This Prestwick House Literary Touchstone Edition? includes a glossary and reader's notes to help the modern reader contend with Bronte's complex characters and vocabulary. We hope that Prestwick House Literary Touchstone Editions? will make your reading more enjoyable and perhaps more meaningful. A midnight storm rages around lonely Wuthering Heights, and a miserable ghost claws at the window. We are taken backwards in time, to the beginning of the story of the Earnshaws and Lintons: the separation of spiritual twins, the bitter, repeated clashes, and the doom that seems inescapable for these two families. The tale unravels in a bleak environment that seems hostile to human life and love. But the savagery at work outside is nothing compared to the cruelty the characters inflict upon one another. Wuthering Heights illustrates the violent ruin of passionate natures as few other novels have.Solitude, pain, and loss were all part of Emily Bronte's own life. In creating her 1847 masterpiece, she drew upon her childhood experiences in an isolated English home much like Wuthering Heights. But she also relied upon her brilliant imagination and a superb talent for detail to depict the finest nuances of her characters? language, gestures, and dress.

Enjoying poetry and novels can seem irrelevant and out of touch in a world of texting, tweeting, and blogging. But even in this technological age literature matters. Seasoned professor Louis Markos invites us into the great literary conversation that has been taking place throughout the ages and illuminates the wisdom to be found therein. He offers both a guide to studying and understanding literature, especially poetry, and an inspiring look at what it means to think like poets and view the world through literary eyes. This book holds out a truth for all: that the understanding and appreciation of literature draws us closer to God, his Word, and his work in the world.

Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.

Film and television adaptations of classic literature have held a longstanding appeal for audiences, an appeal that this book sets out to examine. With a particular focus on Wuthering Heights , the book examines adaptations made from the 1930s to the twenty-first century, providing an understanding of how they help shape our cultural landscape.

The Victorian period witnessed the beginning of a debate on the status of animals that continues today. This volume explicitly acknowledges the way twenty-first-century deliberations about animal rights and the fact of past and prospective animal extinction haunt the discussion of the Victorians' obsession with animals. Combining close attention to historical detail with a sophisticated analytical framework, the contributors examine the various forms of human dominion over animals, including imaginative possession of animals in the realms of fiction, performance, and the visual arts, as well as physical control as manifest in hunting, killing, vivisection and zookeeping. The diverse range of topics, analyzed from a contemporary perspective, makes the volume a significant contribution to Victorian studies. The conclusion by Harriet Ritvo, the pre-eminent authority in the field of Victorian/animal studies, provides valuable insight into the burgeoning field of animal studies and points toward future studies of animals in the Victorian period.

The tale of Heathcliff's and Cathy's ungovernable love and suffering, and the havoc that their passion wreaks on the families of the Earnshaws and the Lintons, shocked the book's first readers, with even Emily's sister Charlotte claiming Whether it is right or advisable to create beings like Heathcliff, I do not know. I scarcely think it is.Wuthering Heights is Emily Bront's only novel. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte. The name of the novel comes from the Yorkshire manor on the moors on which the story centers. The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys both thems and many around them. Now considered a classic of English literature, the novel's innovative structure, which has been likened to a series of Matryoshka dolls, met with mixed reviews by critics when it first appeared.