Yorick Brown, the last man on Earth, finally makes it to San Francisco where his unbalanced sister, Hero, finds him seemingly succumbing to the male-killing plague after losing his still-unused engagement ring to the burqa-clad agents of the Setauket Ring. But is the ring really the key to his survival? And what does it have to do with the mysterious Amulet of Helene, which the Setauket leader is determined to take from Agent 355 by any means necessary. Collects issues #24-31 of the runaway hit Vertigo series by Brian K. Vaughan (EX-MACHINA, ASTONISHING X-MEN, RUNAWAYS) and Pia Guerra.

The continuation of Brian K. Vaughan and artist Pia Guerra’s acclaimed VERTIGO series Y: THE LAST MAN brings to vivid life the age-old speculation: What would really happen to the last man on Earth? dIn 2002, the world changes forever. Every man, every boy, every mammal with a Y chromosome everywhere on Earth suddenly collapses and dies. With the loss of nearly half the planet’s population, the gears of society grind to a halt, and a world of women are left to pick up the pieces and try to keep civilization from collapsing entirely. The “gendercide,” however, is not absolutely complete. For some unknown reason, one young man named Yorick Brown and his pet male monkey, Ampersand, are spared. Overnight, this anonymous twenty-something becomes the most important person on the planet-the key, it is hoped, to unlocking the secret of the mysterious sex-specific plague. For Yorick himself, the most important person on the planet has been agonizingly out of reach. But now, after three long years and 10,000 arduous miles, the last man is closing in on the truth about his lost fiancée-and the shocking facts behind his own survival. Collects Y: THE LAST MAN #37-48

Y: THE LAST MAN, winner of three Eisner Awards and one of the most critically acclaimed, best-selling comic books series of the last decade, is that rare example of a page-turner that is at once humorous, socially relevant and endlessly surprising. Written by Brian K. Vaughan (Lost, PRIDE OF BAGHDAD, EX MACHINA) and with art by Pia Guerra, this is the saga of Yorick Brown-the only human survivor of a planet-wide plague that instantly kills every mammal possessing a Y chromosome. Accompanied by a mysterious government agent, a brilliant young geneticist and his pet monkey, Ampersand, Yorick travels the world in search of his lost love and the answer to why he's the last man on earth. Collects issues #1-5.

An addictive fantasy romance from TikTok sensation Piper CJ, now newly revised and edited. Two orphans grow into powerful young women as they face countless threats to find their way back to each other. Farleigh is just an orphanage. At least, that's what the church would have the people believe, but beautiful orphans Nox and fae-touched Amaris know better. They are commodities for sale, available for purchase by the highest bidder. So when the madame of a notorious brothel in a far-off city offers a king's ransom to purchase Amaris, Nox ends up taking her place — while Amaris is drawn away to the mountains, home of mysterious assassins. Even as they take up new lives and identities, Nox and Amaris never forget one thing: they will stop at nothing to reunite. But the threat of war looms overhead, and the two are inevitably swept into a conflict between human and fae, magic and mundane. With strange new alliances, untested powers, and a bond that neither time nor distance could possibly break, the fate of the realms lies in the hands of two orphans — and the love they hold for each other.

Brian K. Vaughn's classic 60-issue post-apocalyptic series is now available in this new omnibus. WINNER OF THREE EISNER AWARDS. A WORLD WITHOUT MEN... In 2002, the world changes forever. Every man, every boy, every mammal with a Y chromosome everywhere on Earth suddenly collapses and dies. With the loss of nearly half the planet's population, the gears of society grind to a halt, and a world of women are left to pick up the pieces and try to keep civilization from collapsing entirely. The "gendercide," however, is not absolutely complete. For some unknown reason, one young man named Yorick Brown and his pet male monkey, Ampersand, are spared. Overnight, this anonymous twentysomething becomes the most important person on the planet--the key, it is hoped, to unlocking the secret of the mysterious sex-specific plague. For Yorick himself, the most important person on the planet is 10,000 miles away--and he will stop at nothing to find her. In setting off across the post-male landscape, however, man and monkey are about to learn just how valuable they are--both as a prize and as a target. Collected for the first time in a single, comprehensive omnibus, writer Brian K. Vaughan and artist Pia Guerra's Eisner Award-winning Vertigo series Y: The Last Man brings to vivid life the age-old speculation: What would really happen to the last man on Earth? Collects Y: The Last Man #1-60 and a sketchbook featuring behind-the-scenes art by Pia Guerra.

Everywhere Detective Gavin DeGrassi looks he's reminded of his attack by the Breath Play Killer. It's in the house he lives in with his partner and Dom, Ben Haverson. It's in the sympathetic yet pitying looks he receives from his fellow detectives when he returns to the force after a year-long hiatus. It's in the suffocating coddling of his entire family, and the relentless reporter demanding an exclusive of his ordeal.Most of all, it's in his lack of submission to Ben, who isn't convinced Gavin's recovered enough to trust the power exchange between them.The miraculous recovery of two teen boys from a twisted kidnapper gives him heart, and Gavin's determined to prove he can handle anything despite increasing strain between him and Ben, painful nightmares, and panic when anyone touches him.But his next case is too close for comfort: a friend and colleague found raped and murdered in a fate chillingly similar to what could have been his own, and this killer isn't stopping with one cop. As the body count rises and taunting souvenirs are being hand-delivered to Gavin, he faces a frustrating lack of leads, a crushing need to prove himself, and a sinking suspicion the imprisoned kidnapper's reach is further than originally thought. A miasma of uncertainty and fear threaten to suffocate him when he asks a question with which he's overwhelmingly familiar: what happens when a victim is pushed too far?

After a devastating plague, Yorick Brown is the last man left alive in a world of women. On the run from Amazon extremists who would be happy to see him dead, his friends leave him in the care of Agent 711. But 711is not the tragic woman she seems to be and Yorick is propelled into a drug-fueled nightmare of blood and sadism. Collects issues #18-23 of the runaway hit Vertigo series by Brian K. Vaughan (EX-MACHINA, RUNAWAYS) and Pia Guerra.

Halfway across the country, Yorick Brown and his companions prepare for the final leg of their journey to San Francisco.

Travel inside the mind of the last man on Earth! What is Yorick Brown's deepest, darkest secret, and what does it have to do with a swarm of New York City houseflies? One very domineering woman intends to do whatever it takes to find out--whether Yorick likes it or not!

Personal genome testing, gene editing for life-threatening diseases, synthetic life: once the stuff of science fiction, twentieth- and twenty-first-century advancements blur the lines between scientific narrative and scientific fact. This examination of bioengineering in popular and literary culture shows that the influence of science on science fiction is more reciprocal than we might expect. Looking closely at the work of Margaret Atwood, Richard Powers, and other authors, as well as at film, comics, and serial television such as Orphan Black, Everett Hamner shows how the genome age is transforming both the most commercial and the most sophisticated stories we tell about the core of human personhood. As sublime technologies garner public awareness beyond the genre fiction shelves, they inspire new literary categories like “slipstream” and shape new definitions of the human, the animal, the natural, and the artificial. In turn, what we learn of bioengineering via popular and literary culture prepares the way for its official adoption or restriction—and for additional representations. By imagining the connections between emergent gene testing and editing capacities and long-standing conversations about freedom and determinism, these stories help build a cultural zeitgeist with a sharper, more balanced vision of predisposed agency. A compelling exploration of the interrelationships among science, popular culture, and self, Editing the Soul sheds vital light on what the genome age means to us, and what’s to come.