Yodel-Ay-Ee-Oooo is the first book to address the question: How did a centuries-old, Swiss mountain tradition make its way into American country music? Along the way, the reader discovers that yodeling is not just a Swiss thing--everyone from Central African pygmies, Nashville hunks-in-hats, avant-garde tonsil-twisters like Meredith Monk, hiphop stars De La Soul, and pop stars like Jewel have been known to kick back and release a yodeling refrain. Along the way, we encounter a gallery of unique characters, ranging from the legendary, such as country singer Jimmie Rodgers, to the definitely different, including Mary Schneider (the Australian Queen of Yodeling) who specializes in yodeling Mozart, Beethoven, and Brahms, and the Topp Twins, a yodeling lesbian duo who employ the sound in their songs aimed at battling homophobia. The book is both a serious study of the history of yodeling around the world and a fun look at how this unique sound has worked its way into popular culture. Yodel-Ay-Ee-Oooo promises to be a classic for fans of music and popular culture.

Yodel in Hi-Fi explores the vibrant and varied traditions of yodelers around the world. Far from being a quaint and dying art, yodel is a thriving vocal technique that has been perennially renewed by singers from Switzerland to Korea, from Colorado to Iran. Bart Plantenga offers a lively and surprising tour of yodeling in genres from opera to hip-hop and in venues from cowboy campfires and Oktoberfests to film soundtracks and yogurt commercials. Displaying an extraordinary versatility, yodeling crosses all borders and circumvents all language barriers to assume its rightful place in the world of music. “If Wisconsin wasn’t on the yodel music map before, this book puts it there.”—Wisconsin State Journal

Big secrets of great yodelers ; Relax ; Singing exercise ; Find your voice break ; Basic yodel lesson ; Styles, rhythms, and tongue tricks ; Happy trails!

Wanted Cultured Ladies Only! maps out the early culture of cinema stardom in India from its emergence in the silent era to the decade after Indian independence in the mid-twentieth century. Neepa Majumdar combines readings of specific films and stars with an analysis of the historical and cultural configurations that gave rise to distinctly Indian notions of celebrity. She argues that discussions of early cinematic stardom in India must be placed in the context of the general legitimizing discourse of colonial "improvement" that marked other civic and cultural spheres as well, and that "vernacular modernist" anxieties over the New Woman had limited resonance here. Rather, it was through emphatically nationalist discourses that Indian cinema found its model for modern female identities. Considering questions of spectatorship, gossip, popularity, and the dominance of a star-based production system, Majumdar details the rise of film stars such as Sulochana, Fearless Nadia, Lata Mangeshkar, and Nargis.

A first-ever collection of documents that makes a strong articulate case for radio as a communication of hope and horror -- an "other" medium. This is our Big Grey Book of Radio -- from the avant garde to the prescriptive, radio as subversive instrument, political cudgel, and prank. Includes work by: Leon Trotsky, Tetsuo Kogawa, Ezra Pound, Abbie Hoffman, Sinclair, Bertolt Brecht, Weill, Negativland, Marinetti, George Orwell, and many more.

“Jewel is a truth-teller…this is a book that lingers in your heart.” – Brené Brown *The New York Times bestseller* New York Times bestselling poet and multi-platinum singer-songwriter Jewel explores her unconventional upbringing and extraordinary life in an inspirational memoir that covers her childhood to fame, marriage, and motherhood. When Jewel’s first album, Pieces of You, topped the charts in 1995, her emotional voice and vulnerable performance were groundbreaking. Drawing comparisons to Joan Baez and Joni Mitchell, a singer-songwriter of her kind had not emerged in decades. Now, with more than thirty million albums sold worldwide, Jewel tells the story of her life, and the lessons learned from her experience and her music. Living on a homestead in Alaska, Jewel learned to yodel at age five, and joined her parents’ entertainment act, working in hotels, honky-tonks, and biker bars. Behind a strong-willed family life with an emphasis on music and artistic talent, however, there was also instability, abuse, and trauma. At age fifteen, she moved out and tasked herself with a mission: to see if she could avoid being the kind of statistic that her past indicated for her future. Soon after, she was accepted to the prestigious Interlochen Arts Academy in Michigan, and there she began writing her own songs as a means of expressing herself and documenting her journey to find happiness. Jewel was eighteen and homeless in San Diego when a radio DJ aired a bootleg version of one of her songs and it was requested into the top-ten countdown, something unheard-of for an unsigned artist. By the time she was twenty-one, her debut had gone multiplatinum. There is much more to Jewel’s story, though, one complicated by family legacies, by crippling fear and insecurity, and by the extraordinary circumstances in which she managed to flourish and find happiness despite these obstacles. Along her road of self-discovery, learning to redirect her fate, Jewel has become an iconic singer and songwriter. In Never Broken she reflects on how she survived, and how writing songs, poetry, and prose has saved her life many times over. She writes lyrically about the natural wonders of Alaska, about pain and loss, about the healing power of motherhood, and about discovering her own identity years after the entire world had discovered the beauty of her songs.

(Vocal Selections). 16 vocal selections from the wickedly funny Broadway musical with music by David Yazbek. Songs include: Give Them What They Want * Great Big Stuff * Love Is My Legs * Love Sneaks In * Nothing Is Too Wonderful to Be True * What Was a Woman to Do * and more. Includes bio and pages of photos!

This book will tell all you need to know about British English spelling. It's a reference work intended for anyone interested in the English language, especially those who teach it, whatever the age or mother tongue of their students. It will be particularly useful to those wishing to produce well-designed materials for teaching initial literacy via phonics, for teaching English as a foreign or second language, and for teacher training. English spelling is notoriously complicated and difficult to learn; it is correctly described as much less regular and predictable than any other alphabetic orthography. However, there is more regularity in the English spelling system than is generally appreciated. This book provides, for the first time, a thorough account of the whole complex system. It does so by describing how phonemes relate to graphemes and vice versa. It enables searches for particular words, so that one can easily find, not the meanings or pronunciations of words, but the other words with which those with unusual phoneme-grapheme/grapheme-phoneme correspondences keep company. Other unique features of this book include teacher-friendly lists of correspondences and various regularities not described by previous authorities, for example the strong tendency for the letter-name vowel phonemes (the names of the letters ) to be spelt with those single letters in non-final syllables.

“Bright, colorful illustrations and short, catchy rhymes… in an accessible, knowledgeable format [that] is a solid success.” —School Library Journal Caldecott Honor winner and two-time New York Times best illustrator of the year author and illustrator Stephen T. Johnson’s lyrical journey of sounds, styles, and rhythms culminate in this highly imaginative and beautifully orchestrated celebration of music. Experience ten different types of music—classical, Latin, jazz, country, heavy metal, hip-hop, rock and roll, rhythm and blues, electronica, pop, and a surprise finale. Unfolding through an inventive accordion form is a masterful concert of playfully crafted singsong text in harmony with delightfully whimsical art. On the reverse side is a rich, in-depth glossary for each genre, sure to be a wonderful resource for all ages. Stephen T. Johnson is well known for his innovate children’s books and glorious public artwork and his dynamic performance in (with) Music is… will leave you wanting an encore!

I spent years wandering the haunted streets of NYC & Paris both bulging with ghosts & memory, rich in phenomenological detail, encounters & coincidence & the enticing scent of decay, where the old ignites the new. This sensory wealth tends to overpower the individual residents & in order to survive you eventually end up ignoring it all. One day you wake up & wonder why you're even living here; you must either put up or shut up; either reinvent your relation to your surroundings or get a divorce. & rather than do the easy thing-taking snapshots-I decided to record what my 5 senses registered by scribbling down a "snapshot" per day for a year while wandering, engaging in derives-the walking & writing producing countless notepads with barely legible scribbles. Thus the Unloaded Camera Snapshots series began as an exercise to document the "snapshots" of everyday life. These eidetic, epigrammatic, not-quite prose poems, not-quite journal entries, served as meta-factual attempts to re-pollinate existence with the fecund, oft-neglected details of the everyday, la vie quotidienne. Think of it this way: Brassai & Doisneau meet Cartier-Bresson in a Montmartre cafe &, over Pastis, decide to smash their cameras & triumphantly take up pens instead. Jean Luc Godard once said: "there is just a moment when things cease to be a mere spectacle, a moment when a man is lost and when he shows that he is lost." The companion book NY SIN PHONEY IN FACE FLAT MINOR documents New York using the same tactics, and is also available from Sensitive Skin Books (November, 2016). The Unloaded Camera Snapshots commenced as an exercise to document the "snapshots" of everyday life & was inspired at the time by photographer-friends Foto Sifichi, Bradlay Weiss & Wendy *****. These eidetic, epigrammatic, not-quite prose poems, not-quite journal entries, meta-factual attempts to re-pollinate existence with the fecund, oft-neglected details of the everyday, la vie quotidienne. See it as one's 3rd eye functioning as an ultra-sensitive macro lens. Think of it this way: Brassai & Doisneau meet Cartier-Bresson in a Montmartre cafe &, over Pastis, decide to smash their cameras & triumphantly take up pens instead."