“Xu Xiake's Travels” (徐霞客游记) is a Chinese travelogue book, written in the 17th century. The book has 22 sections. It consists mainly of essays describing the travels of the Ming dynasty geographer Xu Xiake. Over 34 years, Xu produced more than 600,000 words, including works such as "Guizhou tour diary" and "Yunnan tour diary". This book offers detailed descriptions of geography, hydrology, geology, plants and other phenomena. It is also respected for its literary qualities and for its historicity.

Sheds new light on the importance of the diaries of Xu Xiake (1587-1641), a compulsive traveller who spent a lifetime visiting and writing about China's 'beauty spots'.

The collection includes pilgrimage accounts, which describe a 'national' circuit (as in Lady Nijo's, c. 1280, or Sei Shonagon's, c. 990, accounts) or move across vast regions to places of learning and pilgrimage or to a particular centre of religio-cultural significance (the early Chinese travellers to India in the fifth, sixth and seventh centuries, the Hajj pilgrimage of Ibn Jubayr in the 12th century, Blyden's Africanist-Christian pilgrimage to the Holy Land in the 19th century). These pilgrimage accounts can also taper into other genres: for instance, while ibn Battutah (b. 1304) set out to go to Mecca (which he did), he ended up travelling across 50 countries and dictating what is undoubtedly a travel book in a narrow generic sense rather than the account of a pilgrimage. Other extracts range from the influential medieval travel-geography of al-Idrisi in the 11th century; the global history,

This historical investigation describes the Qing imperial authorities� attempts to consolidate control over the Zhongjia, a non-Han population, in eighteenth-century Guizhou, a poor, remote, and environmentally harsh province in Southwest China. Far from submitting peaceably to the state�s quest for hegemony, the locals clung steadfastly to livelihood choices�chiefly illegal activities such as robbery, raiding, and banditry�that had played an integral role in their cultural and economic survival. Using archival materials, indigenous folk narratives, and ethnographic research, Jodi Weinstein shows how these seemingly subordinate populations challenged state power.

"Treating landscape painting as yet another framing systems, in both the symbolic and material sense, this book examines sixteenth-century paintings of famous mountains by three major artists in the light of a diachronic account of the evolution of famous mountains over time and a synchronic account of the vogue for the grand tour in late Ming society." --Book Jacket.

Chinese Reportage details for the first time in English the creation and evolution of a distinctive literary genre in twentieth-century China. Reportage literature, while sharing traditional journalism’s commitment to the accurate, nonfictional portrayal of experience, was largely produced by authors outside the official news media. In identifying the literary merit of this genre and establishing its significance in China’s leftist cultural legacy, Charles A. Laughlin reveals important biases that impede Western understanding of China and, at the same time, supplies an essential chapter in Chinese cultural history. Laughlin traces the roots of reportage (or baogao wenxue) to the travel literature of the Qing Dynasty but shows that its flourishing was part of the growth of Chinese communism in the twentieth century. In a modern Asian context critical of capitalism and imperialism, reportage offered the promise of radicalizing writers through a new method of literary practice and the hope that this kind of writing could in turn contribute to social revolution and China’s national self-realization. Chinese Reportage explores the wide range of social engagement depicted in this literature: witnessing historic events unfolding on city streets; experiencing brutal working conditions in 1930s Shanghai factories; struggling in the battlefields and trenches of the war of resistance against Japan, the civil war, and the Korean war; and participating in revolutionary rural, social, and economic transformation. Laughlin’s close readings emphasize the literary construction of social space over that of character and narrative structure, a method that brings out the critique of individualism and humanism underlying the genre’s aesthetics. Chinese Reportage recaptures a critical aspect of leftist culture in China with far-reaching implications for historians and sociologists as well as literary scholars.

From the Yangtze to the Yellow River, China is traversed by great waterways, which have defined its politics and ways of life for centuries. Water has been so integral to China’s culture, economy, and growth and development that it provides a window on the whole sweep of Chinese history. In The Water Kingdom, renowned writer Philip Ball opens that window to offer an epic and powerful new way of thinking about Chinese civilization. Water, Ball shows, is a key that unlocks much of Chinese culture. In The Water Kingdom, he takes us on a grand journey through China’s past and present, showing how the complexity and energy of the country and its history repeatedly come back to the challenges, opportunities, and inspiration provided by the waterways. Drawing on stories from travelers and explorers, poets and painters, bureaucrats and activists, all of whom have been influenced by an environment shaped and permeated by water, Ball explores how the ubiquitous relationship of the Chinese people to water has made it an enduring metaphor for philosophical thought and artistic expression. From the Han emperors to Mao, the ability to manage the waters ? to provide irrigation and defend against floods ? was a barometer of political legitimacy, often resulting in engineering works on a gigantic scale. It is a struggle that continues today, as the strain of economic growth on water resources may be the greatest threat to China’s future. The Water Kingdom offers an unusual and fascinating history, uncovering just how much of China’s art, politics, and outlook have been defined by the links between humanity and nature.

Bringing together original contributions from scholars across the world, this volume traces the history of travel writing from antiquity to the Internet age. It examines travel texts of several national or linguistic traditions, introducing readers to the global contexts of the genre. From wilderness to the urban, from Nigeria to the polar regions, from mountains to rivers and the desert, this book explores some of the key places and physical features represented in travel writing. Chapters also consider the employment in travel writing of the diary, the letter, visual images, maps and poetry, as well as the relationship of travel writing to fiction, science, translation and tourism. Gender-based and ecocritical approaches are among those surveyed. Together, the thirty-seven chapters here underline the richness and complexity of this genre.

Bill Porter is the ideal travel companion. His depth of knowledge of Chinese history and culture is unparalleled. His wit is ever-present. And his keen eye for the telling detail consistently reminds us that China is not what you think it is. Yellow River Odyssey, already a best-seller in China, reveals a complex, fascinating, contradictory culture like never before.