Ahoy, shipmates! Put on your pirate eye patch, tie your headscarf and have a go, with Yo-Ho Harvey in this swashbuckling, carry-along, novelty book! An interactive role play book with massive added value! Have a Go Harvey dresses as a different character in each title of this fantasy role-play series, which also includes the cowboy book, ‘Yee-Ha Harvey’ Contains removable dressing-up pieces, so kids can have a go, too! Perfectly targetted at little boys – a ‘Mr Ben’ for a new generation of children. Aspiring pirates will delight in watching Harvey come to life before their eyes in the pull-tab, moving scenes at the beginning and end of this swashbuckling story. With its attractive plastic handle, this wonderful play-and-pretend set is easily transported by little pirates! A jaunty rhyming text, brimming with familiar pirate words and phrases – perfect for reading aloud.

Pirate Edwin Peas needs his old friend Aunt Zelda's help. It seems that King Feargus II of Ootnanni has taken some of his ship's crew captive and won't return them until Eddie coughs up the loot he stole. Too bad he can't remember where he hid it. A greedy Salem sets out with Sabrina on a high seas adventure to recover the sunken relics -- and they end up in a titanic mess.

The definitive, authorized, and first-ever biography of Terry Allen, the internationally acclaimed visual artist and iconoclastic songwriter who occupies an utterly unique position straddling the disparate, and usually distant, worlds of conceptual art and country music. “People tell me it’s country music,” Terry Allen has joked, “and I ask, ‘Which country?’” For nearly sixty years, Allen’s inimitable art has explored the borderlands of memory, crossing boundaries between disciplines and audiences by conjuring indelible stories out of the howling West Texas wind. In Truckload of Art, author Brendan Greaves exhaustively traces the influences that shaped Allen’s extraordinary life, from his childhood in Lubbock, Texas, spent ringside and sidestage at the wrestling matches and concerts his father promoted, to his formative art-school years in incendiary 1960s Los Angeles, and through subsequent decades doggedly pursuing his uncompromising artistic vision. With humor and critical acumen, Greaves deftly recounts how Allen built a career and cult following with pioneering independent records like Lubbock (on everything) (1979)—widely considered an archetype of alternative country—and multiyear, multimedia bodies of richly narrative, interconnected art and theatrical works, including JUAREZ (ongoing since 1968), hailed as among the most significant statements in the history of American vernacular music and conceptual art. Drawing on hundreds of revealing interviews with Allen himself, his family members, and his many notable friends, colleagues, and collaborators—from musicians like David Byrne and Kurt Vile to artists such as Bruce Nauman and Kiki Smith—and informed by unprecedented access to the artist’s home, studio, journals, and archives, Greaves offers a poetic, deeply personal portrait of arguably the most singularly multivalent storyteller of the American West.

"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.

"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.