Based on previously unexploited primary sources, this is the first comprehensive biography of Yosef Haim Brenner, one of the pioneers of Modern Hebrew literature. Born in 1881 to a poor Jewish family in Russia, Brenner published his first story, "A Loaf of Bread," in 1900. After being drafted into the Russian army, he deserted to England and later immigrated to Palestine where he became an eminent writer, critic and cultural icon of the Jewish and Zionist cultural milieu. His life was tragically ended in the violent 1921 Jaffa riots. In a nutshell, Brenner's life story encompasses the generation that made "the great leap" from Imperial Russia's Pale of Settlement to the metropolitan centers of modernity, and from traditional Jewish beliefs and way of life to secularism and existentialism. In his writing he experimented with language and form, but always attempting to portray life realistically. A highly acerbic critic of Jewish society, Brenner was relentless in portraying the vices of both Jewish public life and individual Jews. Most of his contemporaries not only accepted his critique, but admired him for his forthrightness and took it as evidence of his honesty and veracity. Renowned author and historian Anita Shapira's new biography illuminates Brenner's life and times, and his relationships with leading cultural leaders such as Nobel laureate S.Y. Agnon, Hayim Nahman Bialik, Israel's National Poet, and many others. Undermining the accepted myths about his life and his death, his depression, his relations with writers, women, and men—including the question of his homoeroticism—this new biography examines Brenner's life in all its complexity and contradiction.

Nitzan Lebovic claims that political melancholy is the defining trait of a generation of Israelis born between the 1960s and 1990s. This cohort came of age during wars, occupation and intifada, cultural conflict, and the failure of the Oslo Accords. The atmosphere of militarism and conservative state politics left little room for democratic opposition or dissent. Lebovic and others depict the failure to respond not only as a result of institutional pressure but as the effect of a long-lasting "left-wing melancholy." In order to understand its grip on Israeli society, Lebovic turns to the novels and short stories of Israel Zarchi. For him, Zarchi aptly describes the gap between the utopian hope present in Zionism since its early days and the melancholic reality of the present. Through personal engagement with Zarchi, Lebovic develops a philosophy of melancholy and shows how it pervades Israeli society.

Cassandra Hall meets her new lover at a Greenwich Village poetry reading and learns that he's a vampire. Soon Cassandra descends into a deeper realm of exotic thirst and unspeakable passion, where she must confront the dark side of her own sexuality . . . and a beautiful rival who threatens her earthly soul.

This interdisciplinary volume looks at one of the central cultural practices within the Jewish experience: translation. With contributions from literary and cultural scholars, historians, and scholars of religion, the book considers different aspects of Jewish translation, starting from the early translations of the Torah, to the modern Jewish experience of migration, state-building and life in the Diaspora. The volume addresses the question of how Jews have used translation to pursue different cultural and political agendas, such as Jewish nationalism, the development of Yiddish as a literary language, and the collection of Holocaust testimonies. It also addresses how non-Jews have translated elements of the Judaic tradition to create an image of the Other. Covering a wide span of contexts, including religion, literature, photography, music and folk practices, and featuring an interview section with authors and translators, the volume will be of interest not only to scholars of Jewish studies, translation and cultural studies, but also a wider interested audience.

Hillel Halkin is widely admired for his works of literary criticism, biography, fiction, and nonfiction, as well as for his celebrated achievements as a translator. Born and raised in New York City, he has lived most of his life in Israel. His complex sensibility, deeply rooted in Jewish literature and history no less than in his own personal experience, illuminates everything it touches. In A Complicated Jew, Halkin assembles a selection of essays that form, if not a conventional memoir, a haunting and intimate record of a profoundly Jewish life that defies categorization. It is a banquet for the mind. “Hillel Halkin is a master storyteller and a brilliant cultural critic, and in A Complicated Jew he combines both talents to take his readers on an intellectual thrill ride through his encounters with Jewish thought, art, and life. I envy him his lifetime of adventures and am grateful to him for sharing them with all of us.” Dara Horn, novelist and author of Eternal Life and People Love Dead Jews “I have been reading Hillel Halkin for well on to half a century, always deriving pleasure from his stately prose, intellectual profit from his deep learning, and inspiration from his integrity. I am pleased to think of him as my contemporary.” Joseph Epstein, author of Life Sentences: Literary Essays, Narcissus Leaves the Pool and Fabulous Small Jews, and former editor of The American Scholar. “Hillel Halkin himself has always been even more interesting to me than his highly interesting subjects, and here he gives us full access to his adventurous mind, the dazzling range of his learning, and his passionate spirit. More than a collection of essays, this book charts the intellectual journey of one of our most original Jewish writers.” Ruth Wisse, Professor emeritus of Yiddish and Comparative Literature at Harvard University and author of If Am Not for Myself: The Liberal Betrayal of the Jews, Jews and Power, and No Joke: Making Jewish Humor. “Even when Hillel Halkin exasperates, there is no voice on the contemporary Jewish scene more intellectually alert or lucid. The work of a cultural critic of rare breadth, this keenly personal, fiercely argued volume is as trenchant of tour of Jewry’s dilemmas of the last half-century as any I know.” Steven J. Zipperstein, Professor of Jewish Culture and History at Stanford University and author of Imagining Russian Jewry and Pogrom: Kishinev and the Tilt of History.

This book contains twelve essays, ten of which appeared in Mosaic magazine in 2015-2018. They introduce English readers to a number of major Hebrew authors of the nineteenth and early twentieth centuries whose work forms an important part of the literary response to the modern Jewish experience. These essays also explore the reciprocal relationship in this period between Hebrew literature, the evolution of the modern Hebrew language, and the emergence of Zionism as a historic force in Jewish life.

Prophets of the Past is the first book to examine in depth how modern Jewish historians have interpreted Jewish history. Michael Brenner reveals that perhaps no other national or religious group has used their shared history for so many different ideological and political purposes as the Jews. He deftly traces the master narratives of Jewish history from the beginnings of the scholarly study of Jews and Judaism in nineteenth-century Germany; to eastern European approaches by Simon Dubnow, the interwar school of Polish-Jewish historians, and the short-lived efforts of Soviet-Jewish historians; to the work of British and American scholars such as Cecil Roth and Salo Baron; and to Zionist and post-Zionist interpretations of Jewish history. He also unravels the distortions of Jewish history writing, including antisemitic Nazi research into the "Jewish question," the Soviet portrayal of Jewish history as class struggle, and Orthodox Jewish interpretations of history as divinely inspired. History proved to be a uniquely powerful weapon for modern Jewish scholars during a period when they had no nation or army to fight for their ideological and political objectives, whether the goal was Jewish emancipation, diasporic autonomy, or the creation of a Jewish state. As Brenner demonstrates in this illuminating and incisive book, these historians often found legitimacy for these struggles in the Jewish past.

Zionism combined dialogues with Jewish, Christian, and secular messianisms to create a politics based in redemptive visions of its own.

The struggle for postzionism is a conflict over national memory and the control of cultural and physical space. Laurence J. Silberstein analyzes the phenomenon of postzionism and provides an intervention into this debate.

"Mendele Mocher Sforim. Shem and Japheth on the train.--Peretz, Y. L. Scenes from Limbo.--Feierberg, M. Z. In the evening.--Ahad Ha-Am. Imitation and assimilation.--Bialik, H. N. The short Friday. Revealment and concealment in language.--Brenner, Y. H. The way out.--Barash, A. At heaven's gate.--Agnon, S. Y. Agunot. The lady and the peddler. At the outset of the day. Forevermore.--Hazaz, H. Rahamim. The sermon.--Yizhar, S. The prisoner.--Amichai, Y. The times my father died.--Oz, A. Before his time.--Yehoshua, A. B. Facing the forests."