paved the way for the unedited voice of blogs, and influenced the current crop of smart women's zines, such as Bust and Bitch, that currently hold sway. How Sassy Changed My Life will present for the first time the inside story of the magazine's rise and fall while celebrating its unique vision and lasting impact. Through interviews with the staff, columnists, and favorite personalities we are brought behind the scenes from its launch to its final issue and witness its unique fusion of feminism and femininity, its frank commentary on taboo topics like teen sex and suicide, its battles with advertisers and the religious right, and the ascension of its writers from anonymous staffers to celebrities in their own right.

Chronicles twenty-five years of Ms. magazine and its impact on women's publishing and the recent history of feminism in America and addresses such issues as battered women and the struggle for reproductive rights. 15,000 first printing.