In 1987, Michael Daluz, a black U.S. Army veteran and college student with a 3.6 GPA, is nearly beaten to death by a mob of white men as he and his friends leave a local off-campus bar. His act of self-defense, and the arrest and imprisonment that follow, will change his life forever. Harboring a hate, Daluz enters prison in 1988. During his incarceration, he witnesses a miracle and experiences an inner transformation. But his misfortunes are not behind him, and his faith in God prepares him for life-altering battles. A near-fatal, work-related accident leaves him severely injured. Daluz challenges his employer in a civil lawsuit while he fights for custody of his young daughter, Bella, and he doggedly pursues his doctorial education. During a time in his life, Daluz had done it all. He lived the champagne-popping lifestyle, visited fancy night clubs, owned a nice house, and drove expensive cars. But during his twenty-year journey, he realizes what is important. Based on true events, You Gotta Dance is one mans story of spiritual awakening in the face of crushing hardship.

In her long-awaited new collection, the Colt Peacekeeper of American political humor draws a bead on targets that range from the Libido-in-Chief to Newt Gingrich, campaign funny-money to the legislative lunacy of her native Texas--and hits a bull's-eye every time. Whether she's writing about Bill Clinton ("The Rodney Dangerfield of presidents"), Bob Dole ("Dole contributed perhaps the funniest line of the year with his immortal observation that tobacco is not addictive but that too much milk might be bad for us. The check from the dairy lobby must have been late that week"), or cultural trends ("I saw a restaurant in Seattle that specialized in latte and barbecue. Barbecue and latte. I came home immediately"), Molly takes on the issues of the day with her trademark good sense and inimitable wit.

On a simple trip to the park, the joy of music overtakes a mother and daughter. The little girl hears a rhythm coming from the world around her- from butterflies, to street performers, to ice cream sellers everything is musical! She sniffs, snaps, and shakes her way into the heart of the beat, finally busting out in an impromptu dance, which all the kids join in on! Award-winning illustrator Frank Morrison and Connie Schofield-Morrison, capture the beat of the street, to create a rollicking read that will get any kid in the mood to boogie.

What American dream? Each short story in I Have a Nightmare takes place in a different part of the United States: New York City, San Francisco, Chicago, a suburb, a university town, and a commercial fishing boat in Alaska's Bering Sea. Instead of experiencing the American dream the whites, blacks, immigrants, and men & women in these short stories experience the reality of the American nightmare. I Have a Nightmare is written in a mostly conventional narrative style, and was Wolf Larsen's first book.

The authors have produced the first “on the ground” study (not just clinical or chemical) of MDMA (3, 4-methylenedioxymethamphetamine), or “ecstasy” as it is frequently designated. A psychoactive substance related to both the amphetamines and mescaline, MDMA has become popular in recent years as one of the new “designer” drugs. First used in therapeutic treatment, its recreational or street use has increased in recent years. The authors track the efforts (with psychiatrists and researchers in opposition) of the DEA to ban the drug.

An Oprah.com “Must-Read Book” Award-winning journalist Jeanne Marie Laskas reveals “enlightening, entertaining, and often poignant”* profiles of America's working class—the forgotten men and women who make our country run. Take the men of Hopedale Mining company in Cadiz, Ohio. Laskas spent several weeks with them, both below and above ground, and by the end, you will know not only about their work, but about Pap and his dying mom, Smitty and the mail-order bride who stood him up at the airport, and Scotty and his thwarted dreams of becoming a boxing champion. That is only one hidden world. Others that she explores: an Alaskan oil rig, a migrant labor camp in Maine, the air traffic control center at LaGuardia Airport in New York, a beef ranch in Texas, a landfill in California, a long-haul trucker in Iowa, a gun shop in Arizona, and the Cincinnati Ben-Gals cheerleaders, mere footnotes in the moneymaking spectacle that is professional football. “Jeanne Marie Laskas is a reporting and writing powerhouse. She doesn’t just interview the people who dig our coal and extract our oil, she goes deep into the mines and tundra with them. With beauty, wit, curiosity, and grace, she finds the hidden soul of America. Hidden America is essential reading.”—Rebecca Skloot, author of The Immortal Life of Henrietta Lacks

THE STORY: Again, as in Picnic , the setting is a small town in Kansas, and while the characters are essentially the same as in the earlier play, there are subtleties and differences which give SUMMER BRAVE a distinctive and unique quality of

Selected and arranged by the author, and with a new introduction by novelist David Mitchell, How To Be Invisible presents the lyrics of Kate Bush published together for the first time. 'For millions around the world, Kate is way more than another singer-songwriter: she is a creator of musical companions that travel with you through life. One paradox about Kate is that while her lyrics are proudly idiosyncratic, those same lyrics evoke emotions and sensations that feel universal. Literature works in similar mysterious ways. Kate's the opposite of a confessional singer-songwriter ... You don't learn much about Kate from her songs. She's fond of masks and costumes - lyrically and literally - and of yarns, fabulations and atypical narrative viewpoints. Yet, these fiercely singular songs, which nobody else could have authored, are also maps of the heart, the psyche, the imagination. In other words, art.' David Mitchell

A landmark literary anthology of poems, stories, and essays, Choice Words collects essential voices that renew our courage in the struggle to defend reproductive rights. Twenty years in the making, the book spans continents and centuries. This collection magnifies the voices of people reclaiming the sole authorship of their abortion experiences. These essays, poems, and prose are a testament to the profound political power of defying shame. Contributors include Ai, Amy Tan, Anne Sexton, Audre Lorde, Bobbie Louise Hawkins. Camonghne Felix, Carol Muske-Dukes, Diane di Prima, Dorothy Parker, Gloria Naylor, Gloria Steinem, Gwendolyn Brooks, Jean Rhys, Joyce Carol Oates, Judith Arcana, Kathy Acker, Langston Hughes, Leslie Marmon Silko, Lindy West, Lucille Clifton, Mahogany L. Browne, Margaret Atwood, Molly Peacock, Ntozake Shange, Ruth Prawer Jhabvala, Sharon Doubiago, Sharon Olds, Shirley Geok-lin Lim, Sholeh Wolpe, Ursula Le Guin, and Vi Khi Nao.