The tanned farmer stood under the windmill in the hot, cloudless July afternoon. His soiled blue cotton shirt was buttoned to the collar. Before him, his nineteen-year-old son, ramrod straight in his immaculate marine dress blues, lamented, Dad, if only I could turn back just a few months, then I wouldnt be in this predicament. The father, his jaw set, gazing up at the windmill vanes, quiet in the summer calm, uttered softly, You cant pump water with yesterdays wind. Born in 1922 to a simple farming family in rural Colorado, Andrew Hubbard is athletic, handsome, and intelligent. Andys childhood is a balancing act between the academic world he loves so dearly and the farming culture surrounding him. Maturing into a young man, he is on track to fulfilling his dream of becoming a doctor and marrying his high school sweetheart. World War II put the plans of a generation on hold, and Andy was no exception. After joining the United States Marines and facing a long and bloody war, Andy fights not only for his country but also for his ability to make it home to the life he treasures. Based on a true story.

He fought to seek his fortune. Would he lose a greater treasure: the love he left behind? As the son of the squire of Grimston Way, aristocrat Rogan Chantry has fought hard to win his independence from Sir Julien Bley and the British South Africa Company. Now, his pursuit of a mysterious deposit of gold, marked on a map willed to him by his murdered uncle, Henry Chantry, is challenged by a new complication: the impending British colonization of South Africa. Can Sir Rogan find the gold in the midst of escalating tensions among the native tribesmen, the missionaries sent to win them, and the new colonists? Meanwhile, Evy Varley, the woman Rogan loves back in England, is headed for a brave yet dangerous confrontation with Henry’s killer–but at what price? With so much against Rogan and Evy, a reunion seems improbable, if not impossible. Can yesterday’s promise hold them faithful to the hope of future freedom and a victorious love?

Yesterday's Falcon opens as Gawain collapses at the portals of an isolated castle in the midst of a terrible snowstorm. He is taken in by Rhiannon, a striking young Druid who has been living alone since the murder of her husband. In order to heal the ailing knight, Rhiannon decides to take him to the Terran Stone, an ancient monolith left behind by the Far Druids before they disappeared. The mystical Stone stands on a small island in the center of the Natal Lake - a lake fed by waters flowing south from the ruinous wastelands. If Rhiannon is to find redemption and Gawain the answers he seeks, they must look to each other on the harrowing journey, for somewhere there lies hope and love in a dying world.

When Israeli Nobel Laureate S. Y. Agnon published the novel Only Yesterday in 1945, it quickly became recognized as a major work of world literature, not only for its vivid historical reconstruction of Israel's founding society. The book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence? Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him. Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.