The very word "culture" has traditionally evoked the land. But when such writers as William Wordsworth, Samuel Taylor Coleridge, Lord Byron, and, later, Matthew Arnold developed what would become the idea of modern culture, they modeled that idea on Britain's imperial command of the sea. Instead of locating the culture idea’s beginnings in the dynamic between the country and the city, Samuel Baker insists on taking into account the significance of water for that idea’s development. For the Romantics, figures of the island, the deluge, and the sundering tide often convey the insularity of cultures understood to stand apart from the whole; yet, Baker writes, the sea also stands in their poetry of culture as a reminder of the broader sphere of circulation in which the poet's work, if not the poet's subject, inheres. Although other books treat the history of the idea of culture, none synthesizes that history with the literary history of maritime empire. Written on the Water tracks an uncanny interrelationship between ocean imagery and culturalist rhetoric of culture forward from the late Augustans to the mid-Victorians. In so doing, it analyzes Wordsworth's pronounced ambivalence toward the sea, Coleridge's sojourn as an imperial functionary in Malta, Byron's cosmopolitan seafaring tales, and Arnold's dual identity as "poet of water" and prose arbiter of "culture." It also considers Romanticism's classical inheritance, arguing that the Lake Poets dissolved into the idea of culture the Virgilian system of pastoral, georgic, and epic modes of literature and life. This compelling new study will engage any reader interested in the intellectual and literary history of Britain and the lived experience of British Romanticism.

Now back in print, these witty, insightful ssays on fashion, cinema, wartime, and everyday life demonstrate why Eileen Chang was and is a major icon of twentieth-century Chinese literature. Eileen Chang is one of the most celebrated and influential modern Chinese novelists and cultural critics of the twentieth century. First published in 1944, and just as beloved as her fiction in the Chinese-speaking world, Written on Water collects Chang’s reflections on art, literature, war, urban culture, and her own life as a writer and woman, set amid the sights and sounds of wartime Shanghai and Hong Kong. In a style at once meditative and vibrant, Chang writes of friends, colleagues, and teachers turned soldiers or wartime volunteers, and her own experiences as a part-time nurse. She also reflects on Chinese cinema, the aims of the writer, and the popularity of the Peking Opera. Chang engages the reader with her sly and sophisticated humor, conversational voice, and intense fascination with the subtleties of everyday life. In her examination of Shanghainese food, culture, and fashions, she not only reveals but also upends prevalent attitudes toward women, presenting a portrait of a daring and cosmopolitan woman bent on questioning pieties and enjoying the pleasures of modernity, even as the world convulses in war and a revolution looms.

Written in Water may alter the way you look at love and death. Almost certainly, it will alter the way you look at grieving. And it may even alter your perceptions of ordinary reality. When veteran journalist Carol Flake Chapman loses her husband suddenly in a kayaking accident on a remote Guatemalan river, she is thrust without warning into a time of grief and shock. But in her altered state, she soon realizes that grief has opened the doors to possibilities of consolation that she could never have imagined. Her time of grieving becomes a kind of improvised pilgrimage that takes her around the world in a journey of discovery, as she explores who her peaceful-warrior husband really was and what her place might be in the world without him. Along the way, she encounters what she comes to think of as "necessary angels"-people who appear at the right place at the right time with the right words or acts of comfort. She travels into the "thin places"-the places where the boundaries between heaven and earth, between reality and dream, become permeable. She introduces the concept of "Slow Grief," of a way of grieving that embraces life and that takes comfort in all its small and large miracles. Even technology becomes a means of healing. And in her encounters with the natural world, she finds not only connection and healing, but also a threshold of transformation. As she writes, "the invisible gossamer threads of connection became visible." And always there is music, some of it coming from what she calls the "cosmic playlist"-songs that deliver timely messages of comfort and meaning. She recounts in raw, moving and often riveting detail the small indignities, the bottomless sorrows and transcendent moments that come with death and the pursuit of healing.

A “miraculous” (Newsweek) human drama, based on a true story, from the renowned author of The Prince of Tides and The Great Santini The island is nearly deserted, haunting, beautiful. Across a slip of ocean lies South Carolina. But for the handful of families on Yamacraw Island, America is a world away. For years the people here lived proudly from the sea, but now its waters are not safe. Waste from industry threatens their very existence unless, somehow, they can learn a new way. But they will learn nothing without someone to teach them, and their school has no teacher—until one man gives a year of his life to the island and its people. Praise for The Water Is Wide “Miraculous . . . an experience of joy.”—Newsweek “A powerfully moving book . . . You will laugh, you will weep, you will be proud and you will rail . . . and you will learn to love the man.”—Charleston News and Courier “A hell of a good story.”—The New York Times “Few novelists write as well, and none as beautifully.”—Lexington Herald-Leader “[Pat] Conroy cuts through his experiences with a sharp edge of irony. . . . He brings emotion, writing talent and anger to his story.”—Baltimore Sun

While Cernuda's verse is vivid testimony to various aspects of his biographical itinerary, it is in his prose poems that he traces more explicitly an outline of his life's journey. Reviewing this work, Octavio Paz wrote: "In these memories and landscapes, in these notes toward the history of his sensibility, there is great objectivity; the poet doesn't set out to fantasize, or to lie to himself or anyone else. He attempts only to illuminate, with an almost impersonal light, something very personal: a few moments in his life. But is it truly ours, this life we live?" Luis Cernuda (1902–1963) was one of the leading poets of Spain's Generation of 1927, which included Federico Garcia Lorca, Rafael Alberti and Jorge Guillen.

Beloved British poet John Keats died in 1821 at age 25. What was his life really like? Did he find love? What experiences led to his great poetry? This captivating novel reimagines Keats at the moment of death as he undergoes a series of heart-wrenching trials that offer answers to these questions. It is February 23, 1821. John Keats' time on earth has come to an end, and he finds himself in a "way station" somewhere above Rome, where he spent the last months of his life. Alongside him is a mysterious spirit who seems to wish to communicate with him but is unable to speak. Keats receives short, dramatic visits from spirits out of his past. Cruel critics. The tight-fisted guardian of his grandfather's estate. His brother and sister. A painter who hounded him for loans. And Fanny Brawne, his off-and-on love. Meanwhile, key memories from his life unfold for his review. The moment when his grandmother died and he and his siblings were left orphans. A time he stood up for his brother Tom when he was bullied by a school official. Tom's death from consumption. A pivotal hike through the Lake District, the home of Keats' hero William Wordsworth. His dramatic meeting and courtship of Fanny Brawne. Along the way he undergoes three judgments from the universe on his relations with his siblings, with his peers, and finally on his life and accomplishments in sum. He also learns the surprising identity of his spirit guide and-in the breathtaking conclusion-he is witness to the stunning secret that will decide his fate.

A dazzling new look into the short but intense, tragic life and remarkable work of John Keats, one of the greatest lyric poets of the English language, seen in a whole new light, not as the mythologized Victorian guileless nature-lover, but as the subversive, bawdy complex cynic whose life and poetry were lived and created on the edge. In this brief life, acclaimed biographer Lucasta Miller takes nine of Keats's best-known poems—"Endymion"; "On First Looking into Chapman’s Homer"; "Ode to a Nightingale"; "To Autumn"; "Bright Star" among them—and excavates how they came to be and what in Keats's life led to their creation. She writes of aspects of Keats's life that have been overlooked, and explores his imagination in the context of his world and experience, paying tribute to the unique quality of his mind. Miller, through Keats’s poetry, brilliantly resurrects and brings vividly to life, the man, the poet in all his complexity and spirit, living dangerously, disdaining respectability and cultural norms, and embracing subversive politics. Keats was a lower-middle-class outsider from a tragic and fractured family, whose extraordinary energy and love of language allowed him to pummel his way into the heart of English literature; a freethinker and a liberal at a time of repression, who delighted in the sensation of the moment. We see how Keats was regarded by his contemporaries (his writing was seen as smutty) and how the young poet’s large and boisterous life—a man of the metropolis, who took drugs, was sexually reckless and afflicted with syphilis—went straight up against the Victorian moral grain; and Miller makes clear why his writing—considered marginal and avant-garde in his own day—retains its astonishing originality, sensuousness and power two centuries on.

In this New York Times bestseller, internationally renowned Japanese scientist Masaru Emoto shows how the influence of our thoughts, words and feelings on molecules of water can positively impact the earth and our personal health. This book has the potential to profoundly transform your world view. Using high-speed photography, Dr. Masaru Emoto discovered that crystals formed in frozen water reveal changes when specific, concentrated thoughts are directed toward them. He found that water from clear springs and water that has been exposed to loving words shows brilliant, complex, and colorful snowflake patterns. In contrast, polluted water, or water exposed to negative thoughts, forms incomplete, asymmetrical patterns with dull colors. The implications of this research create a new awareness of how we can positively impact the earth and our personal health.

Frederick Bernays Wiener, was a leading advocate at the Bar of the Supreme Court in the last century. Colonel Wiener argued, and won, cases that set the legal boundaries between the military and civilians, as well as those between what is public and what remains private.No cases could carry greater social weight; ergo, few collections of papers could be more important. Paul came to know Colonel Wiener well. He produced a television interview with Colonel and Mrs. Doris Merchant Wiener at the LSU Law Center.

When the Sudanese civil war reaches his village in 1985, 11-year-old Salva becomes separated from his family and must walk with other Dinka tribe members through southern Sudan, Ethiopia and Kenya in search of safe haven. Based on the life of Salva Dut, who, after emigrating to America in 1996, began a project to dig water wells in Sudan. By a Newbery Medal-winning author.