Writing on the Landscape touches my mind, heart, body, and spirit. The author and I are kindred souls. My own thinking, writing, and nature-fueled philosophy of life resonate with Dr. Wilhoits entertaining and inspirational guide to writing and nature. Dr. Wilhoit narrates a journey, demonstrating how vital balance is in our pursuit of writing, as well as in our pursuit of life. And she evidences convincingly that we can achieve wholeness through conscious, reflective, and introspective immersion in nature. Dr. Wilhoit observes simply that the principal point of this book is the pairing of nature and writing toward being complete. Writing on the Landscape explores the sense of wholeness we feel when we engage a few simple, easy to exercise practices deep and guided, step-by-step interactions with nature and its elements: land-, sea-, and sky-scapes. The voices of the earth speak deeply and clearly to a writer. Dr. Wilhoit brings joy to writing through her own revelations: I am in love with writing; writing seduces me. I am in the landscape of my soul. I write from the very core of who I am. That is what the natural world does for me and for my writing no matter where I am. Join Dr. Wilhoit and begin your own journey through the terrain of writing and nature. Stephen B. Jones, PhD Author of Nature Based Leadership and Nature-Inspired Learning and Leading; Co-Founder of Antioch University New Englands Nature Based Leadership Institute; Founder of Great Blue Heron, LLC Writing on the Landscape is a practical, lyrical book aimed at helping blocked writers to become unstuck.

Introduction and Illustrations by Ann H. Zwinger

Blew's reflections on a woman's life in the Rocky Mountain West immerse readers in the landscape of mountains and prairies and of blizzards and scorching sun. "Blew again demonstrates her artistry and strong connection to the Western terrain of her past and present homes in Montana and Idaho".--" Publishers Weekly". 9 illustrations.

Diaspora studies have tended to privilege urban landscapes over rural ones, wanting to avoid the racial homogeneity, conservatism, and xenophobia usually associated with the latter. This book examines the work of various writers to show how it expresses the appeal that rural and wilderness spaces can hold for the diasporic imagination.

Any landscape has an unseen component: a subjective component of experience, memory, and narrative which people familiar with the place understand to be an integral part of its geography but which outsiders may not suspect the existence ofOCounless they listen and read carefully. This invisible landscape is make visible though stories, and these stories are the focus of this engrossing book. Traveling across the invisible landscape in which we imaginatively dwell, Kent RydenOCohimself a most careful listener and readerOCoasks the following questions. What categories of meaning do we read into our surroundings? What forms of expression serve as the most reliable maps to understanding those meanings? Our sense of any place, he argues, consists of a deeply ingrained experiential knowledge of its physical makeup; an awareness of its communal and personal history; a sense of our identity as being inextricably bound up with its events and ways of life; and an emotional reaction, positive or negative, to its meanings and memories. Ryden demonstrates that both folk and literary narratives about place bear a striking thematic and stylistic resemblance. Accordingly, "Mapping the Invisible Landscape" examines both kinds of narratives. For his oral materials, Ryden provides an in-depth analysis of narratives collected in the Coeur d'Alene mining district in the Idaho panhandle; for his consideration of written works, he explores the OC essay of place, OCO the personal essay which takes as its subject a particular place and a writer's relationship to that place. Drawing on methods and materials from geography, folklore, and literature, "Mapping the Invisible Landscape" offers a broadly interdisciplinary analysis of the way we situate ourselves imaginatively in the landscape, the way we inscribe its surface with stories. Written in an extremely engaging style, this book will lead its readers to an awareness of the vital role that a sense of place plays in the formation of local cultures, to an understanding of the many-layered ways in which place interacts with individual lives, and to renewed appreciation of the places in their own lives and landscapes."

There are still wild places out there on our crowded planet. Through a series of personal journeys, Dan Richards explores the appeal of far-flung outposts in mountains, tundra, forests, oceans and deserts. Following a route from the Cairngorms of Scotland to the fire-watch lookouts of Washington State; from Iceland’s ‘Houses of Joy’ to the Utah desert; frozen ghost towns in Svalbard to shrines in Japan; Roald Dahl’s writing hut to a lighthouse in the North Atlantic, Richards explores landscapes which have inspired writers, artists and musicians, and asks: why are we drawn to wilderness? What can we do to protect them? And what does the future hold for outposts on the edge?

Spanning the whole of Latin America, including Brazil, from its beginnings in 1492 up to the present time, Rivera-Barnes and Hoeg analyze the relationship between literature and the environment in both literary and testimonial texts, asking questions that contribute to the on-going dialogue between the arts and the sciences.

The biggest and best single-volume collection ever published of the fascinating and wide-ranging writings of a vitally important nineteenth century cultural figure whose work continues to shape our world today. Seaman, farmer, abolitionist, journalist, administrator, reformer, conservationist, and without question America’s foremost landscape architect and urban planner, Frederick Law Olmsted (1822–1903) was a man of unusually diverse talents and interests, and the arc of his life and writings traces the most significant developments of nineteenth century American history. As this volume reveals, the wide-ranging endeavors Olmsted was involved in—cofounding The Nation magazine, advocating against slavery, serving as executive secretary to the United States Sanitary Commission (precursor to the Red Cross) during the Civil War, championing the preservation of America’s great wild places at Yosemite and Yellowstone—emerged from his steadfast commitment to what he called “communitiveness,” the impulse to serve the needs of one’s fellow citizens. This philosophy had its ultimate expression is his brilliant designs for some of the country’s most beloved public spaces: New York’s Central Park, Prospect Park in Brooklyn, Boston’s “Emerald Necklace,” the Biltmore Estate in North Carolina, the grounds of the U.S. Capitol, garden suburbs like Chicago’s Riverside, parkways (a term he invented) and college campuses, the “White City” of the 1893 World’s Columbian Exposition, and many others. Gathering almost 100 original letters, newspaper dispatches, travel sketches, essays, editorials, design proposals, official reports, reflections on aesthetics, and autobiographical reminiscences, this deluxe Library of America volume is profusely illustrated with a 32-page color portfolio of Olmsted’s design sketches, architectural plans, and contemporary photographs. It also includes detailed explanatory notes and a chronology of Olmsted’s life and design projects. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Women novelists were among the most popular authors of the First Republic and First Empire, yet they are frequently overlooked in favour of their canonical male counterparts.

Engaging essays that roam across uncertain territory, in search of sunken forests, unclassifiable islands, inflammable skies, plagiarized tabernacles, and other phenomena missing from architectural history. This collection by “architectural history's most beguiling essayist” (as Reinhold Martin calls the author in the book's foreword) illuminates the unfamiliar, the arcane, the obscure—phenomena largely missing from architectural and landscape history. These essays by Edward Eigen do not walk in a straight line, but roam across uncertain territory, discovering sunken forests, unclassifiable islands, inflammable skies, unvisited shores, plagiarized tabernacles. Taken together, these texts offer a group portrait of how certain things fall apart. We read about the statistical investigation of lightning strikes in France by the author-astronomer Camille Flammarion, which leads Eigen to reflect also on Foucault, Hamlet, and the role of the anecdote in architectural history. We learn about, among other things, Olmsted's role in transforming landscape gardening into landscape architecture; the connections among hedging, hedge funds, the High Line, and GPS bandwidth; timber-frame roofs and (spider) web-based learning; the archives of the Houses of Parliament through flood and fire; and what the 1898 disappearance and reappearance of the Trenton, New Jersey architect William W. Slack might tell us about the conflict between “the migratory impulse” and “love of home.” Eigen compares his essays to the “gathering up of seeds that fell by the wayside.” The seedlings that result create in the reader's imagination a dazzling display of the particular, the contingent, the incidental, and the singular, all in search of a narrative.