History The Parker Society, 'For the Publication of the Works of the Fathers and Early Writers of the Reformed English Church', was formed in 1840 and disbanded in 1855 when its work was completed. Its name is taken from that of Matthew Parker, the first Elizabethan Archbishop of Canterbury, who was known as a great collector and preserver of books. The stimulus for the foundation of the society was provided by the nineteenth-Century Tractarians. Some members of this movement, e.g., R.H. Froude in his Remains of 1838-9, spoke most disparagingly of the English Reformation: 'Really I hate the Reformation and the Reformers more and more'. Keble could add in 1838, 'Anything which separates the present Church from the Reformers I should hail as a great good'. Protestants within the Church of England therefore felt the urgent need to make available in an attractive and accessible form the works of the leaders of the English Reformation. To many it seemed that the Protestant foundations of the English Church were being challenged like never before. Thus the society represented a co-operation between traditional High Churchmen and evangelical churchmen, both of whom were committed to the Reformation teaching on justification by faith. Subscribers were also involved in the erection of the Martyrs' Memorial in Oxford, although this was as much anti-Roman Catholic as anti-Tractarian. The society had about seven thousand subscribers who paid one pound each year from 1841 to 1855; thus for fifteen pounds the subscribers received fifty- three volumes - the General Index and the Latin originals of the 1847 'Original Letters relative to the English Reformation' being special subscriptions. Twenty-four editors were used and the task of arriving at the best text was far from easy. The choice of publications was controversial and some authors and works were unfortunate not to be included in PS volumes. While some of the volumes have been superseded by more recent critical editions, today this collection remains one of the most valuable sources for the study of the English Reformation.

Between 1548 and 1551, controversies over adiaphora, or indifferent matters, erupted in both Germany and England. Matthias Flacius Illyricus in Germany and John Hooper in England both refused to accept, among other things, the same liturgical vestment: the surplice. While Flacius’ objections to the imperial liturgical requirements were largely contextual, because the vestments and rites were forced on the church and were part of a recatholicizing agenda, Hooper protested because he was convinced that disputed vestments and rites lacked a biblical basis. The Devil behind the Surplice demonstrates that, while Flacius fought to protect the reformation principle of justification by grace alone through faith alone, Hooper strove to defend the reformation principle that Scripture alone was the source and norm of Christian doctrine and practice. Ultimately, Flacius wanted more Elijahs, prophets to guide a faithful remnant, and Hooper wanted a new Josiah, a young reform king to purify the kingdom and strip it of idolatry.

A meticulous exploration of the reception history of Jonah in all its facets Jonah through the Centuries is a systematic examination of the reception history of the book of Jonah, long-recognized for its numerous theological implications and diverse interpretations. The first book of its kind written in English, this singular volume provides a lucid and coherent commentary on the most influential re-readings of Jonah in Jewish, Christian, Muslim, and secular traditions. Author Lena-Sofia Tiemeyer progresses slowly through the book of Jonah verse-by-verse—even word-by-word through key verses such as Jonah 1:1 and 2:1—to offer readers deep insight into the many and multifaceted interpretations of Jonah from early Jewish readings to modern literary retellings. Structured thematically rather than strictly chronologically, the text begins with the earliest interpretation and follows its trendline all the way through to modern times before turning to the next-oldest interpretation. The commentary covers a broad range of retellings in many languages and in various media including commentaries, sermons, prose, poetry, theatrical drama, art, and music. Throughout the text, the author demonstrates how all these retellings ultimately originate within the biblical text itself and highlights how many of the interpretations are fueled and influenced by the interpreter's religious background, cultural assumptions, and their preconceived notions of what the text should say. Discusses how retellings of Jonah ultimately originate within the text's theological or literary ambiguities, choice of words, or syntactical construction Explains how cross-cultural interchanges between Jews, Christians, and Muslims at different points throughout the centuries influenced the reception of Jonah Highlights how several retellings form clusters according to the interpreters' religious affiliations Covers various interpretations of both often-cited and lesser-known verses from the book of Jonah Interacts with an international range of literary retellings of the book of Jonah, offered in English translation Jonah through the Centuries is an invaluable resource for educated clergy, undergraduate and graduate students in both seminaries and universities, scholars and academics, and general readers with interest in the reception of biblical texts in literature, art, and music.