How much trouble does it take to save a rock star’s career after an epic scandal? None, because even Wylder Anderson—troublemaker extraordinare—can’t work miracles. The world now knows the famous Cook twin doesn’t sing his own songs. And now Luke has disappeared. Which wouldn’t be a problem for Wylder except she’s grown quite fond of the boy who does care. All Logan wants is to find his brother, to make sure he’s okay. And all Wylder wants is for Logan to forgive her for a single unthinkable act. One little lie. One troublemaking girl trying to do the right thing. A hidden rock star wishing it would all go away. And a boy on the brink of losing everything. Maybe these Cook boys will be the death of the old Wylder, but maybe it’s time for a new Wylder to emerge. Wyld Girls Can Dream is book 6 in the About That Girl series. It is NOT a standalone but does conclude this fun story.

“A novel exploration of societal roles, gender, and equality.” —School Library Journal (starred review) The Outsiders meets Mad Max: Fury Road in this “daring and dramatic” (Victor LaValle, author of The Changeling) dystopian novel about sisterhood and the cruel choices people are forced to make in order to survive. At night, Las Mal Criadas own these streets. Sixteen-year-old Nalah leads the fiercest all-girl crew in Mega City. That role brings with it violent throwdowns and access to the hottest boydega clubs, but Nala quickly grows weary of her questionable lifestyle. Her dream is to get off the streets and make a home in the exclusive Mega Towers, in which only a chosen few get to live. To make it to the Mega Towers, Nalah must prove her loyalty to the city’s benevolent founder and cross the border in a search of the mysterious gang the Ashé Riders. Led by a reluctant guide, Nalah battles crews and her own doubts but the closer she gets to her goal the more she loses sight of everything—and everyone—she cares about. Nalah must choose whether or not she’s willing to do the unspeakable to get what she wants. Can she discover that home is not where you live but whom you chose to protect before she loses the family she’s created for good?

'Your new favourite book' – Cosmopolitan An instant New York Times bestseller, Wilder Girls is Rory Power's chilling and unputdownable YA debut. The Power meets We Were Liars in this compelling story of survival and the power of female friendships, perfect for fans of A Good Girl's Guide to Murder. Everyone loses something to the Tox; Hetty lost her eye, Reese's hand has changed, and Byatt just disappeared completely. It’s been eighteen months since the Raxter School for Girls was put in quarantine. The Tox turned the students strange and savage, the teachers died off one by one. Cut off from the mainland, the girls don’t dare wander past the school’s fence where the Tox has made the woods wild and dangerous. They wait for the cure as the Tox takes; their bodies becoming sick and foreign, things bursting out of them, bits missing. But when Byatt goes missing, Hetty will do anything to find her best friend, even if it means breaking quarantine and braving the horrors that lie in the wilderness past the fence. As she digs deeper, she learns disturbing truths about her school and what else is living on Raxter Island. And that the cure might not be a cure at all . . . 'Wholly original and compelling' – Observer 'A staggering gut punch of a book' – Kirkus 'Body horror meets boarding school in a moving, terrifying thriller' Guardian

A mix of Prep's critique of boarding school culture and the suspenseful and high-stakes plot of The Secret History, this highly original debut is part coming-of-age story, part riveting supernatural tale about teenage girls learning their own strength. Kate Riordan fears two things as she grows up in the small Appalachian town of Swan River: that she'll be a frustrated townie forever, or that she'll turn into one of the monstrous Wild Girls that menace the community, throwing flame from their hands. Struggling to better her chances of escaping, Kate attends the posh Swan River Academy and finds herself divided between two worlds: the simple town and its dark twin, a commune off Bloodwort Road, where hippie farming and occult practices led to a disastrous end; and the realm of privilege and achievement at the Academy. Explosive friendships with Mason, a boy from the wrong side of the river, and Willow, a wealthy and charismatic queen bee from school, are slowly pulling her apart. Kate must decide who she is and where she belongs before she wakes up with cinders at her fingertips.

Wild Girls is the critically acclaimed true story of two wealthy American heiresses---one an artist, the other a writer---whose stormy, passionate love affair captivated Paris’s salon set between the wars. Natalie Barney and Romaine Brooks were rich, American, eccentric, and grandly lesbian. They met in Paris in 1915, and their relationship lasted more than fifty years, despite infidelity, separation, and temperamental differences. Romaine Brooks, a painter, was the product of an unhappy childhood and trusted no one but Natalie. Natalie Barney was passionate about life, sex, and love. Her Friday afternoon salons, attended by Gertrude Stein, and Colette and Edith Sitwell, were a magnet for social introductions and cultural innovations. Drawing from letters, papers, and paintings, Diana Souhami, the award-winning author of Mrs. Keppel and Her Daughter, re-creates the lives and loves of this pair of dazzling and wild women. “Epic romance . . . smartly sex-positive and so good-naturedly shocking.” ---The New York Times Book Review “Real tenderness and pathos . . . not only entertaining but affecting reading.” ---The Washington Post “Their friends were the most bohemian, their parties the most risqué, their tortured love affair the most notorious in Europe. Diana Souhami tells a remarkable tale.” ---The Sunday Telegraph (UK)

Ursula K. Le Guin is the one modern science fiction author who truly needs no introduction. In the half century since The Left Hand of Darkness, her works have changed not only the face but the tone and the agenda of SF, introducing themes of gender, race, socialism, and anarchism, all the while thrilling readers with trips to strange (and strangely familiar) new worlds. She is our exemplar of what fantastic literature can and should be about. Her Nebula winner The Wild Girls, newly revised and presented here in book form for the first time, tells of two captive “dirt children” in a society of sword and silk, whose determination to enter “that possible even when unattainable space in which there is room for justice” leads to a violent and loving end. Plus: Le Guin’s scandalous and scorching Harper’s essay, “Staying Awake While We Read,” (also collected here for the first time) which demolishes the pretensions of corporate publishing and the basic assumptions of capitalism as well. And of course our Outspoken Interview, which promises to reveal the hidden dimensions of America’s best-known SF author. And delivers.

Three college friends from the 50s blaze their own path in love and work, braving the stifling conventions of the age, and anticipating the social thaw that would arrive ten years later. These “wild girls” pay heavy penalties for living against the grain, but, over the years, rebound and re-set their course, drawing strength from their friendship. The novel follows them from an elite northeastern college, to Paris with Allen Ginsberg, to New York’s avant-garde scene in the early sixties, to a mansion in Newport, to the slopes of Zermatt, to Long Island’s Gold Coast, as it celebrates the nimbleness and vitality of women who defied an entire culture to forge their own journey. "It’s six A.M. in a Paris just coming awake and she's about to climb to the room of Allen Ginsberg. She pushes open the door of the Beat Hotel, its squawk denting the morning stillness. No sign of the concierge. Too early maybe? In the ancient, dank stairwell she’s driven back by odors -- from sinks on the landings doubling as pissoirs, “Turkish traps” on little rises off the steps, last night’s cooking cut with sweet ghosts of grass – all of it finished with a grandaddy note that might be rising from cisterns beneath Paris, maybe from the goddamn Romans. Breathing through her mouth, she cranes up at a nautilus of stairs spiraling to a skylight. Hard to imagine Puccini’s honey-throated Bohemians here."

"A fun and smoking hot Hollywood romance." -USA Today My name is Wyld Buchanan. Fresh out of college, I have a coveted intern position at the biggest movie studio in Hollywood, and probably the only virgin left in tinsel town. One night, I decided to take fate into my own hands. I was going to lose my innocence to a sexy stranger. He thought I was being mysterious when I told him my name was Wild. He thought I was just another starry eyed girl looking for a ticket to the shinier life. He thought wrong. And what are the odds I would ever see him again? I should have taken that bet because who would have guessed my sexy stranger was Jamie freaking Donovan. Mr. Hollywood himself. Things were about to get a whole lot wilder...

Write to Celebrate, Heal, and Free the Wild Woman Within In her years as a writing coach, Judy Reeves has found twin urges in women: they yearn to reclaim a true nature that resides below the surface of daily life and to give it voice. The longing to express this wild, authentic nature is what informs Reeves’s most popular workshop and now this workshop in a book. Here, you will explore the stages that make up your life, from wild child, daughter/sister/mother, and loves and lovers, to creative work, friendships, and how the wise woman encounters death. Both intuitive and practical, Wild Women, Wild Voices responds to women’s deep need for expression with specific and inspiring activities, exercises, and writing prompts. With true empathy, Reeves invites, instructs, and celebrates the authentic expression — even the howl — of the wild in every woman.

A New York Times Book Review Editors’ Choice A Publishers Weekly and New York Public Library Best Book of the Year Named a Most Anticipated Book of the Year by The Millions and Literary Hub “Thoroughly absorbing.… A beautiful synthesis of diverse women’s experiences, combining history with memoir and a call to action.” —Jill Watts, New York Times Book Review An award-winning historian shows how girls who found self-understanding in the natural world became women who changed America. Harriet Tubman, forced to labor outdoors on a Maryland plantation, learned from the land a terrain for escape. Louisa May Alcott ran wild, eluding gendered expectations in New England. The Indigenous women’s basketball team from Fort Shaw, Montana, recaptured a sense of pride in physical prowess as they trounced the white teams of the 1904 World’s Fair. Celebrating women like these who acted on their confidence outdoors, Wild Girls brings new context to misunderstood icons like Sacagawea and Pocahontas, and to underappreciated figures like Native American activist writer Zitkála-Šá, also known as Gertrude Bonnin, farmworkers’ champion Dolores Huerta, and labor and Civil Rights organizer Grace Lee Boggs. This beautiful, meditative work of history puts girls of all races—and the landscapes they loved—at center stage and reveals the impact of the outdoors on women’s independence, resourcefulness, and vision. For these trailblazing women of the nineteenth and early twentieth centuries, navigating the woods, following the stars, playing sports, and taking to the streets in peaceful protest were not only joyful pursuits, but also techniques to resist assimilation, racism, and sexism. Lyrically written and full of archival discoveries, Wild Girls evokes landscapes as richly as the girls who roamed in them—and argues for equal access to outdoor spaces for young women of every race and class today.