A profile of the Zionist poet and philosopher offers insight into his representation of 11th- and 12th-century Andalusian Spain, analyzes the religious disciplines that informed his work and traces his fateful voyage to Palestine.

This book follows the life story of the greatest Hebrew poet of medieval times from his first publication in Christian Toledo to his heroic journey toward Zion from Muslim Spain. The description is based, for the first time, on the entire collection of his poetry - "The Diwan", which was edited and re-edited between East and West at every important crossroad of his life. This in turn is done through comparison to autographical letters and contemporary correspondence discovered and collected over the past 50 years in the Cairo Geniza collections. Documentary material and Literary works, which were shun behind the iron wall in The Russian National Library in St. Petersburg, are woven for the first time into one, enabling us to examine closely the intricate relationship between old Jewish traditions and the ideological heritage associated with Halevi's innovative writings in prose and in poetry. Confronting Halevi's "Zion, will thou not ask?" opens the study which is mainly concerned with the story of Halevi's odyssey from Christian to Muslim Spain and eventually to Egypt, including the epic quest to the beloved yet fatal Zion.

This is the first publication in English of Franz Rosenzweig's 1927 translation of and commentaries on ninety-two poems and hymns of the greatest medieval "singer of Zion," Yehuda Halevi (born circa 1080). Franz Rosenzweig (1886-1929) is widely recognized as one of the greatest Jewish philosophers of the modern period and his Star of Redemption is considered one of the most important twentieth-century contributions to Jewish—and Christian—theology. Rosenzweig's original and brilliant commentaries open a window into the final developments of his own thought: his debates with Protestant theology, his reservations regarding modern science and culture, and his progressive appreciation for the wisdom of the Jewish tradition. They are a testament not only to the profound vision of Judaism embedded in the poetry of Yehuda Halevi, but to the ever vibrant and deepening sagacity of Franz Rosenzweig himself.

One of the finest poets in post-Biblical Hebrew literature, in a major new translation.

Part of the Jewish Encounter series A masterly biography of Yehuda Halevi, one of the greatest of Hebrew poets and a shining example of the synthesis of religion and culture that defined the golden age of medieval Spanish Jewry. Like Maimonides, with whom he contrasts sharply, Yehuda Halevi spanned multiple worlds. Poet, philosopher, and physician, he is known today for both his religious and secular verse, including his famed “songs of Zion,” and for The Kuzari, an elucidation of Judaism in dialogue form. Hillel Halkin brilliantly evokes the fascinating world of eleventh- and twelfth-century Andalusian Spain in which Halevi lived and discusses the influences that formed him. Relying on the astonishing discoveries of the Cairo Geniza, he pieces together the mystery of Halevi’s last days, with its fateful voyage to Palestine, which became a haunting legend. An acclaimed writer and translator, Halkin builds his account of Halevi’s life and death on his magnificent translations of Halevi’s poems. He places The Kuzari within the wider context of Jewish thought and explains why, more perhaps than any other medieval Jewish figure, Halevi has become an inspirational yet highly controversial figure in modern Jewish and Israeli intellectual life.

Winner of the Everett Family Jewish Book of the Year Award (a National Jewish Book Award) and the RUSA Sophie Brody Medal. In Like Dreamers, acclaimed journalist Yossi Klein Halevi interweaves the stories of a group of 1967 paratroopers who reunited Jerusalem, tracing the history of Israel and the divergent ideologies shaping it from the Six-Day War to the present. Following the lives of seven young members from the 55th Paratroopers Reserve Brigade, the unit responsible for restoring Jewish sovereignty to Jerusalem, Halevi reveals how this band of brothers played pivotal roles in shaping Israel’s destiny long after their historic victory. While they worked together to reunite their country in 1967, these men harbored drastically different visions for Israel’s future. One emerges at the forefront of the religious settlement movement, while another is instrumental in the 2005 unilateral withdrawal from Gaza. One becomes a driving force in the growth of Israel’s capitalist economy, while another ardently defends the socialist kibbutzim. One is a leading peace activist, while another helps create an anti-Zionist terror underground in Damascus. Featuring an eight pages of black-and-white photos and maps, Like Dreamers is a nuanced, in-depth look at these diverse men and the conflicting beliefs that have helped to define modern Israel and the Middle East.

Hebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including a panoramic historical introduction, short biographies of each poet, and extensive notes. (The original Hebrew texts are available on the Princeton University Press Web site.) By far the most potent and comprehensive gathering of medieval Hebrew poems ever assembled in English, Cole's anthology builds on what poet and translator Richard Howard has described as "the finest labor of poetic translation that I have seen in many years" and "an entire revelation: a body of lyric and didactic verse so intense, so intelligent, and so vivid that it appears to identify a whole dimension of historical consciousness previously unavailable to us." The Dream of the Poem is, Howard says, "a crowning achievement."

New York Times bestseller Now with a new Epilogue, containing letters of response from Palestinian readers. "A profound and original book, the work of a gifted thinker."--Daphne Merkin, The Wall Street Journal Attempting to break the agonizing impasse between Israelis and Palestinians, the Israeli commentator and award-winning author of Like Dreamers directly addresses his Palestinian neighbors in this taut and provocative book, empathizing with Palestinian suffering and longing for reconciliation as he explores how the conflict looks through Israeli eyes. I call you "neighbor" because I don’t know your name, or anything personal about you. Given our circumstances, "neighbor" might be too casual a word to describe our relationship. We are intruders into each other’s dream, violators of each other’s sense of home. We are incarnations of each other’s worst historical nightmares. Neighbors? Letters to My Palestinian Neighbor is one Israeli’s powerful attempt to reach beyond the wall that separates Israelis and Palestinians and into the hearts of "the enemy." In a series of letters, Yossi Klein Halevi explains what motivated him to leave his native New York in his twenties and move to Israel to participate in the drama of the renewal of a Jewish homeland, which he is committed to see succeed as a morally responsible, democratic state in the Middle East. This is the first attempt by an Israeli author to directly address his Palestinian neighbors and describe how the conflict appears through Israeli eyes. Halevi untangles the ideological and emotional knot that has defined the conflict for nearly a century. In lyrical, evocative language, he unravels the complex strands of faith, pride, anger and anguish he feels as a Jew living in Israel, using history and personal experience as his guide. Halevi’s letters speak not only to his Palestinian neighbor, but to all concerned global citizens, helping us understand the painful choices confronting Israelis and Palestinians that will ultimately help determine the fate of the region.

Yehuda Amichai is one of the twentieth century’s (and Israel’s) leading poets. In this remarkable book, Gold offers a profound reinterpretation of Amichai’s early works, using two sets of untapped materials: notes and notebooks written by Amichai in Hebrew and German that are now preserved in the Beinecke archive at Yale, and a cache of ninety-eight as-yet unpublished letters written by Amichai in 1947 and 1948 to a woman identified in the book as Ruth Z., which were recently discovered by Gold. Gold found irrefutable evidence in the Yale archive and the letters to Ruth Z. that allows her to make two startling claims. First, she shows that in order to remake himself as an Israeli soldier-citizen and poet, Amichai suppressed (“camouflaged”) his German past and German mother tongue both in reference to his biography and in his poetry. Yet, as her close readings of his published oeuvre as well as his unpublished German and Hebrew notes at the Beinecke show, these texts harbor the linguistic residue of his European origins. Gold, who knows both Hebrew and German, establishes that the poet’s German past infused every area of his work, despite his attempts to conceal it in the process of adopting a completely Israeli identity. Gold’s second claim is that Amichai somewhat disguised the story of his own development as a poet. According to Amichai’s own accounts, Israel’s war of independence was the impetus for his creative writing. Long accepted as fact, Gold proves that this poetic biography is far from complete. By analyzing Amichai’s letters and reconstructing his relationship with Ruth Z., Gold reveals what was really happening in the poet’s life and verse at the end of the 1940s. These letters demonstrate that the chronological order in which Amichai’s works were published does not reflect the order in which they were written; rather, it was a product of the poet’s literary and national motivations.