A guide to writing stories, memoirs, and personal essays that includes information on remembering distant memories; making real people into characters; using public records, interviews, and diaries to create a believable story; and other related topics.

"Nine historians reflect on their work as writers, exploring some of the most difficult and interesting questions any history-writer faces."--Back cover.

A comprehensive exploration of Melville's formative years, providing a new biographical foundation for today's generations of Melville readers Herman Melville: A Half Known Life, Volumes 1 and 2, follows Herman Melville's life from early childhood to his astonishing emergence as a bestselling novelist with the publication of Typee in 1846. These volumes comprise the first half of a comprehensive biography on Melville, grounded in archival research, new scholarship, and incisive critical readings. Author John Bryant, a distinguished Melville scholar, editor, critic, and educator, traces the events and experiences that shaped the many-stranded consciousness of one of literature’s greatest writers. This in-depth and innovative biography covers Melville's family history and literary friendships, his father-longing, god-hunger, and search for the hidden nature of Being, the genesis of his liberal politics, his empathy for African Americans, Native Americans, Polynesians, South Americans, and immigrants. Original perspectives on Melville’s earliest identities—orphaned son, sibling, farmer, teacher, debater, lover, actor, sailor—provide the context for Melville’s evolution as a writer. The biography presents new information regarding Melville's reading, his early orations and acting experience, his life at sea and on the road, and the unsettling death of his older, rival brother from mercury poisoning. It provides insights on experiences such as Melville's trauma at the loss of his father, his learning to write amidst a coterie siblings, his struggles to find work during economic depression, his journey West, his life in whaling and in the navy, and his vagabondage in the South Pacific during the moment of American and European imperial incursions. A significant addition to Melville scholarship, this important biographical work: Explores the nature and development of Melville's creative consciousness, through the lens of his revisions in manuscript and print Assesses Melville's sexual growth and exploration of the spectrum of his masculinities Highlights Melville's relevance in contemporary democratic society Discusses Melville's blending of dark humor and tragedy in his unique version of the picturesque Examines the 'replaying' of Melville's life traumas throughout his entire works, from Typee, Omoo, Redburn, White-Jacket, Moby-Dick, Pierre, Israel Potter, and The Confidence-Man to his shorter works, including "Bartleby," his epic Clarel, his poetry, and his last novella Billy Budd Covers such cultural and historical events as the American revolution of his grandparents, the whaling industry, New York slavery, street life and theater in Manhattan, the transatlantic slave trade, the Jacksonian economy, Indian removal, Pacific colonialism, and westward expansion Written in an engaging style for scholars and general readers alike, Herman Melville: A Half Known Life, Volumes 1 and 2 is an indispensable new source of information and insights for those interested in Melville, 19th-century and modern literature and culture, and readers of general American history and literary culture.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

An exploration of how personal life-stories, when reconstructed as 'transnational lives,' escape the confines of national histories and open up new avenues for interpreting cultural identity, social mobility, and public memory.

Our lives are increasingly on display in public, but the ethical issues involved in presenting such revelations remain largely unexamined. How can life writing do good, and how can it cause harm? The eleven essays here explore such questions.

Why do we endlessly tell the stories of our lives? And why do others pay attention when we do? The essays collected here address these questions, focusing on three different but interrelated dimensions of life writing. The first section, "Narrative," argues that narrative is not only a literary form but also a social and cultural practice, and finally a mode of cognition and an expression of our most basic physiology. The next section, "Life Writing: Historical Forms," makes the case for the historical value of the subjectivity recorded in ego-documents. The essays in the final section, "Autobiography Now," identify primary motives for engaging in self-narration in an age characterized by digital media and quantum cosmology.

Fourteen accomplished writers investigate the tantalizing gray area where memory and history intersect.

"The idea of etnos came into being over a hundred years ago as a way of understanding the collective identities of people with a common language and shared traditions. In the twentieth century, the concept came to be associated with Soviet state-building, and it fell sharply out of favour. Yet outside the academy, etnos-style arguments not only persist, but are a vibrant part of regional anthropological traditions. Life Histories of Etnos Theory in Russia and Beyond makes a powerful argument for reconsidering the importance of etnos in our understanding of ethnicity and national identity across Eurasia. The collection brings to life a rich archive of previously unpublished letters, fieldnotes, and photographic collections of the theory's early proponents. Using contemporary fieldwork and case studies, the volume shows how the ideas of these ethnographers continue to impact and shape identities in various regional theatres from Ukraine to the Russian North to the Manchurian steppes of what is now China. Through writing a life history of these collectivist concepts, the contributors to this volume unveil a world where the assumptions of liberal individualism do not hold. In doing so, they demonstrate how notions of belonging are not fleeting but persistent, multi-generational, and bio-social."--Publisher's description.

Writing Life Histories is a practical handbook which gives clear guidance on how to put together life histories in supportive or residential settings. It provides: step-by-step guidance ideas for different types of life histories activities, strategies and material for prompting memories helpful tools and writing tips suggestions for support and forming partnerships with other local services ideas for involving the person's family and friends discussion on ethical issues to be considered. The benefits of engaging a group or an individual in life history activities include: an aid to memory creative stimulation a personalised identity when in a residential home promotion of interaction and co-operation with others continuity with previous life experience thus combating loss of identity as well as an excellent opportunity to pass on knowledge and experience to others. For staff knowing about past experiences will promote an understanding of behaviour, needs and outlook on life resulting in more personalised care. Staff have references for conversation with cognitive impaired individuals and knowledge about life accomplishments which promotes respect for individuals. This is an indispensible resource for anyone interested in compiling life histories including nurses, residential home staff, carers, tutors and occupational therapists, group facilitators in day centres, clubs for the elderly or learning disabilities.