As a contributing editor to Simple Scrapbooks magazine, Donna Downey redefines traditional scrapbooking and inspires others to open their eyes to dozens of unique possibilities for celebrating life with pictures and written words. She urges people to remember that scrapbooking is less about committing to a hobby and more about sharing the stories of everyday life in any creative medium. Presenting the best of her off the page albums, journals, and photo displays, this step-by-step guide has more than 65 ways to capture meaningful memories. Donna shares one-of-a-kind ways to use ordinary items, such as using a coin folder screen to display mini photos from a family trip, and a muffin tin to show photos of her daughter baking cookies. Most projects can be finished in an afternoon or so, and they invite frequent browsing. They can be displayed in the home or given to family and friends. Either way, people are sure to say, Wow! Is this a scrapbook?

Love the beautiful scrapbook layouts you see in Creating Keepsakes, but not the time it takes to recreate them? Here's the perfect resource. Creating Keepsakes' groundbreaking new book, Scrapbooking 30-Minute Pages, proves you don't have to spend hours to make a memorable?and gorgeous?layout. You'll find: Tips for creating jaw-dropping layouts in 30 minutes or less. Get more layouts done! Expert shortcuts for great techniques. Fresh ideas from talented scrapbookers that will inspire you to get back to preserving your own special memories. Includes a bonus CD with 20 terrific CK fonts for fantastic titles and journaling! Chapters conveniently organized by number of photos per layout.

THE STORY: Zuckerman, a college student, has ran over and killed a young man riding a skate board. As the play opens he is in his room pasting newspaper clippings into a scrapbook, humming contentedly, as he listens to a report of the accident on the radio. There is a knock at the door. Joanna, the fiancee of the dead man, enters in tears of accusation. After her initial tirade it's not long before they end up in each other's arms and in bed, quarreling over the amount of space devoted to each of them in the newspaper's report of the accident. Zuckerman's outrage during the quarrel is the only emotion he feels, whereas shedding tears is no problem for Joanna. But what amuses and disturbs them most is the chilling speed with which their instinctive self-concern overcomes the grief of the one and the guilt of the other. What develops is an intense new liaison between the two of them which quickly erases all memories of the departed.

"Expert advice, projects, quizzes, inspiring scrapbook spaces."

Author's first novel takes place in a community in modern America --Back cover.

In this Banksy-inspired illustrated novel, an escalating sibling rivalry train wrecks and vengeance is a street-art act of war Introvert Frankie Neumann hates his life, and understandably so. He’s got a weird, tutu-wearing sister, Lou, and even weirder parents, Bridget and Brett—Frank Sinatra and Dr. Frank-N-Furter impersonators, respectively. And, he’s just the guy who makes pizza at Pizza Vendetta. Though he has secret artistic aspirations of his own, his over-the-top family makes him want to stay in the background. But Frankie's life is about to change—becoming way more interesting, even a little dangerous, but definitely cool. After his shift at the pizzeria one night, Frankie meets David and Rory, cousins and errand runners for the mysterious Uncle Epic, a legendary anonymous street artist and Frankie’s absolute idol. Little could Frankie dream that his new adventures with Uncle Epic would lead to the perfect opportunity to strike back at his insufferable sister for a lifetime of torture. But things go haywire quicker than you can say “street art kicks righteous ass,” and the lines are suddenly blurred between art and Frankie’s real life.

The discovery of an old scrapbook in a Warsaw library leads researcher Phineas Fox to uncover evidence of a devastating wartime atrocity. "We had no choice. But it was a bad way for them to die." When music researcher Phineas Fox is asked to verify the contents of an old scrapbook, rescued from the site of the historic Chopin Library in Warsaw, he is initially sceptical. But he soon discovers an intriguing link between the Library and an infamous piece of music known as the Dark Cadence. Legend has it that the Dark Cadence was only performed at a traitor's execution - and it has never been written down. It is believed to have last been played on the night the Chopin Library was destroyed during the Nazi occupation of World War II. What really happened that terrible night in October, 1944? What is the connection with an equally dreadful night in Russia in 1918, the night the Tsar and his family were executed? And what are the repercussions for the present . . .?

A scrapbooking club finds one of its new members under suspicion—but is it just a witch hunt? “A great story, well told!” —Juliet Blackwell, New York Times–bestselling author of the Witchcraft mysteries The ladies of the Cumberland Scrapbook Crop are welcoming an eccentric newbie into their fold. A self-proclaimed witch, Cookie Crandall can whip up a sumptuous vegan meal and rhapsodize about runes and moon phases with equal aplomb. She becomes fast friends with her fellow scrapbookers, including freelance reporter Annie, with whom she shares shallow roots in a community of established family trees. So when Cookie becomes the prime suspect in a series of bizarre murders, the croppers get scrappy and set out to clear her name . . . Annie starts digging and discovers that the victims each had strange runic patterns carved on their bodies—a piece of evidence that points the police in Cookie’s direction. Even her friends begin to doubt her innocence when they find an ornate, spiritual scrapbook that an alleged beginner like Cookie could never have crafted. As Annie and the croppers search for answers, they’ll uncover a shockingly wicked side of their once quiet town—and a killer on the prowl for another victim . . . Praise for Scrapbook of Secrets “Crafty cozy . . . Introduces some dandy characters that will spin off well as the series unfolds.” —Library Journal “Intriguing characters, eerie happenings . . . Kept me guessing ’til the end.” —Clare O’Donohue “A font of ingenuity . . . Superb entertainment.” —Mystery Scene Includes tips and a glossary of terms for the modern scrapbooker!

Men and women 150 years ago grappled with information overload by making scrapbooks-the ancestors of Google and blogging. From Abraham Lincoln to Susan B. Anthony, African American janitors to farmwomen, abolitionists to Confederates, people cut out and pasted down their reading. Writing with Scissors opens a new window into the feelings and thoughts of ordinary and extraordinary Americans. Like us, nineteenth-century readers spoke back to the media, and treasured what mattered to them. In this groundbreaking book, Ellen Gruber Garvey reveals a previously unexplored layer of American popular culture, where the proliferating cheap press touched the lives of activists and mourning parents, and all who yearned for a place in history. Scrapbook makers documented their feelings about momentous public events such as living through the Civil War, mediated through the newspapers. African Americans and women's rights activists collected, concentrated, and critiqued accounts from a press that they did not control to create "unwritten histories" in books they wrote with scissors. Whether scrapbook makers pasted their clippings into blank books, sermon collections, or the pre-gummed scrapbook that Mark Twain invented, they claimed ownership of their reading. They created their own democratic archives. Writing with Scissors argues that people have long had a strong personal relationship to media. Like newspaper editors who enthusiastically "scissorized" and reprinted attractive items from other newspapers, scrapbook makers passed their reading along to family and community. This book explains how their scrapbooks underlie our present-day ways of thinking about information, news, and what we do with it.