Since 1964, when Louisiana State University Press published its inaugural book of verse (Miller Williams’s A Circle of Stone), its poetry list has grown exponentially—191 books by 93 poets—into a program that inspires understandable pride in those associated with it. Two collections have won the Pulitzer Prize—The Flying Change (1986), by Henry Taylor, and Alive Together (1996), by Lisel Mueller. Another book by Mueller, The Need to Hold Still (1980), won the National Book Award, while several other LSU titles have been finalists for that distinction, most recently The Fields of Praise (1997), by Marilyn Nelson, and The Vigil (1993), by Margaret Gibson. Dozens more have been recognized for their excellence through a host of various honors. The Press publishes the winner of the annual Walt Whitman Award, given by The Academy of American Poets for a first collection; and in 1996 it launched the Southern Messenger series in collaboration with Dave Smith, bringing two shining works into the fold each year. The appearance of The Collected Poems of Robert Penn Warren in 1998 meant for the Press the realization of a long, dearly held dream. To mark this thirty-five-year-old tradition as the century and millennium turn, and to offer a sampling of its richness, The Yellow Shoe Poets, a retrospective anthology, was compiled under the editorship of George Garrett, a longtime colleague of the Press and the author of eight poetry volumes. (Say “the LSU poets” real fast with a southern drawl and you get the ridiculously wonderful moniker that poet Elizabeth Seydel Morgan’s young friend innocently mistook for this noble band. It’s an image Brendan Galvin has appropriated to a perfect fit in his poem “Yellow Shoe Poet,” written on behalf of his fellow “yellow shoes” across the years.) All 173 poems are taken from LSU Press books and were selected by the poets themselves, if living. Arranged alphabetically by author, they consist of at least one poem from every poet published by the Press. Goethe’s admonition that “one ought every day at least, to read a good poem” can find no better starting point than in The Yellow Shoe Poets.

A collection of fourteen poems describes animals of all shapes, sizes, and colors, including a red donkey, a purple puppy, and a blue turtle.

“Sexy, telegraphic, edgy, and rapt. . . . Exquisitely visual, cuttingly witty, Moore’s poems are at once cool and searing.”—Booklist

Going beyond exclusively national perspectives, this volume considers the reception of the ancient Greek poet Sappho and her first Latin translator, Catullus, as a literary pair who transmit poetic culture across the world from the early 20th century to the present. Sappho's and Catullus' reception has shaped a transnational network of poets and intellectuals, helping to define ideas of origins, gender, sexuality and national identities. This book shows that across time and cultures translations and rewritings of Sappho and Catullus articulate modernist poetics of myth and fragmentation, forms of confessionalism and post-modern pastiche. The inquiry focuses on Italian and North American poetry as two central yet understudied hubs of Sappho's and Catullus' modern reception, also linked by a rich mutual intellectual exchange: key case-studies include Giovanni Pascoli, Ezra Pound, H.D., Salvatore Quasimodo, Robert Lowell, Rosita Copioli and Anne Carson, and cover a wide range of unpublished archival material. Texts are analysed and compared through reception and translation theories and inserted within the current debate on the Classics as World Literature, demonstrating how sustained transnational poetic discourse employs the ancient pair to expand notions of literary origins and redefine poetry's relationship to human existence.

The Most Trusted Guide for Getting Poetry Published! The 2013 Poet’s Market includes hundreds of publishing opportunities specifically for poets, including poetry publications, book/chapbook publishers, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and - when offered - payment information. Plus, the editorial content in the front of the book has been revamped to include more articles on the Business of Poetry, Promotion of Poetry, and Craft of Poetry. Learn how to navigate the social media landscape, write various poetic forms, give a perfect reading, and more. PLEASE NOTE: Free subscriptions are NOT included with the e-book edition of this title.

"One can only marvel at the instinct of Parisian painters to keep their art in the hands of poets."-Robert Motherwell. At the height of the Cubist movement in Paris, no fewer than fifteen significant poets kept company with the painters. "Every writer had his painter, " said Blaise Cendrars. "I myself had Delaunay and Liger, Max Jacob had Picasso, Reverdy Braque, and Apollinaire had everybody." The painters illustrated the poets' poems and painted their portraits; the poets wrote the painters' praise and defended them in journalistic wars. They loaned each other money, gave shelter to each other in times of need, inspired each other, and fortified each other's resolve through thick and thin. The Cubist Poets in Paris evokes the capital city of Cubism in all its flamboyant bustle. It includes groups of poems by Guillaume Apollinaire, Pierre Albert-Birot, Blaise Cendrars, Jean Cocteau, Sonia Delaunay, Paul Dermie, Pierre Drieu la Rochelle, Charlotte Gardelle, Vicente Huidobro, Max Jacob, Marie Laurencin, Hilhne Baronne d'Oettingen, Raymond Radiguet, Pierre Reverdy, and Andri Salmon. Each poem is presented in French and in English translation. Fifteen illustrations suggest the painters' close ties with the poets, including works by Juan Gris, Giorgio de Chirico, and Liopold Suvage. LeRoy C. Breunig has taught at Cornell University, Harvard, Columbia University, and at Barnard College, where he was Dean of Faculty and interim president. He has edited Guillaume Apollinaire's Chroniques d'art and Apollinaire on Art. His articles have appeared in Mercure de France, Comparative Literature, and Yale French Studies.

A fusion of east and west, high culture, popular culture, and ancient Chinese history mark this distinguished collection.

The most trusted guide to getting poetry published! The 2014 Poet's Market includes hundreds of publishing opportunities specifically for poets, including listings for book/chapbook publishers, poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the listings, Poet's Market offers articles on the Craft of Poetry, Business of Poetry, and Promotion of Poetry--not to mention new poems from contemporary poets. Learn how to navigate the social media landscape, submit your poems for publication, write various poetic forms, give a perfect reading, and more. You also gain access to: • Lists of conferences, workshops, organizations, and grants. • One-year access to the poetry-related information and listings on WritersMarket.com (print edition only) • A free digital download of Writer's Yearbook featuring the 100 Best Markets Includes brand-new poems from today's best and brightest poets, including Amorak Huey, J.P. Dancing Bear, Jeannine Hall Gailey, Scott Owens, Martha Silano, Susan Rich, and more. "My grandmother bought my first Poet's Market when I was in college. I had just taken my first college creative writing class. Now, nearly 20 years later, as a writer who has had books published and as an editor of a 10-year-old magazine, Poet's Market is still an invaluable tool. Every poet and poetry student needs a copy on his or her bookshelf." --Shaindel Beers, author of A Brief History of Time and The Children's War and Other Poems, and Poetry Editor of Contrary