Oaf, a wuvable Bay Area bear, searches for love in the local metal and wrestling scenes in Blood and Metal, which collects a number of short stories. Featuring tales of Oaf ’s formative childhood years, and much more!

Winner of Prism Comics first annual Queer Press Grant, SHIRTLIFTER is a series of queer-themed short fiction comics from STICKY artist Steve MacIsaac. This first issue features the self-contained story "Unmade Beds." Set amidst the gay expatriate culture of Tokyo, the comic is a quiet and lyrical examination of cross-cultural adjustment and sexual parity. This new edition features re-inked, and in some cases redrawn, artwork and 8 pages of bonus material including alternate pages, sketches, and a feature on the evolution of a comics panel from inspiration to completion. 52 pages, color.

The first volume of the acclaimed global sensation, from one of Japan's most notable manga artists: Yaichi is a work-at-home suburban dad in contemporary Tokyo; formerly married to Natsuki, and father to their young daughter, Kana. Their lives suddenly change with the arrival at their doorstep of a hulking, affable Canadian named Mike Flanagan, who declares himself to be the widower of Yaichi's estranged gay twin, Ryoji. Mike is on a quest to explore Ryoji's past, and the family reluctantly but dutifully takes him in. What follows is an unprecedented and heartbreaking look at the state of a largely still-closeted Japanese gay culture: how it's been affected by the West, and how the next generation can change the preconceptions about it and prejudices against it. (Please note: This book is a traditional work of manga, and reads back to front and right to left.)

Cult cartoonist Dave Cooper returns to comics with this suite of stories about brain-damaged Amazons, black shiny eels, and much more. This is the first new graphic novel by fan favorite Dave Cooper in more than 15 years Eddy Table, the star of Mudbite, first appeared in Cooper’s award-winning underground comics series, Weasel. Mudbitecompiles two all-new Eddy Table stories, “Mud River” and “Bug Bite,” in which Eddy acts as Dave’s alter ego. In “Mud River,” Eddy makes a foolish mistake, causing a sweet, innocent Amazon to bonk her head, turning her into a very impressionable automaton. In “Bug Bite,” Eddy has brought his family on a vacation to Europe, but he’s soon distracted by a series of manifestations of his own obsessions ― voluptuous women, mysterious and collectible “microdevices,” and a strange, impromptu jam session.

CollectsÿCage! #1-4. The award-winning animator behind Dexter's Laboratory, Samurai Jack and Hotel Transylvania brings his visionary talents to Marvel! On the mean streets of Harlem, shoes are big, shirts are large, bottoms are belled and crime is rampant! But in the heart of the city, the world's hardest-working, smack-talking, chain-wearing super hero is on the streets and on the case! And his rates are reasonable! He's Cage! Dig it! But what happens when he's out of his element, trapped in a jungle a thousand miles from home, and hunted by savage beasts that walk like men?

Collecting 101 noir movie posters of, arguably, the greatest noir films ever made (including classics The Maltese Falcon, Laura, and Double Indemnity). Reproduced in a stunningly designed, over-sized format that shows off the spectacular visual elan of Hollywood movie posters at their best, the book is not only a spectacular showcase of film noir art, but also establishes the crucial films and identifies their key characteristics, with critical commentary on each film by author and scholar Mark Fertig. This is an ideal handbook for noir rookies, a valuable resource for old-hats, and a visual feast for fans of film noir and American entertainment art.

Trash, Allison's landmark collection, laid the groundwork for her critically acclaimed Bastard Out of Carolina, the National Book Award finalist that was hailed by The New York Times Book Review as "simply stunning...a wonderful work of fiction by a major talent." In addition to Allison's classic stories, this new edition of Trash features "Stubborn Girls and Mean Stories," an introduction in which Allison discusses the writing of Trash and "Compassion," a never-before-published short story. First published in 1988, the award-winning Trash showcases Allison at her most fearlessly honest and startlingly vivid. The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

No Straight Lines showcases major names such as Alison Bechdel, Howard Cruse, and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention. Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all. Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades. These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines has been heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

Dylan Edwards' Transposes separates gender from sexuality and illustrates six fascinating true stories of transgender men who also happen to be queer. The result is laugh-out-loud funny, heartbreaking, challenging, inventive, informative, and invites the reader to explore what truly makes a man a man. Finalist for the 2012 Lambda Literary Award for Transgender Nonfiction! "Transposes will teach you something about what it means to have a body and to feel desire. About what it means, in short, to be human." — From the foreword by Alison Bechdel, New York Times bestselling author of Fun Home and Are You My Mother? Released by Northwest Press, which has been publishing quality LGBT-inclusive comics and graphic novels since 2010.