The history of writing, or so the standard story goes, is an ascending process, evolving toward the alphabet and finally culminating in the "full writing" of recorded speech. Writing without Words challenges this orthodoxy, and with it widespread notions of literacy and dominant views of art and literature, history and geography. Asking how knowledge was encoded and preserved in Pre-Columbian and early colonial Mesoamerican cultures, the authors focus on systems of writing that did not strive to represent speech. Their work reveals the complicity of ideology in the history of literacy, and offers new insight into the history of writing. The contributors--who include art historians, anthropologists, and literary theorists--examine the ways in which ancient Mesoamerican and Andean peoples conveyed meaning through hieroglyphic, pictorial, and coded systems, systems inseparable from the ideologies they were developed to serve. We see, then, how these systems changed with the European invasion, and how uniquely colonial writing systems came to embody the post-conquest American ideologies. The authors also explore the role of these early systems in religious discourse and their relation to later colonial writing. Bringing the insights from Mesoamerica and the Andes to bear on a fundamental exchange among art history, literary theory, semiotics, and anthropology, the volume reveals the power contained in the medium of writing. Contributors. Elizabeth Hill Boone, Tom Cummins, Stephen Houston, Mark B. King, Dana Leibsohn, Walter D. Mignolo, John Monaghan, John M. D. Pohl, Joanne Rappaport, Peter van der Loo

For more than a quarter of a century, Ildefonso, a Mexican Indian, lived in total isolation, set apart from the rest of the world. He wasn't a political prisoner or a social recluse, he was simply born deaf and had never been taught even the most basic language. Susan Schaller, then a twenty-four-year-old graduate student, encountered him in a class for the deaf where she had been sent as an interpreter and where he sat isolated, since he knew no sign language. She found him obviously intelligent and sharply observant but unable to communicate, and she felt compelled to bring him to a comprehension of words. The book vividly conveys the challenge, the frustrations, and the exhilaration of opening the mind of a congenitally deaf person to the concept of language. This second edition includes a new chapter and afterword.

At age 34, Shea discovered that he had been deaf since childhood despite somehow maintaining a prestigious legal career.

Bounty hunter Bret Sterling kills Rufus Petty, thief and murderer, less than ten feet away from a frightened, half-starved woman. Rufus should have surrendered. The woman should have kin to help her. But Rufus went down shooting, and the woman has no one. Bret figures by the time he finds a safe place to leave Hassie Petty, he'll earn the five hundred dollar reward several times over. Hassie doesn't mourn Rufus, but the loss of the ten dollars he promised her for supplies is a different matter. The bounty hunter gives her nothing, takes everything, ties the body on one horse and orders her on another. Afraid if she defies him, he'll tie her down tighter than Rufus, Hassie mounts up and follows the icy-eyed killer. Mismatched in every way, the sterling man and petty woman travel the West together, hunting thieves, deserters, and murderers. Wary traveling companions, friends and partners, lovers, Bret and Hassie must decide what they want, what they need, and the price they're willing to pay for love.

Having tried for years to unlock the secrets of the magical Book Without Words, old man Thorston dies in failure and the book is passed on to his servant, Sybil, and her magical raven who eagerly begin the process of breaking the code.

First Oxford University Press pbk edition.

In a first-ever publishing event, the remarkable photography and writings of Countess Sophia Tolstoy reveal the unfolding of her life with her famous husband--and evocatively portray a glittering world that soon would fade away. 120 photographs.

Week after week, they sit in church . . . alone. They are the spiritually mismatched, those who are committed to a spouse who does not share their faith. Feeling abandoned by their spouse and forgotten by their church, they live out their faith in survival mode, guarding the spiritual flame yet never feeling free to share it. But God wants them to thrive--not just survive. Winning Him Without Words presents ten Christ centered keys to thriving in a spiritual mismatch. Readers are encouraged to commit to Christian community, to release their spouse to God's capable hands, to find peace in their relationships with Christ and with their spouse, to continue their pursuit of a growing faith, and to love their spouse with fresh enthusiasm. God wants every marriage to exude peace and love, and Winning Him Without Words empowers readers to create that environment in their homes and thrive as God works. Winning Him Without Words was the recipient of the Nonfiction Book of 2011 Award from the San Diego Christian Writers Guild, one of the largest Christian writers group in the United States.

Joining the ranks of classics like The Elements of Style and On Writing Well, Writing Without Bullshit helps professionals get to the point to get ahead. It’s time for Writing Without Bullshit. Writing Without Bullshit is the first comprehensive guide to writing for today’s world: a noisy environment where everyone reads what you write on a screen. The average news story now gets only 36 seconds of attention. Unless you change how you write, your emails, reports, and Web copy don’t stand a chance. In this practical and witty book, you’ll learn to front-load your writing with pithy titles, subject lines, and opening sentences. You’ll acquire the courage and skill to purge weak and meaningless jargon, wimpy passive voice, and cowardly weasel words. And you’ll get used to writing directly to the reader to make every word count. At the center of it all is the Iron Imperative: treat the reader’s time as more valuable than your own. Embrace that, and your customers, your boss, and your colleagues will recognize the power and boldness of your thinking. Transcend the fear that makes your writing weak. Plan and execute writing projects with confidence. Manage edits and reviews flawlessly. And master every modern format from emails and social media to reports and press releases. Stop writing to fit in. Start writing to stand out. Boost your career by writing without bullshit.

A boy’s small paper boat—and his large imagination—fill the pages of this wordless picture book, a modern-day classic from the creator of Pardon Me! that includes endpaper instructions for building a boat of your own. A little boy takes a boat made of newspaper out for a rainy-day adventure. The boy and his boat dance in the downpour and play in the puddles, but when the boy sends his boat floating down a gutter stream, it quickly gets away from him. So of course the little boy goes on the hunt for his beloved boat—and when the rain lets up, he finds himself on a new adventure altogether. This seemingly simply story from Daniel Miyares is enriched with incredible depth and texture that transcend words.