For over two millennia, the Cyropaedia, an imaginative biography of the Persian king Cyrus the Great, was Xenophon's most popular work and considered his masterpiece. This study contributes to the recent rediscovery of the Cyropaedia and Xenophon, making intelligible the high esteem in which writers of the stature of Machiavelli held Xenophon's works and the importance of his place among classical authors. The ending of the Cyropaedia has presented a notoriously difficult puzzle for scholars. The bulk of the work seems to idealize the career of Cyrus, but the final chapter documents the swift and disastrous degeneration of the empire he founded. This conclusion seems to call his achievements into question. Nadon resolves this long-standing interpretive difficulty and demonstrates for the first time the overall coherence and unity of the Cyropaedia. He elucidates the Xenophontic critique of Cyrus contained within the whole of the work and unearths its analysis of the limitations of both republican and imperial politics. This provocative and original treatment of the Cyropaedia will be a definitive step in restoring the status of this important work. Nadon's lively, insightful study draws upon his deep knowledge and understanding of classical political theory and reveals in the Cyropaedia a subtlety and sophistication overlooked until now.

For over two millennia, the Cyropaedia, an imaginative biography of the Persian king Cyrus the Great, was Xenophon's most popular work and considered his masterpiece. This study contributes to the recent rediscovery of the Cyropaedia and Xenophon, making intelligible the high esteem in which writers of the stature of Machiavelli held Xenophon's works and the importance of his place among classical authors. The ending of the Cyropaedia has presented a notoriously difficult puzzle for scholars. The bulk of the work seems to idealize the career of Cyrus, but the final chapter documents the swift and disastrous degeneration of the empire he founded. This conclusion seems to call his achievements into question. Nadon resolves this long-standing interpretive difficulty and demonstrates for the first time the overall coherence and unity of the Cyropaedia. He elucidates the Xenophontic critique of Cyrus contained within the whole of the work and unearths its analysis of the limitations of both republican and imperial politics. This provocative and original treatment of the Cyropaedia will be a definitive step in restoring the status of this important work. Nadon's lively, insightful study draws upon his deep knowledge and understanding of classical political theory and reveals in the Cyropaedia a subtlety and sophistication overlooked until now.

An interpretation of Xenophon's Anabasis of Cyrus, paralleling the text to Machiavelli's The Prince, and focusing on the question: How did the Socratic education help Xenophon reconcile morality with effectiveness, the noble with the good, as a ruler?

"If you inquire into the origins of the novel long enough," writes James Tatum in the preface to this work, ". . . you will come to the fourth century before our era and Xenophon's Education of Cyrus, or the Cyropaedia." The Cyrus in question is Cyrus the Great, the founder of the Persian empire celebrated in the Book of Ezra as the liberator of Israel, and the Cyropaedia, written to instruct future rulers by his example, became not only an inspiration to poets and novelists but a profoundly influential political work. With Alexander as its earliest student, and Elizabeth I of England one of its later pupils, it was the founding text for the tradition of "mirrors for princes" in the West, including Machiavelli's Prince. Xenophon's masterpiece has been overlooked in recent years: Tatum's goal is to make it fully meaningful for the twentieth-century reader. To accomplish this aim, he uses reception study, philological and historical criticism, and an intertextual and structural analysis of the narrative. Engaging the fictional and the political in a single reading, he explains how the form of the work allowed Xenophon to transcend the limitations of historical writing, although in the end the historian's passion for truth forced him to subvert the work in a controversial epilogue. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Xenophon's Anabasis, or The Expedition of Cyrus, is one of the most famous survival stories ever written and the most important autobiographical work to have survived from ancient Greece. This book places the Anabasis in its historical and literary context and opens up for the reader different ways of interpreting its major themes.

Xenophon's masterpiece, The Education of Cyrus, is a work that was admired by Machiavelli for its lessons on leadership. Also known as the Cyropaedia, this philosophical novel is loosely based on the accomplishments of Cyrus the Great, founder of the vast Persian Empire that later became the archrival of the Greeks in the classical age. It offers an extraordinary portrait of political ambition, talent, and their ultimate limits.The writings of Xenophon are increasingly recognized as important works of political philosophy. In The Education of Cyrus, Xenophon confronts the vexing problem of political instability by exploring the character and behavior of the ruler. Impressive though his successes are, however, Cyrus is also examined in the larger human context, in which love, honor, greed, revenge, folly, piety, and the search for wisdom all have important parts to play.Wayne Ambler's translation captures the charm and drama of the work while also achieving great accuracy. His introduction, annotations, and glossary help the reader to appreciate both the engaging story itself and the volume's contributions to philosophy.

The Landmark Xenophon’s Anabasis is the definitive edition of the ancient classic—also known as The March of the Ten Thousand or The March Up-Country—which chronicles one of the greatest true-life adventures ever recorded. As Xenophon’s narrative opens, the Persian prince Cyrus the Younger is marshaling an army to usurp the throne from his brother Artaxerxes the King. When Cyrus is killed in battle, ten thousand Greek soldiers he had hired find themselves stranded deep in enemy territory, surrounded by forces of a hostile Persian king. When their top generals are arrested, the Greeks have to elect new leaders, one of whom is Xenophon, a resourceful and courageous Athenian who leads by persuasion and vote. What follows is his vivid account of the Greeks’ harrowing journey through extremes of territory and climate, inhabited by unfriendly tribes who often oppose their passage. Despite formidable obstacles, they navigate their way to the Black Sea coast and make their way back to Greece. This masterful new translation by David Thomas gives color and depth to a story long studied as a classic of military history and practical philosophy. Edited by Shane Brennan and David Thomas, the text is supported with numerous detailed maps, annotations, appendices, and illustrations. The Landmark Xenophon’s Anabasis offers one of the classical Greek world’s seminal tales to readers of all levels.

This book offers a concise introduction to Xenophon, the Athenian historian, political thinker, moral philosopher and literary innovator who was also a pupil of Socrates, a military general on campaign in Persia, and an exile in residence in the Peloponnese during the late fifth and fourth centuries BC. Alive during one of the most turbulent periods in Greek history, Xenophon wrote extensively about the past and present. In doing so he not only invented several new genres, but also developed pointed political analyses and probing moral critiques. It is the purpose of this book to explore Xenophon's life, writing and ideas, and reception through thematic studies that draw upon the full range of his work. Starting with his approach to the past and to Socrates, it demonstrates how the depiction of events and people from previous times and places are inflected with contemporary concerns about political instability and the challenges of leadership, as well as by a 'Socratic' perspective on politics and morality. The following in-depth examination of Xenophon's theories concerning political organization and the bases for a good life highlight the interconnectivity of his ideas about how to live together and how to live well. Although Xenophon addresses conceptual issues, his writings provide a practical response to real-life problems. Finally, an evaluation of his significance as an inspiration to later writers in their creative interrogations of human affairs brings the investigations to a close. This book thus illuminates Xenophon's importance within the vibrant intellectual culture of ancient Greece as an active participant in and evaluator of his world, as well as his impact over time.

This book considers cultural identity and power relations in early fourth-century BCE Greece through a reading of Xenophon's historical narratives, the Hellenica, Anabasis and Cyropaedia. These texts depict conflicts between Greek states, conflicts between Greeks and non-Greeks, and relations between the elite individual and society. In all three texts, politically significant moments are imagined in visual terms. We witness spectacles of Spartan military victory, vistas of Asian landscape or displays of Persian imperial pomp, and historical protagonists are presented as spectators viewing and responding to events. Through this visual form of narration, the reader is encouraged imaginatively to place themselves in the position of the historical protagonists. In viewing events from different perspectives, and therefore occupying multiple, often conflicting political positions, the reader not only experiences the problems faced by historical actors, but becomes engaged in the political conflicts acted out in the narratives. The reader is prompted to take pleasure in the sight of Panhellenic achievement, but also to witness the divisions and conflicts between Greeks on class and ethnic lines. Similarly the reader is invited to identify with spectacular Greek and non-Greek figures of power as emblems of Greek imperial potential, but also to see through the eyes of those communities subjugated at their hands. The depiction of spectacles and spectators draws the reader into an active participation in the ideological contradictions of their time, in a period when Panhellenic aspiration co-existed with hegemonic competition between Greek states, and when Greeks could be both beneficiaries and victims of imperialism.

William Barker’s translation of Xenophon’s Cyropaedia is the first substantial translation from Greek directly to English in Tudor England. It presents to its English readers an extraordinarily important text for humanists across Europe: a semi-fictional biography of the ancient Persian emperor, Cyrus the Great, so generically rich that it became (in England as well as Europe) a popular authority and model in the very different fields of educational, political and literary theory, as well as in literature by Sidney, Spenser and others. This edition, for the first time, identifies its translator as a hitherto overlooked figure from the circle of Sir John Cheke at St John’s College, Cambridge, locus of an important and influential revival of Greek scholarship. A prolific translator from Greek and Italian, Barker was a Catholic, and spent most of his career working as secretary to Thomas Howard, fourth Duke of Norfolk. What little notoriety he eventually gained was as the ‘Italianified Englishman’ who told of Howard’s involvement in the Ridolfi plot. But even here, this edition shows, Barker’s intellectual patronage by Cheke and friends, and their enduring support of him, his translations and the Chekeian agenda, can be discerned.