POETRY BOOK SOCIETY SPRING RECOMMENDATION 2021 Yousif M Qasmiyeh's Writing The Camp is an exceptional, essential collection drawn from the poet's experience of the Baddawi refugee camp in Lebanon. The poetry moves beyond the observational into a philosophical meditation on the existential nature of place. Qasmiyeh asks "Where is time?", crossing footprints of Derrida, "To experience is to advance by navigating, to walk by traversing". Writing The Camp is a brave and beautiful work, one which will surely be of historical importance.

Took House is a disquieting book about intimate relationships and what is seen and hidden. In vulnerable poems of obsession, Camp places motivation deep in the background, following instead a chain reaction between pain and pleasure. Boundaries shift between reality and allegory. Blame, power and disorder hover, unsettling what we know of love.

Archival snapshot of entire looseleaf Code of Massachusetts Regulations held by the Social Law Library of Massachusetts as of January 2020.

Archival snapshot of entire looseleaf Code of Massachusetts Regulations held by the Social Law Library of Massachusetts as of January 2020.

Archival snapshot of entire looseleaf Code of Massachusetts Regulations held by the Social Law Library of Massachusetts as of January 2020.

The camp is nothing if not diverse: in kind, scope, and particularity; in sociological and juridical configuration; in texture, iconography, and political import. Adjectives of camp specificity embrace a spectrum from extermination and concentration, to detention, migration, deportation, and refugee camps. And while the geographic range covered by contributors is hardly global, it is broad: Chile, Rwanda, Canada, the US, Central Europe, Morocco, Algeria, South Africa, France and Spain. And yet—is to so characterize the camp to run the risk of diffusing what in origin is a concentration into a paratactical series of “identity particularisms”? While The Camp does not seek to antithetically promulgate a universalist vision, it does aim to explore the imbrication of the particular and the universal, to analyze the structure of a camp or camps, and to call attention the role of the listener in the construction of the testimony. For, by naming what cannot be said, is not every narrative of internment and exclusion a potential site of agency, articulating the inner splitting of language that Giorgio Agamben defines as the locus of testimony: “to bear witness is to place oneself in one’s own language in the position of those who have lost it, to establish oneself in a living language as if it were dead, or in a dead language as if it were living.”

Archival snapshot of entire looseleaf Code of Massachusetts Regulations held by the Social Law Library of Massachusetts as of January 2020.

Archival snapshot of entire looseleaf Code of Massachusetts Regulations held by the Social Law Library of Massachusetts as of January 2016.

Archival snapshot of entire looseleaf Code of Massachusetts Regulations held by the Social Law Library of Massachusetts as of January 2020.

Archival snapshot of entire looseleaf Code of Massachusetts Regulations held by the Social Law Library of Massachusetts as of January 2020.