A collection of the weekly newspaper columns of an active District Attorney. Packed with humorous, as well as dramatic and moving courtroom moments from a middle Georgia judicial circuit. Get behind the scenes as trials are prepared. Admire the heroics of law enforcement officers and crime victims. Notice the interplay between a community and its courts. Learn how grand juries operate and how prosecutors assist molested children. Glimpse the strategies of lawyers as they select a jury and present testimony. Be inspired by a bird's-eye view of the lives of detectives, judges, and prosecutors who served their communities for decades. If you enjoy television crime shows, if you appreciate police and other public servants who fight crime and care about their communities, you'll love "You Should See the Other Guy!"

Most dating books tell you what NOT to do. Here's a book dedicated to telling you what you CAN do. In his book, Get the Guy, Matthew Hussey—relationship expert, matchmaker, and star of the reality show Ready for Love—reveals the secrets of the male mind and the fundamentals of dating and mating for a proven, revolutionary approach to help women to find lasting love. Matthew Hussey has coached thousands of high-powered CEOs, showing them how to develop confidence and build relationships that translate into professional success. Many of Matthew’s male clients pressed him for advice on how to apply his winning strategies not to just get the job, but how to get the girl. As his reputation grew, Hussey was approached by more and more women, eager to hear what he had learned about the male perspective on love and romance. From landing a first date to establishing emotional intimacy, playful flirtation to red-hot bedroom tips, Matthew’s insightfulness, irreverence, and warmth makes Get the Guy: Learn Secrets of the Male Mind to Find the Man You Want and the Love You Deserve a one-of-a-kind relationship guide and the handbook for every woman who wants to get the guy she’s been waiting for.

After James Cole's wife walked out on him, he put his dreams aside to raise his daughter. But now she's grown and he's ready for more. When the opportunity arises to own a restaurant, his life-long dream, he can't deny that it's meant to be. And for more reasons than one.He's kept his heart closed off since the day his wife walked away. He's never found someone who he thought was worth opening himself up to. But one look at her, and he knew she was everything. Carly Hanson has a secret. A secret only she and her teenage son, Jack, know about. She's built a new life but kept herself carefully guarded.The day Carly stumbled, literally, into James, her world was turned upside down. She tries to keep him strictly as a friend, but he's relentless in his pursuit. Can he break down the walls she's so firmly built? Can he get her to join him in... A Better Place?

A TIME Magazine Best YA Book of All Time A Stonewall Honor Book A Reese's Book Club YA Pick Liz Lighty has always believed she's too black, too poor, too awkward to shine in her small, rich, prom-obsessed midwestern town. But it's okay -- Liz has a plan that will get her out of Campbell, Indiana, forever: attend the uber-elite Pennington College, play in their world-famous orchestra, and become a doctor. But when the financial aid she was counting on unexpectedly falls through, Liz's plans come crashing down . . . until she's reminded of her school's scholarship for prom king and queen. There's nothing Liz wants to do less than endure a gauntlet of social media trolls, catty competitors, and humiliating public events, but despite her devastating fear of the spotlight she's willing to do whatever it takes to get to Pennington. The only thing that makes it halfway bearable is the new girl in school, Mack. She's smart, funny, and just as much of an outsider as Liz. But Mack is also in the running for queen. Will falling for the competition keep Liz from her dreams . . . or make them come true?

Jacques Rancière has been hugely influential in the field of political philosophy and aesthetics. This edited collection is the first to investigate the points of contact between the work of Rancière and the field of theatre and performance studies. Recent scholarly works in this discipline have drawn upon concepts from Rancière’s writing, from theatrocracy to emancipated spectators, to investigate problems of audience, participation, politics and aesthetics. Before these concepts and critical tools peel away from the works through which they emerged, this book seeks a detailed critical assessment of the works themselves and their implications for theatre and performance studies. The collection examines the critical and analytical interventions that have been made to date and looks forward towards challenges to the future uses of Rancière’s work in performance and theatre studies. It also considers a wide range of performance work, from a performance for the residents of a Victorian workhouse to the activist performances of Liberate Tate. This collection includes work by ten scholars and is an essential resource for researchers and academics working in areas of performance and aesthetics, performance and activism, and performance and philosophy.

NATIONAL BESTSELLER • A mystery that reverberates through families, friendships, and the corridors of power in New York and "captures the city’s dangerous, magnetic allure" (The New York Times). • Streaming now on Apple TV+ “As close to a great American novel as this century has produced.” —Stephen King New York City, 1976. Meet Regan and William Hamilton-Sweeney, estranged heirs to one of the city’s great fortunes; Keith and Mercer, the men who, for better or worse, love them; Charlie and Samantha, two suburban teenagers seduced by downtown’s punk scene; an obsessive magazine reporter and his idealistic neighbor—and the detective trying to figure out what any of them have to do with a shooting in Central Park on New Year’s Eve. When the blackout of July 13, 1977, plunges this world into darkness, each of these lives will be changed forever. City on Fire is an unforgettable novel about love and betrayal and forgiveness, about art and truth and rock ’n’ roll: about what people need from each other in order to live—and about what makes the living worth doing in the first place.

I grew up in the perfect era (ca 1950's late through '60's) when aliens just seemed like goodness and you could see this goodness on fuzzy black and white TVs upstairs in the guest room while Mom and Dad enjoyed let's say a pleasant highball and a chat. This goodness and this goodness alone (well, with a tiny bit of badness, as with a highball) is what I try to achieve in the poems contained here: lighter than air, crisp and refreshing, salty and snacky, jibberish plus liverish but gravitas-y too with meaning and good cheer and a thought that is not always passing but upon occasion will. (Note: this book is dedicated to the Billboard Top Hundred Songs of 1971: listing included herein. In such a year as this, even #100 is a keeper.)

Detective Constable Hazel Best’s latest assignment takes an unexpected turn in the compelling new Gabriel Ash mystery. Returning to work after an extended leave of absence, DC Hazel Best’s first task is to shadow TV historian Oliver Ford, who has arrived in Norbold to open a new museum. What should have been a routine assignment takes a decidedly dramatic turn however when Hazel saves Ford from a murderous attack that would appear to be an act of jihad. But why would someone fly thousands of miles to firebomb an obscure little museum in a quiet English village? Hazel can’t help thinking there’s more to this case than meets the eye. Meanwhile, Hazel’s friend Gabriel Ash and her lodger Saturday are growing increasingly uneasy at Hazel’s developing relationship with Oliver Ford. Though neither of them can guess the real danger that Hazel - and not only Hazel - faces, nor the direction from which it comes.

Tuesday, 9:35 a.m. To do list: 1.Try to smile when people mention my backstabbing, lying, ex-boyfriend, Daniel. 2.Ply my ugly cat, Dexter, with some catnip--the good stuff--to keep him away from my last fur-free Hugo Boss suit. 3.Decide whether or not having a baby with my best friend Gretchen is the craziest, stupidest, most insane, incredible thing I will ever do. At thirtysomething, Blaine Dunhill has a great career in fashion advertising, a fab NYC apartment, and some loyal friends that he's trying to share amicably with his ex, a famous soap star. Working in the big-time cosmetics world is all about glamour and artifice ("Like Barbies that can talk"), but what the self-professed nice guy from Wisconsin really wants is something and someone real to come home to. And then his best friend Gretchen makes him a really tempting offer: Since neither one of them has found the real thing yet, why don't they start a family together? Suddenly, as life becomes a whirl of ultrasounds, online baby registries, baby names (Civil Liberty, anyone?), and other adjustments, Blaine discovers something surprising: No one is more attractive than an expectant father. Now, in the wacky, gossipy world of fashion and celebrity, where coming out has never been more "in," and the words "gay dad" are synonymous with "way hot," Blaine is in for the wildest ride of his life...and a shock that will change everything...

Named a Most Anticipated Book of 2022 by PopSugar, Ms. magazine, Medium, Book Riot, BookPage, CrimeReads, Tor Nightfire, Bookshop, Book Talk, BiblioLifestyle, and more! AN APRIL 2022 BELLETRIST BOOK CLUB PICK “Morrow uses her heroine’s warped perspective to examine painful truths about race and class in America, but this isn’t a book intended to teach anyone a lesson, except maybe: Be careful. You never know who’s really in control.”—Los Angeles Times From bestselling author Bethany C. Morrow comes a new adult social horror novel in the vein of Get Out meets My Sister, the Serial Killer, about Farrah, a young, calculating Black girl who manipulates her way into the lives of her Black best friend’s white, wealthy, adoptive family but soon suspects she may not be the only one with ulterior motives. . . . Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS—White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can’t seem to afford—and it creates a dissonance in her best friend that Farrah can exploit. When her own family is unexpectedly confronted with foreclosure, the calculating Farrah is determined to reassert the control she’s convinced she’s always had over her life by staying with Cherish, the only person she loves—even when she hates her. As troubled Farrah manipulates her way further into the Whitman family, the longer she stays, the more her own parents suggest that something is wrong in the Whitman house. She might trust them—if they didn’t think something was wrong with Farrah, too. When strange things start happening at the Whitman household—debilitating illnesses, upsetting fever dreams, an inexplicable tension with Cherish’s hotheaded boyfriend, and a mysterious journal that seems to keep track of what is happening to Farrah—it’s nothing she can’t handle. But soon everything begins to unravel when the Whitmans invite Farrah closer, and it’s anyone’s guess who is really in control. Told in Farrah’s chilling, unforgettable voice and weaving in searing commentary on race and class, this slow-burn social horror will keep you on the edge of your seat until the last page.