In all of the obituaries and writing about Richard Brautigan that appeared after his suicide, none revealed to Ianthe Brautigan the father she knew. Through it took all of her courage, she delved into her memories, good and bad, to retrieve him, and began to write. You Can't Catch Death is a frank, courageous, heartbreaking reflection on both a remarkable man and the child he left behind.

A riveting new novel of suspense about a disgraced young journalist caught up in a grifter’s game, and the trail of identically named victims she uncovers, from the instant bestselling author of I’ll Never Tell and The Good Liar. Assumed identities. A con game. Unwitting victims. After being fired from her investigative journalism job for plagiarism, Jessica Williams is looking for a break from the constant press coverage. She decides to escape for a week to a resort in Mexico boasting no connections to the outside world. While waiting at the airport for her flight, she encounters a woman with the exact same name, who she dubs Jessica Two. Drawn together by the coincidence, they play a game of twenty questions to see what other similarities they share, and exchange contact information. A week later, Jessica returns home and discover that large cash withdrawals have been made from her bank account. Security footage from the bank confirms her suspicions—Jessica Two has stolen her money. She goes to the police, only to be told that the crime is a low priority. Frustrated, she meets up with a trusted old friend, Liam, who is an investigator. When the two Google “Jessica Williams,” they get thousands of hits—Jessica was the most popular girl’s name in 1990 and Williams is almost as ubiquitous as Smith. Convinced that this isn’t the first time this scam has been run, Jessica is determined to catch the imposter, and writes a Facebook post hoping to chase down some of Jessica Two’s other victims. When she gets a number of responses, she sets a plan in motion to catch the thief, encountering a string of identically named victims along the way. Then, the threatening messages start arriving. Filled with incredible twists and turns, You Can’t Catch Me is a tantalizing, character-driven exploration of how far people will go to get revenge.

"I have never before read anything except Nabokov’s Speak, Memory that so relentlessly and shrewdly exhausted the kindness and cruelty of recollection’s shaping devices." —Geoffrey Wolff Born in Czechoslovakia, Mark Slouka’s parents survived the Nazis only to have to escape the Communist purges after the war. Smuggled out of their own country, the newlyweds joined a tide of refugees moving from Innsbruck to Sydney to New York, dragging with them a history of blood and betrayal that their son would be born into. From World War I to the present, Slouka pieces together a remarkable story of refugees and war, displacement and denial—admitting into evidence memories, dreams, stories, the lies we inherit, and the lies we tell—in an attempt to reach his mother, the enigmatic figure at the center of the labyrinth. Her story, the revelation of her life-long burden and the forty-year love affair that might have saved her, shows the way out of the maze.

MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.

INSTANT #1 NEW YORK TIMES BESTSELLER • From the author of One of Us Is Lying comes a brand-new pulse-pounding thriller. It's Ferris Bueller's Day Off with murder when three old friends relive an epic ditch day, and it goes horribly—and fatally—wrong. Ivy, Mateo, and Cal used to be close. Now all they have in common is Carlton High and the beginning of a very bad day. Type A Ivy lost a student council election to the class clown, and now she has to face the school, humiliated. Heartthrob Mateo is burned out from working two jobs since his family’s business failed. And outsider Cal just got stood up . . . again. So when the three unexpectedly run into each other, they decide to avoid their problems by ditching. Just the three of them, like old times. Except they’ve barely left the parking lot before they run out of things to say. . . . . . until they spot another Carlton High student skipping school—and follow him to the scene of his own murder. In one chance move, their day turns from dull to deadly. And it’s about to get worse. It turns out Ivy, Mateo, and Cal still have some things in common...like a connection to the dead kid. And they’re all hiding something. Could it be that their chance reconnection wasn’t by chance after all? Fans of the hit thriller that started it all can watch the secrets of the Bayview Four be revealed in the One of Us is Lying TV series now streaming on NBC's Peacock!

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

A memoir by American former actress and singer Jennette McCurdy about her career as a child actress and her difficult relationship with her abusive mother who died in 2013

* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.