Borders, Territories, and Ethics: Hebrew Literature in the Shadow of the Intifada by Adia Mendelson-Maoz presents a new perspective on the multifaceted relations between ideologies, space, and ethics manifested in contemporary Hebrew literature dealing with the Israeli-Palestinian conflict and the occupation. In this volume, Mendelson-Maoz analyzes Israeli prose written between 1987 and 2007, relating mainly to the first and second intifadas, written by well-known authors such as Yehoshua, Grossman, Matalon, Castel-Bloom, Govrin, Kravitz, and Levy. Mendelson-Maoz raises critical questions regarding militarism, humanism, the nature of the State of Israel as a democracy, national identity and its borders, soldiers as moral individuals, the nature of Zionist education, the acknowledgment of the Other, and the sovereignty of the subject. She discusses these issues within two frameworks. The first draws on theories of ethics in the humanist tradition and its critical extensions, especially by Levinas. The second applies theories of space, and in particular deterritorialization as put forward by Deleuze and Guattari and their successors. Overall this volume provides an innovative theoretical analysis of the collage of voices and artistic directions in contemporary Israeli prose written in times of political and cultural debate on the occupation and its intifadas.

A Palestinian-Israeli poet declares a new state whose language, "Homelandic," is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a "language plague" that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. In Poetic Trespass, Lital Levy brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, she presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, Poetic Trespass traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, Levy finds writers who have boldly crossed over this divide to create literature in the language of their "other," as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, Levy introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, Poetic Trespass will change the way we understand literature and culture in the shadow of the Israeli-Palestinian conflict.

The Palestinian National Movement and its Palestine Authority aim to rewrite the history of the Land of Israel. They have developed several agendas about the history of the country. One agenda claims that they are the ancient population of the country they call Falstin (Palestine). The other claims said they settled in the country in 640; they have a history of 1,381 years. The Jews, they say, have no historical claim on that country; but another agenda claims that Jews did populate the country, but the Romans conquers never exiled the Jews two thousand years ago. The Jews converted to Islam during the Arab-Muslim occupation of the country (640–1099) and that the Palestinians are the descendants of these Jews and, therefore, the rightful heirs of the country. But the historical facts tell a different story. This book is the second volume of When and How the Arabs and Muslims Immigrated to the Land of Israel. The first volume deals with 640–1914 and brings evidence that most Palestinians are descendants of immigrants who came to the country from Arab and Muslim countries in small numbers during a slow process over hundreds of years; and between the end of the nineteenth century and First World War, their number grew by immigrant workers. This volume brings evidence that under the British Mandate rule (1918–1948), waves of Arab/Muslim immigrant workers entered the country illegally because of the British policy to ignore illegal immigration. The British mandate government actually ordered the Transjordan army responsible for controlling the borders to ignore illegal immigration. Also, the British Army brought Arab workers from Egypt, Syria, and Lebanon to build and work in their camps. The economic and employment opportunities created by the Zionist Movement, Jewish investors and immigrants, Christian organizations, and the British Mandate in the Land of Israel drew an increasing number of Arab immigrant workers. These opportunities were much better than those they had in their home countries.

Psychics, mediums, and ghosts have become a sensation in our culture today. As a result, there are many confusing and deceptive beliefs presented. Ron Rhodes, respected and popular biblical scholar, tackles the truth about ghosts and those who say they communicate with them and answers the questions: Do ghosts in any shape or form exist? Why is there a rise in psychic phenomena today? What do psychics believe about God, Jesus, and salvation? What is Satan's role with the paranormal? How can parents protect their family from the psychic trend? This reader-friendly presentation of intriguing facts and biblical insights will help Christians know how to respond to this fascination with the ultimate truth.

New York Times Notable Book: A story of six generations of a Jewish family, by an author Saul Bellow called “one of Israel’s world-class writers.” In this novel, a winner of both the National Jewish Book Award and the first Israeli Literature Prize, A. B. Yehoshua weaves a deeply affecting family saga and an portrait of Jewish life over the past two centuries. The story moves backward through time, unfolding over the course of five conversations. On a kibbutz in the Negev in 1982, a student describes her strange meeting with her boyfriend’s father, Judge Gavriel Mani. On German-occupied Crete in 1944, a Nazi soldier recounts his attempts to hunt down the Mani family. In Jerusalem in 1918, a Jewish lawyer in the British army briefs his commanding officer on the forthcoming trial of the political agitator Yosef Mani. In a village in southern Poland in 1899, a young doctor reports back to his father on his travels, and on his sister’s romance with Dr. Moshe Mani. And in Athens in 1848, Avraham Mani reveals the heartbreaking tale of the death of his son, Yonef, in Jerusalem. Alfred Kazin hailed Mr. Mani as “one of the most remarkable pieces of fiction I have ever read.” Named as one of the best books of the year by Publishers Weekly, it is both an absorbing tale and a powerful statement about family, faith, and the weight of history. Translated from the Hebrew by Hillel Halkin

The main purpose of this etymological dictionary is to trace each Spanish word as far back as possible in order to acquaint the reader with the history of the evolution of the Spanish language; another of its aims is to help students learn vocabulary, e.g., the English word 'sky' does not help English speaking persons learn the Spanish work 'cielo' but the English word 'celestial' does. Etymology is the history of words, and, as words stand for things, it is also the history of things, and therefore of civilisation. The words analyzed in this dictionary cover every area of human endeavor, including science and technology; in addition to words, the book contains certain phrases, and many affixes. Although some Spanish words are not of Indo-European origin, most of them are. In view of the proportion of words with similar etymologies in certain languages, this Spanish etymological dictionary can also be used to find the origin of thousands of English, French, Italian and Portuguese words as well as that of many words from other languages. Many Indo-European roots are represented in Spanish words and therefore this dictionary forms a complete picture of Indo-European etymology. This etymological dictionary is of great value to all those working with, or interested in, the Spanish language. As a reference work it should be on the shelves of school, university and general public libraries as well as other appropriate reference libraries. It is of particular value to students and teachers of Spanish and to translators and conference interpreters.

With top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors' illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.

This Is A New Release Of The Original 1899 Edition.