"Published in conjunction with the exhibition 'Yona Friedman -- Genesis of a Vision,' which was presented in 2012 at Archizoom, École Polytechnique Fédérale de Lausanne (EPFL), Switzerland. ... The first part brings together a large number of projects and proposals by Yona Friedman into a classified anthology, which includes unpublished works. The second part presents an essay by Manuel Orazi that reconstructs the many facets of Freidman's work since his formative years and places it within the political and geographical context of its time"--Last page.

In 1958 Yona Friedman published his first manifesto on "mobile architecture" and founded GEAM (Groupe d'Etude d'Architecture Mobile), which proposed different strategies and actions geared to the adaptation of architectural creation to modern user requirements concerning social and physical mobility. In this initial manifesto, Friedman points out that architectural knowledge cannot be the exclusive property of professionals and specialists, and suggests writing guides ("manuals"), which explain topics related to architecture and urban planning in clear and simple terms. Following some recent publications that have reasserted the importance of Friedman's work, 'Pro Domo' is "a collection of fragments of scattered topics," a set of "milestones" selected by the author himself. In his words, these highlights are not meant as a testament nor do they, form a coherent whole. Instead, they form a personal selection chosen according to their sentimental value and span fifty-year period of production dating from the foundation of GEAM. The book includes building structure studies, urban design theories, observations on regional development, as well as design manuals for self-construction and competition projects.

Notwithstanding the many prophets of doom that see solid, sedentary architecture sacrificed to mobile lifestyles, architects continue to take up the challenge and design portable houses. The results are often both practical and innovative, as is demonstrated on the more than 800 pages of this new title in the Construction and Design Manual series, in which 43 international design teams present works ranging from architectural follies to handicapped accessible furnishings and life-saving shelters.

Yona Friedman presents a personal selection of half a century of his work. In 1958 Yona Friedman published his first manifesto on 'mobile architecture' and founded GEAM (Groupe d'Etude d'Architecture Mobile), which proposed different strategies and actions geared to the adaptation of architectural creation to modern user requirements concerning social and physical mobility. In this initial manifesto, Friedman points out that architectural knowledge cannot be the exclusive property of professionals and specialists, and suggests writing guides ('manuals'), which explain topics related to architecture and urban planning in clear and simple terms. Following some recent publications that have reasserted the importance of Friedman's work, Pro Domo is 'a collection of fragments of scattered topics', a set of 'milestones' selected by the author himself. In his words, these highlights are not meant as a testament nor do they, form a coherent whole.' Instead, they form a personal selection chosen according to their sentimental value and span fifty-year period of production dating from the foundation of GEAM. The book includes building structure studies, urban design theories, observations on regional development, as well as design manuals for self-construction and competition projects.

Today in architecture and city planning, Friedman (who has lived and practiced architecture in France for many years) observes that there are no strict rules that allow an accurate prediction of the results of a particular decision. Instead of the intuitive rules or "tricks of the trade" used by both professions, Friedman proposes a complete list of objective rules and risks involved as choices are made among several million possible plans for living space.

Featuring 165 expertly reproduced visionary architectural drawings from The Museum of Modern Art's Howard Gilman Archive, this collection brings together a selection of idealized, fantastic and utopian architectural drawings.

Non-Plan explores ways of involving people in the design of their environments - a goal which transgresses political categories of 'right' and 'left'. Attempts to circumvent planning bureaucracy and architectural inertia have ranged from free-market enterprise zones, to self-build housing, and from squatting to sophisticated technologies of prefabrication. Yet all have shared in a desire to let people shape the built environment they want to live and work in. How can buildings better reflect the needs of their inhabitants? How can cities better facilitate the work and recreation of their many populaces? Modernism had promised a functionalist approach to resolving the architectural needs of the twentieth-century, yet the design of cities and buildings often appears to confound the needs of those who use them - their design and layout being highly regulated by restrictive legislation, planning controls and bureaucracy. Non-Plan considers the theoretical and conceptual frameworks within which architecture and urbanism have sought to challenge entrenched boundaries of control, focusing on the architectural history of the post-war period to the present day. This provocative book will be of interest to architects, planners and students of architecture, design, town-planning and architectural history. Its contributors include architects, critics and historians, including many whose work helped shape the Non-Plan debate during the period. List of contributors: Cedric Price, Benjamin Franks, Elizabeth Lebas, Eleonore Kofman, Ben Highmore, Yona Friedman, Paul Barker, Clara Greed, Barry Curtis, Colin Ward, Ian Horton, John Beck, Chinedu Umenyilora and Malcolm Miles.

Since the 1950s, Hungarian-French architect, painter, writer, and decorator Yona Friedman (b, 1923) has worked on conceptual plans for urban housing alternatives and third world building development. He came to prominence in 1958 for his manifesto, l'Architecture Mobile, and later for his Ville Spatiale (Spatial Town) -- a housing system built off the ground based on a three-dimensional grid. His integrated socio-economic conception of architecture addressed both housing solutions for existing metropolitan areas and also for urbanizing third world cities. Friedman was also commissioned by UNESCO to design visual instructions for unskilled laborers to build structures solidly and efficiently with simple materials and techniques. This is the first monograph on his work.