Reconstructing the workings of colonial Spanish bureaucracy in the production of reports on individuals’ achievements, this book explores the interrelation of state-induced curricula vitae and individuals’ endeavor to outsmart this system in the genesis of modern forms of literature.

Colonial Spanish bureaucracy produced masses of “autobiographical” texts ('relaciones de méritos and servicios') which forced/invited individuals to present themselves as perfect subjects of the King in order to be rewarded. Bureaucracy produced the officials of the colonial regime, and, at the same time, it provided individuals with the possibility of exploring the literary potential of writing one’s curriculum vitae. This book helps contextualize a body of often-used yet understudied historic sources; it indicates that the fabric of early modern society was held together by a pervasive economy of 'mercedes' (rewards); and it shows that the tension between state-induced production of autobiographical documents and the individual’s endeavor to outsmart this system is at the origin of modern forms of literature.

An intrepid investigation of the criminal world of wildlife trafficking--the poachers, the traders, and the customers--and of those fighting against it Journalist Rachel Nuwer plunges the reader into the underground of global wildlife trafficking, a topic she has been investigating for nearly a decade. Our insatiable demand for animals -- for jewelry, pets, medicine, meat, trophies, and fur -- is driving a worldwide poaching epidemic, threatening the continued existence of countless species. Illegal wildlife trade now ranks among the largest contraband industries in the world, yet compared to drug, arms, or human trafficking, the wildlife crisis has received scant attention and support, leaving it up to passionate individuals fighting on the ground to try to ensure that elephants, tigers, rhinos, and more are still around for future generations. As Reefer Madness (Schlosser) took us into the drug market, or Susan Orlean descended into the swampy obsessions of TheOrchid Thief, Nuwer--an award-winning science journalist with a background in ecology--takes readers on a narrative journey to the front lines of the trade: to killing fields in Africa, traditional medicine black markets in China, and wild meat restaurants in Vietnam. Through exhaustive first-hand reporting that took her to ten countries, Nuwer explores the forces currently driving demand for animals and their parts; the toll that demand is extracting on species across the planet; and the conservationists, rangers, and activists who believe it is not too late to stop the impending extinctions. More than a depressing list of statistics, Poached is the story of the people who believe this is a battle that can be won, that our animals are not beyond salvation.

The twentieth anniversary edition of Henry Jenkins's Textual Poachers brings this now-canonical text to a new generation of students interested in the intersections of fandom, participatory culture, popular consumption and media theory. This reissue of what's become a classic work includes an interview between Jenkins and Suzanne Scott and a supplemental study guide by Louisa Stein, encouraging students to consider fan cultures in relation to consumer capitalism, genre, gender, sexuality, interpretation and more.

The islands of the Outer Hebrides are home to some of the most remote and spectacular scenery in the world. They host an astonishing range of mysterious structures - stone circles, beehive dwellings, holy wells and 'temples' from the Celtic era. Over a twelve-day pilgrimage, often in appalling conditions, Alastair McIntosh returns to the islands of his childhood and explores the meaning of these places. Traversing moors and mountains, struggling through torrential rivers, he walks from the most southerly tip of Harris to the northerly Butt of Lewis. The book is a walk through space and time, across a physical landscape and into a spiritual one. As he battled with his own ability to endure some of the toughest terrain in Britain, he met with the healing power of the land and its communities. This is a moving book, a powerful reflection not simply of this extraordinary place and its people met along the way, but of imaginative hope for humankind.

An Edgar Award winner, Tom Franklin’s Poachers collects ten stunning, bleak tales set in the woodlands, swamps and chemical plants along the Alabama River. Staking his claim as a fresh, original Southern voice, Tom Frankin’s lyric, deceptively simple prose conjures a world where the default setting is violence, a world of hunting and fishing, gambling and losing, drinking and poaching—a world most of us have never seen. In the chilling title novella, three wild boys confront a mythic game warden as mysterious and deadly as the river they haunt. And, as a weathered, hand-painted sign reads: “Jesus is not coming.” This terrain isn’t pretty, isn’t for the weak of heart, but in these deperate, lost people, Franklin somehow finds the moments of grace that make them what they so abundantly are: human. “While he may occasionally wax sentimental about life in the impoverished South, Franklin’s style is often as laconic and simply spoken as his characters’ dialogue, sometimes close to Hemingway, but more often akin to Denis Johnson or Raymond Carver in its resonant ordinariness.” —Publishers Weekly

"You ain't no damn game warden, are ya?" the poacher snarled. I looked him straight in the eye and lied. "Game warden . . . ? I ain't no game warden!" The poacher paused, mulling over my answer, and added quietly, "Then why you askin' so many questions?" Thus begins the story of R. T. Stewart's career as an undercover wildlife law enforcement officer with the Ohio Department of Natural Resources, Division of Wildlife. For nearly two decades, Stewart infiltrated poaching rings throughout Ohio, the Midwest, and beyond. Poachers Were My Prey chronicles his many exciting undercover adventures, detailing the techniques he used in putting poachers behind bars. It also reveals, for the first time, the secrets employed by undercover wildlife officers in catching the bad guys. Poaching--the illegal taking of wild game--goes on every day in the United States and throughout the world. Millions of dollars change hands annually from the illegal sale or trade of antlers, hides, horns, meat, feathers, fur, teeth, claws, gall bladders, and other wild-animal parts. As a result, wildlife populations suffer-- including endangered and threatened species--and legitimate, law-abiding sport hunters get a bad reputation. R. T. Stewart dedi- cated his professional career to stopping such slaughter by actu- ally living with poachers for months or even years. "In essence, being an undercover officer involves living a lie," quips Stewart. "You're always pretending to be someone you're not." Undercover law enforcement is dangerous work and, as a re- sult, extremely stressful. Stewart recalls one particular case during which he realized he was too deeply undercover and came close to forgetting his real identity. Many undercover officers have crossed the line to become the very person they initially swore to stop. In Poachers Were My Prey, readers look over R. T. Stewart's shoulder as he deals with the temptations offered to an undercover officer, including money, sex, and drugs, and watch as he gets the job done and brings the poachers to justice. Poachers Were My Prey will be enjoyed by readers interested in law enforcement, wildlife, preservation, hunting, fishing, and the outdoors.

An ethnographic study of communities of media fans, their interpretative strategies, its social institutions and cultural practices. Jenkins focuses on fans of popular TV programmes, including Star Trek and The Professionals.

Half of Tanzania's elephants have been killed for their ivory since 2007. A similar alarming story can be told of the herds in northern Mozambique and across swathes of central Africa, with forest elephants losing almost two-thirds of their numbers to the tusk trade. The huge rise in poaching and ivory smuggling in the new millennium has destroyed the hope that the 1989 ivory trade ban had capped poaching and would lead to a long-term fall in demand. But why the new upsurge? The answer is not simple. Since ancient times, large-scale killing of elephants for their tusks has been driven by demand outside Africa's elephant ranges - from the Egyptian pharaohs through Imperial Rome and industrialising Europe and North America to the new wealthy business class of China. And, who poaches and why do they do it? In recent years lurid press reports have blamed mass poaching on rebel movements and armed militias, especially Somalia's Al Shabaab, tying two together two evils - poaching and terrorism. But does this account stand up to scrutiny? This new and ground-breaking examination of the history and politics of ivory in Africa forensically examines why poaching happens in Africa and why it is corruption, crime and politics, rather than insurgency, that we should worry about.

Locked up for poaching abalone, Shuhood Abader began writing his life story. For years, he had been a small cog in a criminal industry stretching from the Cape underworld to China's luxury seafood market. As abalone vanishes from the South African coast, Shuhood's first-person account takes us right into the heart of the crisis. Kimon de Greef is the pre-eminent local expert on the illicit abalone trade. He contextualises Abader's raw, immediate tale by showing how the system works: from desperate fishing communities via gang strongholds on the Cape Flats, tik, guns and police complicity to th.