New definition to the little-known work Wright produced during this period, which he describes as Wright's primitivist phase. He traces this influence in his art through Wright's explorations of primitivist sources, innovations in sculpture, and an intensification of the architect's use of ornament. Less tangible, but as important, was Wright's view of himself, his art, and society, and Alofsin uncovers the European impact on the architect's image of himself as a.

'Frank Lloyd wright in New York: The Plaza Years, 1954-1959', examines the momentous five-year period when one of the world's greatest architects and one of the world's greatest cities coexisted. Authors Jane Hession and Debra Prickel bring each of these unequalled characters to life, exploring the fascinating contradiction between Wright's often-voiced disdain of New York and his pride and pleasure of living in one of the city's greatest landmarks: the Plaza Hotel. From his suite, or 'Taliesin the Third', as it became known, Wright supervised construction of the Guggenheim, sparred with the New York press, and received many famous vistitors such as Marilyn Monroe and Arthur Miller. home...;Michael Carroll, a renowned astronomical and paleo artist for more than twenty years, has done work for NASA and the Jet Propulsion Laboratory. His art has appeared in many magazines, including 'Time', 'National Geographic', 'Sky & Telescope', and ' Asimov's Science Fiction'. One of his paintings flew aboard MIR; another is resting at the bottom of the Atlantic, aboard Russia's ill-fated Mars 96 spacecraft. nd development without constraining

This insightful memoir by a former apprentice presents a revealing portrait of the great American architect, providing illuminating anecdotes about Wright's Prairie home and Oak Park periods, and much more.

For coloring book enthusiasts and architecture students — 44 finely detailed renderings of Wright home and studio, Unity Temple, Guggenheim Museum, Robie House, Imperial Hotel, more.

Frank Lloyd Wright's foray into affordable housing--the American System-Built Homes--is frequently overlooked. When Nicholas and Angela Hayes became stewards of one of them, they began to unearth evidence that revealed a one-hundred-year-old fiasco fueled by competing ambitions and conflicting visions that eventually gave way to Wright's most creative period.

Traces the complicated development of Frank Lloyd Wright's Fallingwater, including planning, site selection, and construction

Insightful memoir by former apprentice presents a revealing portrait of Wright the man, the inspired teacher, the architect.

Published in conjunction with a major exhibition at The Museum of Modern Art, this catalogue reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives, the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has "unpacked"-interpreting and contextualizing it, tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. The publication aims to open up Wright's work to questions, interrogations, and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.

Long before designing his signature Usonian houses, Frank Lloyd Wright envisioned an earlier series of affordable models for the middle class: The American System-Built Homes. He developed seven floorplans of varying size and layout, standardized so that materials could be precut at the factory to reduce costs. Only a few years after the project began, the United States entered World War I, and all home construction was stalled due to lumber shortages. Wright then turned his attention to other projects, and with fewer than twenty built, the American System-Built Homes were all but forgotten.In 2011, Jason Loper and Michael Schreiber purchased the only American System-Built Home constructed in Iowa, the Meier House, which set them on a course of refurbishing and researching their new residence. In This American House, Loper and Schreiber trace the history of the Meier House through its previous owners, and shed light on this underexplored period of Wright's oeuvre. With a preface by John H. Waters, the Preservation Programs Manager of the Frank Lloyd Wright Building Conservancy, This American House addresses what it means to be the stewards of a piece of history.