Raucous, sensual and sublime: how twelve pioneering female artists rewrote the rules of pop. From Kate Bush to Nicki Minaj, from Janet Jackson to TLC and Taylor Swift, pop's greatest female pioneers are simply strange: smashing notions of taste and decorum, and replacing them with new ideals of pleasure. Instead of rehashing biographies, Lesley Chow dives deep into the music of these groundbreaking performers, identifying the ecstatic moments in their songs and finding out what makes them unique. You're History is a love letter to pop's most singular achievements, celebrating the innovations of women who are still critically underrated. It's a ride that includes tributes to Chaka Khan, Rihanna, Neneh Cherry, Sade, Shakespears Sister, Azealia Banks, and many more... “The slim, sharp book considers a range of female artists from Janet Jackson and Taylor Swift to TLC and Nicki Minaj, a group that the Australian cultural critic Chow views as ‘outliers, marking moments where the culture might have swerved to incorporate their influence, but somehow contrived not to.’” — New York Times summer reads

This book arose out of a challenge. The challenge was made by Bob Geldof to the British academic and historian Michelle Brown. Pop singers raise huge sums of money for Band Aid and touch the hearts of people from all walks of life. But to give money can be an easy way out. How does the so called intellientsia respond with their minds(not just their hearts and pockets) to the appalling disparities in the conditions of members of the human race. This a challenge that a number of notable and gifted people have responded to enthusiastically. They range from John Simpson and Martin Bell to Former President Mary Robinson and the noted US feminist intellectual Charlotte Bunch. Other noted authors include Sir David Ramsbothom, Ricardo Navarro, Founder of the Friends of the Earth and Simon Counsell, Director of The Rainforest Foundation. Ultimately the purpose of this book is to make people think and connect wires, to encourage them to question their own place within the world , to acknowledge personal and collective responsibility and to discuss a range of situations and issues that have been changed by individuals. The book is also published to coimcide with Britian's Presidenct of the G8 and EU and ther associated drive to focus on issues of global social justice through the newly established Commission for Africa.

Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.

A look at how to teach history in the age of easily accessible—but not always reliable—information. Let’s start with two truths about our era that are so inescapable as to have become clichés: We are surrounded by more readily available information than ever before. And a huge percent of it is inaccurate. Some of the bad info is well-meaning but ignorant. Some of it is deliberately deceptive. All of it is pernicious. With the Internet at our fingertips, what’s a teacher of history to do? In Why Learn History (When It’s Already on Your Phone), professor Sam Wineburg has the answers, beginning with this: We can’t stick to the same old read-the-chapter-answer-the-question snoozefest. If we want to educate citizens who can separate fact from fake, we have to equip them with new tools. Historical thinking, Wineburg shows, has nothing to do with the ability to memorize facts. Instead, it’s an orientation to the world that cultivates reasoned skepticism and counters our tendency to confirm our biases. Wineburg lays out a mine-filled landscape, but one that with care, attention, and awareness, we can learn to navigate. The future of the past may rest on our screens. But its fate rests in our hands. Praise for Why Learn History (When It’s Already on Your Phone) “If every K-12 teacher of history and social studies read just three chapters of this book—”Crazy for History,” “Changing History . . . One Classroom at a Time,” and “Why Google Can’t Save Us” —the ensuing transformation of our populace would save our democracy.” —James W. Lowen, author of Lies My Teacher Told Me and Teaching What Really Happened “A sobering and urgent report from the leading expert on how American history is taught in the nation’s schools. . . . A bracing, edifying, and vital book.” —Jill Lepore, New Yorker staff writer and author of These Truths “Wineburg is a true innovator who has thought more deeply about the relevance of history to the Internet—and vice versa—than any other scholar I know. Anyone interested in the uses and abuses of history today has a duty to read this book.” —Niall Ferguson, senior fellow, Hoover Institution, and author of The Ascent of Money and Civilization

Several chapters about zines, including a reprint of Milo Miller's interview from Jenna Brager & Jami Sailor's zine "Archiving the Underground."

The book “What your history books failed to tell you” delivers a powerful analysis of the so-called “black” person’s identity crisis. It discusses the history of the slave marks that were placed upon the so-called “black” people in the year of 1774. It explains the importance of nationality and it’s relevance to the so-called “black” people of America. This book goes in depth of why the so-called “black” person’s true nationality is Moorish American. In addition to, destroying many myths pertaining to the religion of Islam, the author also gives a brief history of some sects of Islam. He also provides information on Noble Drew Ali. By Sis. ELISA HERDER-BEY

Okay, who was the first flatterer? If you guessed Satan, you'd be close, but according to YOU'RE TOO KIND, flattery began with chimpanzees, who groom each other all day long. In fact, flattery is an adaptive behaviour that has helped us survive since caveman days. It's in our genes. Our flattery is simply strategic praise, and to illustrate its myriad forms, Richard Stengel takes us on a witty idiosyncratic tour, from chimps to the God of the Old Testament (who craved flattery but never got it), to the troubadour poets of the Middle Ages (who invented the sappy cliches of romantic flattery), all the way through to Dale Carnegie (flattery will get you everywhere) and Monica Lewinsky's adoring love letters to her Big Creep (faux insults are also a form of flattery). Flattery thrives in hierarchical settings like royal courts or Fortune 500 boardrooms, and it oils the social machinery of everyday life. Studies show it works best on those who already have high opinions of themselves. Stengel sees public flattery as an epidemic in our society and private praise as being all too scarce. Most often, though, flattery these days is just a harmless deception, a victimless crime that often ends up making both the giver and the receiver feel a little better. In short, flattery works.

Through modern prophets, the Lord has impressed on us the importance of keeping a personal history. These records of our triumphs, trials, and teachings will live on beyond our mortal lives to strengthen and inspire those who come after us. But such a task can be daunting to begin for those who aren't professional authors. Latter-day Saint writer and teacher Janet Winward is here to coach you through the uncertainty and help you unearth important memories from the recesses of your mind. This easy-to-use guide will help you build a habit of writing with lists of prompts and memory triggers. stay motivated with inspiring quotes from prominent historical figures and Church leaders. keep your stories interesting, entertaining, and purposeful with simple writing tips and exercises. Writing a personal history is a lifelong process that will bring untold blessings into your life and into the lives of all those who read it. But the Lord cannot put your stories into the hands of those who will benefit from them if YOU don't write them. Today is the day to start!

Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.

Chronicles the accomplishments of Black men and women from all times and plac