What do the bursar of Eton College, a canon of Mainz Cathedral, a young knight from near Cologne, and a Kentish nobleman's chaplain have in common? Two Germans, residents of the Holy Roman Empire, and two Englishmen, just as the western horizons of the known world were beginning to expand. These four men - William Wey, Bernhard von Breydenbach, Arnold von Harff, and Thomas Larke - are amongst the thousands of western Christians who undertook the arduous journey to the Holy Land in the decades immediately before the Reformation. More importantly, they are members of a much more select group: those who left written accounts of their travels, for the journey to Jerusalem in the late Middle Ages took place not only in the physical world, but also in the mind and on the page. Pilgrim authors contended in different ways with the collision between fifteenth-century reality and the static textual Jerusalem, as they encountered the genuinely multi-religious Middle East. This book examines the international literary phenomenon of the Jerusalem pilgrimage through the prism of these four writers. It explores the process of collective and individual identity construction, as pilgrims came into contact with members of other religious traditions in the course of the expression of their own; engages with the uneasy relationship between curiosity and pilgrimage; and investigates both the relevance of genre and the advent of print to the development of pilgrimage writing. Ultimately pilgrimage is revealed as a conceptual space with a near-liturgical status, unrestricted by geographical boundaries and accessible both literally and virtually.

"Every man who undertakes the journey to the Our Lord's Sepulcher needs three sacks: a sack of patience, a sack of silver, and a sack of faith."—Symon Semeonis, an Irish medieval pilgrim As medieval pilgrims made their way to the places where Jesus Christ lived and suffered, they experienced, among other things: holy sites, the majesty of the Egyptian pyramids (often referred to as the "Pharaoh's granaries"), dips in the Dead Sea, unfamiliar desert landscapes, the perils of traveling along the Nile, the customs of their Muslim hosts, Barbary pirates, lice, inconsiderate traveling companions, and a variety of difficulties, both great and small. In this richly detailed study, Nicole Chareyron draws on more than one hundred firsthand accounts to consider the journeys and worldviews of medieval pilgrims. Her work brings the reader into vivid, intimate contact with the pilgrims' thoughts and emotions as they made the frequently difficult pilgrimage to the Holy Land and back home again. Unlike the knights, princes, and soldiers of the Crusades, who traveled to the Holy Land for the purpose of reclaiming it for Christendom, these subsequent pilgrims of various nationalities, professions, and social classes were motivated by both religious piety and personal curiosity. The travelers not only wrote journals and memoirs for themselves but also to convey to others the majesty and strangeness of distant lands. In their accounts, the pilgrims relate their sense of astonishment, pity, admiration, and disappointment with humor and a touching sincerity and honesty. These writings also reveal the complex interactions between Christians, Jews, and Muslims in the Holy Land. Throughout their journey, pilgrims confronted occasionally hostile Muslim administrators (who controlled access to many holy sites), Bedouin tribes, Jews, and Turks. Chareyron considers the pilgrims' conflicted, frequently simplistic, views of their Muslim hosts and their social and religious practices.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.

The book shows how the Franciscans in Jerusalem in the fourteenth to sixteenth centuries wrote works which standardized the cultural memory of the Holy Land. The experience of the late medieval Holy Land was deeply connected to the presence of the Franciscans of the Convent of Mount Zion in Jerusalem, who welcomed and guided pilgrims. This book analyses this construction of a shared memory based on the continuous availability of these texts in the Franciscan library of Mount Zion, where they were copied and adapted to respond to new historical contexts. This book shows how the Franciscans developed a representation of the Holy Land by elaborating on its history and describing its religious groups and the geography of the region. This representation circulated among pilgrims and influenced how contemporaries imagined the Holy Land

A 200-page introduction to pilgrimage in the Middle Ages and its study, is followed by a thoroughly annotated bibliography of over 1000 primary and secondary, scholarly and popular, works on such aspects of the subject as the medieval concept of pilgrimage, specific sites, and its manifestation in literature, music, art, architecture, and political and religious history. Each topical section notes important primary sources and key scholarly works that provide an opening for research. Focuses on the period from the 4th century to the Renaissance, but also notes works describing pre-Christian and 20th-century pilgrimages. Includes an outline for beginning scholars. No index. Annotation copyright by Book News, Inc., Portland, OR

The history and underlying ideology of pilgrimage examined, from prehistory to the middle ages. The enduring importance of pilgrimage as an expression of human longing is explored in this volume through three major themes: the antiquity of pilgrimage in what became the Christian world; the mechanisms of Christian pilgrimage(particularly in relation to the practicalities of the journey and the workings of the shrine); and the fluidity and adaptability of pilgrimage ideology. In their examination of pilgrimage as part of western culture from neolithictimes onwards, the authors make use of a range of approaches, often combining evidence from a number of sources, including anthropology, archaeology, history, folklore, margin illustrations and wall paintings; they suggest that it is the fluidity of pilgrimage ideology, combined with an adherence to supposedly traditional physical observances, which has succeeded in maintaining its relevance and retaining its identity. They also look at the ways in whichpilgrimage spilled into, or rather was part of, secular life in the middle ages. Dr JENNIE STOPFORD teaches in the Centre for Medieval Studies, University of York. Contributors: RICHARD BRADLEY, E.D. HUNT, JULIEANN SMITH, SIMON BARTON, WENDY R. CHILDS, BEN NILSON, KATHERINE J. LEWIS, DEBRA J. BIRCH, SIMON COLEMAN, JOHN ELSNER, A. M. KOLDEWEIJ.