Contents: H.S.H. Princess Caroline; Opening Address; C. George Sandulescu, Preface; A. Norman Jeffares, Address on Yeats the European; Alasdair D.F. Macrae, When Years Summoned Golden Codgers To His Side; Helen Vendler, Yeats As A European Poet: The Poetics of Cacophony; Patrick Rafroidi, Yeats's France Revisited; Denis Donoghue, Yeats and European Criticism; Jacqueline Genet, Villiers De l'Isle Adam and W.B. Yeats; Warwick Gould, A Crowded Theatre: Yeats and Balzac; Birgit Bramsb0/00ck, Yeats and The 'Bounty of Sweden'; Peter R. Kuch, A Few Twigs From The Wild Bird's Nest; C.K. Stead, Yeats The European; Michael Sidnell, The Presence of The Poet: Or What Sat Down At The Breakfast Table; Ronald Schuchard, Yeats, Titian and The New French Painting; John Kelly, Caelum Non Animum Mutant; William M. Murphy, Lily Yeats, W.B. Yeats, and France; Ann Saddlemyer, Georgie Hyde Lees: More Than A Poet's Wife; Michael Alexander, Savants and Artists: Pound and Yeats; Bernard Hickey, Lady Gregory: Coole and Ca'Cappello Layard; Andrew Parkin, W.B. Yeats and Other Europeans; Masaru Sekine, Four Plays For Dancers: Japanese Aesthetics and A European Mind; George Watson, Yeats, Ibsen and The 'New Woman'; Toni Cerutti, Yeatsian Studies In Italy Today; Heinz Kosok, Yeats In Germany; A. Norman Jeffares; Contributors; Index^R

The intellectual and cultural impact of British and Irish writers cannot be assessed without reference to their reception in European countries. These essays, prepared by an international team of scholars, critics and translators, record the ways in which W. B. Yeats has been translated, evaluated and emulated in different national and linguistic areas of continental Europe. There is a remarkable split between the often politicized reception in Eastern European countries but also Spain on the one hand, and the more sober scholarly response in Western Europe on the other. Yeats's Irishness and the pre-eminence of his lyrical work have posed continuous challenges. Three further essays describe the widely divergent reactions to Yeats in his native Ireland, during his lifetime and up to the most recent years.

W. B. Yeats went to great lengths to design his self-image which biographers have been slow to challenge. This new study of the poet's idealist views concentrates on the role of J. M. Hone in introducing him to George Berkeley's philosophy in the mid-1920s and to contemporary Italian thinkers such as Giovanni Gentile and Mario Manlio Rossi. It examines, by way of contrast, work by Synge, George Moore, and Samuel Beckett. This is a detailed and yet wide-ranging critique of twentieth-century Irish literature, illuminating both well-known and obscure figures.

Michael McAteer examines the plays of W. B. Yeats, considering their place in European theatre during the late nineteenth and early twentieth century. This original study considers the relationship Yeats's work bore with those of the foremost dramatists of the period, drawing comparisons with Henrik Ibsen, Maurice Maeterlinck, August Strindberg, Luigi Pirandello and Ernst Toller. It also shows how his plays addressed developments in theatre at the time, with regard to the Naturalist, Symbolist, Surrealist and Expressionist movements, and how symbolism identified Yeats's ideas concerning labour, commerce and social alienation. This book is invaluable to graduates and academics studying Yeats but also provides a fascinating account for those in Irish studies and in the wider field of drama.

Originally published in 1913. Author: Henri Lichtenberger Language: English Keywords: History Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.Keywords: English Keywords 1900s Language English Artwork

A commentary on Yeats' life and thought

Yeats and Women is a special issue of the distinguished Yeats Annual series and is the first collection of essays upon W.B.Yeats to focus upon his relation to women. Its critical and biographical approaches employ feminist and psychoanalytic theory, and social anthropology. The seventeen plates (many hitherto unpublished) include the tomb and coffin of Maud Gonne's first child, Florence Farr's occult Egyptian shrine, and the last photograph of Yeats.

“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.

From anxieties of influence to shared aspirations of poet-visionaries, how are European voices part of the modernist project of W.B. Yeats and Geoffrey Hill?

The Collected Works of W. B. Yeats, Volume XIII: A Vision is part of a fourteen-volume series under the general editorship of eminent Yeats scholar George Bornstein and formerly the late Richard J. Finneran and George Mills Harper. One of the strangest works of literary modernism, A Vision is Yeats's greatest occult work. Edited by Yeats scholars Catherine E. Paul and Margaret Mills Harper, the volume presents the "system" of philosophy, psychology, history, and the life of the soul that Yeats and his wife George (née Hyde Lees) received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the book, and the revised 1937 version is much more widely available than its predecessor. The original 1925 version of A Vision, poetic, unpolished, masked in fiction, and close to the excitement of the automatic writing that the Yeatses believed to be its supernatural origin, is presented here in a scholarly edition for the first time. The text, minimally corrected to retain the sense of the original, is extensively annotated, with particular attention paid to the relationship between the published book and its complex genetic materials. Indispensable to an understanding of the poet's late work and entrancing on its own merit, A Vision aims to be, all at once, a work of theoretical history, an esoteric philosophy, an aesthetic symbology, a psychological schema, and a sacred book. It is as difficult as it is essential reading for any student of Yeats.