Forget self help books. Your new butler is going to change your life because it addresses the key issue at the heart of the matter. It's not you. I promise. It's you in the past.

"[A] definitive work of millennial literature . . . wretchedly riveting." —Jia Tolentino, The New Yorker “Girls + Office Space + My Year of Rest and Relaxation + anxious sweating = The New Me.” —Entertainment Weekly I'm still trying to make the dream possible: still might finish my cleaning project, still might sign up for that yoga class, still might, still might. I step into the shower and almost faint, an image of taking the day by the throat and bashing its head against the wall floating in my mind. Thirty-year-old Millie just can't pull it together. She spends her days working a thankless temp job and her nights alone in her apartment, fixating on all the ways she might change her situation--her job, her attitude, her appearance, her life. Then she watches TV until she falls asleep, and the cycle begins again. When the possibility of a full-time job offer arises, it seems to bring the better life she's envisioning within reach. But with it also comes the paralyzing realization, lurking just beneath the surface, of how hollow that vision has become. "Wretchedly riveting" (The New Yorker) and "masterfully cringe-inducing" (Chicago Tribune), The New Me is the must-read new novel by National Book Foundation "5 Under 35" honoree and Granta Best Young American novelist Halle Butler. Named a Best Book of the Decade by Vox, and a Best Book of 2019 by Vanity Fair, Vulture, Chicago Tribune, Mashable, Bustle, and NPR

A jealous cat really, really, REALLY wants to drive away his young owner's new dog in this playful illustrated chapter book from a two-time Geisel Honor winner. Simon has taken care of his owner, Andy, for many years. He's a good cat. Clean, responsible, and loyal. What more could a boy want? Even when Andy's dad moves out, Simon is certain that Andy doesn't need another pet. So why would Andy's dad adopt a DOG?! To make matters worse, the animal is a rude, rowdy troublemaker. Simon's job is clear: the beast has got to go. He decides to write him a letter. Strongly worded, of course. But when the dog's response sets off an unexpected correspondence, Simon realizes the beast may be here to stay. Can he make room for another pet in Andy's life? This funny and heartwarming collaboration between Geisel Honor and Edgar Award-winning author Dori Hillestad Butler and bestselling illustrator Kevan Atteberry is a tribute to the love of a good pet - and the joy found in new friendship. With nine chapters and adorable full-color illustrations on every spread, the series is perfect for kids transitioning from picture books to chapter books. A Junior Library Guild Selection

On title page, the 'i' in the word 'bullshit' is represented by an asterisk.

The "sublimely awkward and hilarious" (Chicago Tribune), National Book Award "5 Under 35"-garnering first novel from the acclaimed author of The New Me--now in a new edition Twenty-four-year-old Megan may have her whole life ahead of her, but it already feels like a dead end, thanks to her dreadful job as a gastroenterologist's receptionist and her heart-clogging resentment of the success and happiness of everyone around her. But no one stokes Megan's bitterness quite like her coworker, Jillian, a grotesquely optimistic, thirty-five-year-old single mother whose chirpy positivity obscures her mounting struggles. Megan and Jillian's lives become increasingly precarious as their faulty coping mechanisms--denial, self-help books, alcohol, religion, prescription painkillers, obsessive criticism, alienated boyfriends, and, in Jillian's case, the misguided purchase of a dog--send them spiraling toward their downfalls. Wickedly authentic and brutally funny, Jillian is a subversive portrait of two women trapped in cycles of self-delusion and self-destruction, each more like the other than they would care to admit.

Longlisted for the Reading the West Book Award For the right price, you’d risk your life. Wouldn’t you? Cole, Bart, and Teddy, the three principals of True Triangle Construction, are hired to finish a project for a mysteriously wealthy homeowner. The grand house is unlike anything they’ve worked on before, and they’re sure it’ll put their name on the map. But the owner is intent on having it built in a few months, an impossible task made irresistible by an exorbitant bonus. Up against the critical deadline and the threat of a harsh Wyoming winter, the trio will do anything to get the money, even if it means risking their lives…or each other’s. With heart-pounding danger and high-stakes action, Godspeed is a gripping thriller about greed and violence that asks: How much is never enough?

Radical ideas for changing the justice system, rooted in the real-life experiences of those in overpoliced communities, from the acclaimed former federal prosecutor and author of Chokehold Paul Butler was an ambitious federal prosecutor, a Harvard Law grad who gave up his corporate law salary to fight the good fight—until one day he was arrested on the street and charged with a crime he didn't commit. In a book Harvard Law professor Charles Ogletree calls “a must-read,” Butler looks at places where ordinary citizens meet the justice system—as jurors, witnesses, and in encounters with the police—and explores what “doing the right thing” means in a corrupt system. No matter how powerless those caught up in the web of the law may feel, there is a chance to regain agency, argues Butler. Through groundbreaking and sometimes controversial methods—jury nullification (voting “not guilty” in drug cases as a form of protest), just saying “no” when the police request your permission to search, and refusing to work inside the system as a snitch or a prosecutor—ordinary people can tip the system towards actual justice. Let’s Get Free is an evocative, compelling look at the steps we can collectively take to reform our broken system.

From Guggenheim and National Endowment for the Humanities fellow Wil Haygood comes a mesmerizing inquiry into the life of Eugene Allen, the butler who ignited a nation's imagination and inspired a major motion picture: The Butler: A Witness to History, the highly anticipated film that stars six Oscar winners, including Forest Whitaker, Oprah Winfrey (honorary and nominee), Jane Fonda, Cuba Gooding Jr., Vanessa Redgrave, and Robin Williams; as well as Oscar nominee Terrence Howard, Mariah Carey, John Cusack, Lenny Kravitz, James Marsden, David Oyelowo, Alex Pettyfer, Alan Rickman, and Liev Schreiber. With a foreword by the Academy Award nominated director Lee Daniels, The Butler not only explores Allen's life and service to eight American Presidents, from Truman to Reagan, but also includes an essay, in the vein of James Baldwin’s jewel The Devil Finds Work, that explores the history of black images on celluloid and in Hollywood, and fifty-seven pictures of Eugene Allen, his family, the presidents he served, and the remarkable cast of the movie.

Judith Butler’s new book shows how an ethic of nonviolence must be connected to a broader political struggle for social equality. Further, it argues that nonviolence is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power. But, in fact, nonviolence is an ethical position found in the midst of the political field. An aggressive form of nonviolence accepts that hostility is part of our psychic constitution, but values ambivalence as a way of checking the conversion of aggression into violence. One contemporary challenge to a politics of nonviolence points out that there is a difference of opinion on what counts as violence and nonviolence. The distinction between them can be mobilised in the service of ratifying the state’s monopoly on violence. Considering nonviolence as an ethical problem within a political philosophy requires a critique of individualism as well as an understanding of the psychosocial dimensions of violence. Butler draws upon Foucault, Fanon, Freud, and Benjamin to consider how the interdiction against violence fails to include lives regarded as ungrievable. By considering how ‘racial phantasms’ inform justifications of state and administrative violence, Butler tracks how violence is often attributed to those who are most severely exposed to its lethal effects. The struggle for nonviolence is found in movements for social transformation that reframe the grievability of lives in light of social equality and whose ethical claims follow from an insight into the interdependency of life as the basis of social and political equality.

Finalist for the 2018 National Council on Crime & Delinquency’s Media for a Just Society Awards Nominated for the 49th NAACP Image Award for Outstanding Literary Work (Nonfiction) A 2017 Washington Post Notable Book A Kirkus Best Book of 2017 “Butler has hit his stride. This is a meditation, a sonnet, a legal brief, a poetry slam and a dissertation that represents the full bloom of his early thesis: The justice system does not work for blacks, particularly black men.” —The Washington Post “The most readable and provocative account of the consequences of the war on drugs since Michelle Alexander’s The New Jim Crow . . . .” —The New York Times Book Review “Powerful . . . deeply informed from a legal standpoint and yet in some ways still highly personal” —The Times Literary Supplement (London) With the eloquence of Ta-Nehisi Coates and the persuasive research of Michelle Alexander, a former federal prosecutor explains how the system really works, and how to disrupt it Cops, politicians, and ordinary people are afraid of black men. The result is the Chokehold: laws and practices that treat every African American man like a thug. In this explosive new book, an African American former federal prosecutor shows that the system is working exactly the way it's supposed to. Black men are always under watch, and police violence is widespread—all with the support of judges and politicians. In his no-holds-barred style, Butler, whose scholarship has been featured on 60 Minutes, uses new data to demonstrate that white men commit the majority of violent crime in the United States. For example, a white woman is ten times more likely to be raped by a white male acquaintance than be the victim of a violent crime perpetrated by a black man. Butler also frankly discusses the problem of black on black violence and how to keep communities safer—without relying as much on police. Chokehold powerfully demonstrates why current efforts to reform law enforcement will not create lasting change. Butler's controversial recommendations about how to crash the system, and when it's better for a black man to plead guilty—even if he's innocent—are sure to be game-changers in the national debate about policing, criminal justice, and race relations.