NEW YORK TIMES BESTSELLER • An “extraordinary, unforgettable” (Michelle Alexander, author of The New Jim Crow) memoir of redemption and second chances amidst America’s mass incarceration epidemic, from a member of Oprah’s SuperSoul 100 Shaka Senghor was raised in a middle-class neighborhood on Detroit’s east side during the height of the 1980s crack epidemic. An honor roll student and a natural leader, he dreamed of becoming a doctor—but at age eleven, his parents’ marriage began to unravel, and beatings from his mother worsened, which sent him on a downward spiral. He ran away from home, turned to drug dealing to survive, and ended up in prison for murder at the age of nineteen, full of anger and despair. Writing My Wrongs is the story of what came next. During his nineteen-year incarceration, seven of which were spent in solitary confinement, Senghor discovered literature, meditation, self-examination, and the kindness of others—tools he used to confront the demons of his past, forgive the people who hurt him, and begin atoning for the wrongs he had committed. Upon his release at age thirty-eight, Senghor became an activist and mentor to young men and women facing circumstances like his. His work in the community and the courage to share his story led him to fellowships at the MIT Media Lab and the Kellogg Foundation and invitations to speak at events like TED and the Aspen Ideas Festival. In equal turns, Writing My Wrongs is a page-turning portrait of life in the shadow of poverty, violence, and fear; an unforgettable story of redemption; and a compelling witness to our country’s need for rethinking its approach to crime, prison, and the men and women sent there.

The New York Times bestselling author of Writing My Wrongs invites men everywhere on a journey of honesty and healing through this book of moving letters to his sons—one whom he is raising and the other whose childhood took place during Senghor's nineteen-year incarceration. “A visceral and visual journey for the ages . . . the perfect road map for us to remove the barriers and obstacles against our true feelings.”—Kenya Barris, creator of black-ish ONE OF THE MOST ANTICIPATED BOOKS OF 2022—Essence Shaka Senghor has lived the life of two fathers. With his first son, Jay, born shortly after Senghor was incarcerated for second-degree murder, he experienced the regret of his own mistakes and the disconnection caused by a society that sees Black lives as disposable. With his second, Sekou, born after Senghor's release, he has experienced healing, transformation, intimacy, and the possibilities of a world where men and boys can openly show one another affection, support, and love. In this collection of beautifully written letters to Jay and Sekou, Senghor traces his journey as a Black man in America and unpacks the toxic and misguided messages about masculinity, mental health, love, and success that boys learn from an early age. He issues a passionate call to all fathers and sons—fathers who don't know how to show their sons love, sons who are navigating a fatherless world, boys who have been forced to grow up before their time—to cultivate positive relationships with other men, seek healing, tend to mental health, grow from pain, and rewrite the story that has been told about them. Letters to the Sons of Society is a soulful examination of the bond between father and sons, and a touchstone for anyone seeking a kinder, more just world.

Compelling, insightful, and at times humorous, Writing the Wrongs is a window on the Progressive Era, on social history and the new journalism, and on women's lives and the meaning of class and gender."--Jacket.

An enraging, necessary look at the private prison system, and a convincing clarion call for prison reform.” —NPR.org New York Times Book Review 10 Best Books of 2018 * One of President Barack Obama’s favorite books of 2018 * Winner of the 2019 J. Anthony Lukas Book Prize * Winner of the Helen Bernstein Book Award for Excellence in Journalism * Winner of the 2019 RFK Book and Journalism Award * A New York Times Notable Book A ground-breaking and brave inside reckoning with the nexus of prison and profit in America: in one Louisiana prison and over the course of our country's history. In 2014, Shane Bauer was hired for $9 an hour to work as an entry-level prison guard at a private prison in Winnfield, Louisiana. An award-winning investigative journalist, he used his real name; there was no meaningful background check. Four months later, his employment came to an abrupt end. But he had seen enough, and in short order he wrote an exposé about his experiences that won a National Magazine Award and became the most-read feature in the history of the magazine Mother Jones. Still, there was much more that he needed to say. In American Prison, Bauer weaves a much deeper reckoning with his experiences together with a thoroughly researched history of for-profit prisons in America from their origins in the decades before the Civil War. For, as he soon realized, we can't understand the cruelty of our current system and its place in the larger story of mass incarceration without understanding where it came from. Private prisons became entrenched in the South as part of a systemic effort to keep the African-American labor force in place in the aftermath of slavery, and the echoes of these shameful origins are with us still. The private prison system is deliberately unaccountable to public scrutiny. Private prisons are not incentivized to tend to the health of their inmates, or to feed them well, or to attract and retain a highly-trained prison staff. Though Bauer befriends some of his colleagues and sympathizes with their plight, the chronic dysfunction of their lives only adds to the prison's sense of chaos. To his horror, Bauer finds himself becoming crueler and more aggressive the longer he works in the prison, and he is far from alone. A blistering indictment of the private prison system, and the powerful forces that drive it, American Prison is a necessary human document about the true face of justice in America.

Sheryl Scarborough continues the adventures of teen amateur sleuth and aspiring forensic scientist Erin Blake in To Right the Wrongs, the sequel to To Catch a Killer. Barely three weeks after catching the killer of Erin’s mother and their biology teacher, Erin and her crew are back, up to their elbows in forensics projects. But this time it’s with the full approval of their parents. With Uncle Victor at the helm, Erin and her best friends, Spam and Lysa, are prepping a new classroom for CSI summer camp, where they will serve as camp counselors. Meanwhile, Erin's super-hot new boyfriend, Journey, is graduating, just in time for him to take a position as Victor’s intern in the new CSI lab on campus. Journey and Victor are going to take another look at the evidence in the murder trial that sent Journey’s father to prison. The girls are under strict orders not to meddle with the murder case, but that's easier said than done... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From Heartbreak to Love Notes combines lyrical expression with poetry to capture modern dating by using pieces to tell a story of young man knowing little about relationships but is destined to learn. It's broken into three sections and chronicles his thought process when enamored, losing interest, cheating, searching, heartbroken and healed.

Winner of the Library of Virginia's Emyl Jenkins Sexton Literary Award for Fiction! "A brilliantly moving and unforgettable novel." - Jill McCorkle, author of Life After Life Janet Peery’s first novel, The River Beyond the World, was a National Book Award finalist in 1996. Acclaimed for her gorgeous writing and clear-eyed gaze into the hearts of people, Peery now returns with her second novel, The Exact Nature of Our Wrongs. On a summer evening in the blue-collar town of Amicus, Kansas, the Campbell family gathers for a birthday dinner for their ailing patriarch, retired judge Abel Campbell, prepared and hosted by their still-hale mother Hattie. But when Billy, the youngest sibling—with a history of addiction, grand ideas, and misdemeanors—passes out in his devil’s food cake, the family takes up the unfinished business of Billy’s sobriety. Billy’s wayward adventures have too long consumed their lives, in particular Hattie’s, who has enabled his transgressions while trying to save him from Abel’s disappointment. As the older children—Doro, Jesse, ClairBell, and Gideon—contend with their own troubles, they compete for the approval of the elderly parents they adore, but can’t quite forgive. With knowing humor and sure-handed storytelling, Janet Peery reveals a family at its best and worst, with old wounds and new, its fractures and feuds, and yet its unbreakable bonds.

Writing Wrongs is a concise and thoughtful guide to common errors in English. It covers frequently confused and misused words along with problems of grammar, punctuation, and style, and offers a brief and up-to-date guide to major citation styles. Though it provides guidelines and recommendations for usage, Writing Wrongs acknowledges the evolution of language over time and the fact that different contexts have different rules—it is not narrowly prescriptive. A friendly, flexible, and easy-to-read reference, Writing Wrongs will be useful to students and general readers alike.

This book examines the ‘cultural apparatus’ of Human Rights in India today. It unravels discourses of victimhood, oppression, suffering and witnessing through a study of autobiographies, memoirs, reportage and media coverage, and documentaries. Moving across multiple media and genres for their representations of Dalits, riot victims, prisoners, abused and abandoned women and children, examining the formal properties of victim texts for their documentation of trauma, and analyzing the role of the sympathetic imagination, Writing Wrongs inaugurates a whole new field in literary–cultural studies by focusing on the narratives that build the culture of Human Rights. It argues for taking this cultural apparatus as essential to the political and legal dimensions of Human Rights. The book emphasizes the need for an ethical turn to literary–cultural studies and a cultural turn to Human Rights studies, arguing that a public culture of Human Rights has a key role to play in revitalizing civil society and its institutions. It will be of interest to Human Rights scholars and activists, and those in political science, sociology, literary and cultural studies, narrative theory and psychology.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.