Writer in Exile/Writer in Revolt: Critical Perspectives on Carlos Bulosan gathers pioneering essays by major scholars in Filipino American Studies, American Studies, and Philippine Studies as well as historic documents on Carlos Bulosan’s work and life for the first time. This anthology—which includes rare, out-of-print documents—provides students, instructors, and scholars an opportunity to trace the development of a body of knowledge called Bulosan criticism within the United States and the Philippines. Divided into four major sections that explore Bulosan’s prolific literary output (novels, poems, short stories, essays, letters, and editorial work), the anthology opens with an introduction to the early stages of Bulosan criticism (1950s-1970s) and ends with recent work by senior scholars in Asian American Studies that suggests new directions for engaging multiple dimensions of Bulosan’s twin commitment to art and social change.

The adventures and attitudes shared by the American writers dubbed "The Lost Generation" are brought to life here by one of the group's most notable members. Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Crowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.

A deeply felt and engaging personal account of Zimbabwe's political awakening by one of its best-known historians. I did not set out for Rhodesia as a radical' writes Terence Ranger. This memoir of the years between 1957, when he first went to Southern Rhodesia, and 1967 when he published his first book, is both an intimate record of the African awakening which Ranger witnessed during those ten years, and of the process which led him to write Revolt in Southern Rhodesia. Intended as both history and as historiography, Writing Revolt is also about the ways in which politics and history interacted. The men with whom Ranger discussed Zimbabwean history were the leaders of African nationalism; his seminar papers were sent to prisons and into restricted areas. Both they and he were making political as well as intellectual discoveries. The book also includes a brief account of Ranger's life before he went to Africa. TERENCE RANGER was Emeritus Rhodes Professor of Race Relations, University of Oxfordand author of many books including Are we not also Men? (1995), Voices from the Rocks (1999) and Bulawayo Burning (2010), and co-editor of Violence and Memory (2000). Zimbabwe & Southern Africa (South Africa, Botswana, Lesotho, Swaziland, and Namibia): Weaver Press

"it is about singing, despite beatings...the new public voices of women invented out of private pain."--Diane Russell-Pineda

The librarian walks the streets of her beloved Paris. An old lady with a limp and an accent, she is invisible to most. Certainly no one recognizes her as the warrior and revolutionary she was, when again and again she slipped into the Jewish ghetto of German-occupied Vilnius to carry food, clothes, medicine, money, and counterfeit documents to its prisoners. Often she left with letters to deliver, manuscripts to hide, and even sedated children swathed in sacks. In 1944 she was captured by the Gestapo, tortured for twelve days, and deported to Dachau. Through Epistolophilia, Julija Šukys follows the letters and journals—the “life-writing”—of this woman, Ona Šimaitė (1894–1970). A treasurer of words, Šimaitė carefully collected, preserved, and archived the written record of her life, including thousands of letters, scores of diaries, articles, and press clippings. Journeying through these words, Šukys negotiates with the ghost of Šimaitė, beckoning back to life this quiet and worldly heroine—a giant of Holocaust history (one of Yad Vashem’s honored “Righteous Among the Nations”) and yet so little known. The result is at once a mediated self-portrait and a measured perspective on a remarkable life. It reveals the meaning of life-writing, how women write their lives publicly and privately, and how their words attach them—and us—to life.

How do Palestinians live, imagine and reflect on home and exile in this period of a stateless and transitory Palestine and a sharp escalation in Israeli state violence and accompanying Palestinian oppression? How can exile and home be written? In this volume of new writing, fifteen innovative and outstanding Palestinian writers—essayists, poets, novelists, critics, artists and memoirists—respond with their reflections, experiences, memories and polemics. Their contributions—poignant, humorous, intimate, reflective, intensely political—make for an offering that is remarkable for the candor and grace with which it explores the many individual and collective experiences of waiting, living for, and seeking Palestine. Contributors include: Lila Abu-Lughod, Susan Abulhawa, Suad Amiry, Rana Barakat, Mourid Barghouti, Beshara Doumani, Sharif S. Elmusa, Rema Hammami, Mischa Hiller, Emily Jacir, Penny Johnson, Fady Joudah, Jean Said Makdisi, Karma Nabulsi, Raeda Sa’adeh, Raja Shehadeh, Adania Shibli.

"We the People." The Constitution begins with those deceptively simple words, but how do Americans define that "We"? In We the People, Ben Railton argues that throughout our history two competing yet interconnected concepts have battled to define our national identity and community: exclusionary and inclusive visions of who gets to be an American. From the earliest moments of European contact with indigenous peoples, through the Revolutionary period's debates on African American slavery, 19th century conflicts over Indian Removal, Mexican landowners, and Chinese immigrants, 20th century controversies around Filipino Americans and Japanese internment, and 21st century fears of Muslim Americans, time and again this defining battle has shaped our society and culture. Carefully exploring and critically examining those histories, and the key stories and figures they feature, is vital to understanding America—and to making sense of the Trump era, when the battle over who is an American can be found in every significant debate and moment.

A 1946 Filipino American social classic about the United States in the 1930s from the perspective of a Filipino migrant laborer who endures racial violence and struggles with the paradox of the American dream, with a foreword by novelist Elaine Castillo Poet, essayist, novelist, fiction writer and labor organizer, Carlos Bulosan (1911-1956) wrote one of the most influential working class literary classics about the U.S. pre-World War II, a period and setting similar to that of Steinbeck's The Grapes of Wrath and Cannery Row. Bulosan's semi-autobiographical novel America is in the Heart begins with the narrator's rural childhood in the Philippines and the struggles of land-poor peasant families affected by US imperialism after the Spanish American War of the late 1890s. Carlos's experiences with other Filipino migrant laborers, who endured intense racial abuse in the fields, orchards, towns, cities and canneries of California and the Pacific Northwest in the 1930s, reexamine the ideals of the American dream. Bulosan was one of the most important 20th century social critics with his deeply moving account of what it was like to be criminalized in the U.S. as a Filipino migrant drawn to the ideals of what America symbolized and committed to social justice for all marginalized groups. Celebrate Asian American and Pacific Islander (AAPI) Heritage Month with these three Penguin Classics: America Is in the Heart by Carlos Bulosan (9780143134039) East Goes West by Younghill Kang (9780143134305) The Hanging on Union Square by H. T. Tsiang (9780143134022)

The rich man’s children ate their good food and grew thinner and more peaked. The Bulosans, next door, went on eating their poor and meagre food, laughed, and grew fat. So the rich man sued Father Bulosan for stealing the spirit of his food. And Father paid him in his own coin, while the laughter of the Bulosans and the judge drove the rich man’s family out of the courtroom. The Bulosans lived in Binalonan, in the Philippine province of Pangasinan. But the episodes of Father’s history that his son Carlos retells belong to universal and timeless comedy. No one can remain unmoved by Father’s excursions into politics, cock-fighting, violin-playing, or the concoction of love-potions. Twenty-four such stories make up the rich and funny collection called The Laughter of My Father. “In the winter of 1939, when I was out of work, I went to San Pedro, California, and stood in the rain for hours with hundreds of men and women hoping to get a place at the fish canneries. To forget the monotony of waiting, I started to write the title story. It was finished when I reached the gate, but the cold hours that followed made me forget many things. “In November, 1942, when there was too much pain and tragedy in the world, I found the story in my hat. I sent it to The New Yorker, a magazine I had not read before, and in three weeks a letter came. ‘Tell us some more about the Filipinos,’ it said. I said, ‘Yes, sir.’ “I wrote about everything that I could remember about my town Binalonan, in the province of Pangasinan. I received letters from my countrymen telling me that I wrote about them and their towns. It came to me that in writing the story of my town, I was actually depicting the life of the peasantry in the Philippines. “These stories and 18 others are now gathered in this volume. For the first time the Filipino people are depicted as human beings. I hope you will enjoy reading about them.”—Carlos Bulosan

Facing persecution in early modern England, some Catholics chose exile over conformity. Some even cast their lot with foreign monarchs rather than wait for their own rulers to have a change of heart. This book studies the relationship forged by English exiles and Philip II of Spain. It shows how these expatriates, known as the “Spanish Elizabethans,” used the most powerful tools at their disposal—paper, pens, and presses—to incite war against England during the “messianic” phase of Philip’s reign, from the years leading up to the Grand Armada until the king’s death in 1598. Freddy Cristóbal Domínguez looks at English Catholic propaganda within its international and transnational contexts. He examines a range of long-neglected polemical texts, demonstrating their prominence during an important moment of early modern politico-religious strife and exploring the transnational dynamic of early modern polemics and the flexible rhetorical approaches required by exile. He concludes that while these exiles may have lived on the margins, their books were central to early modern Spanish politics and are key to understanding the broader narrative of the Counter-Reformation. Deeply researched and highly original, Radicals in Exile makes an important contribution to the study of religious exile in early modern Europe. It will be welcomed by historians of early modern Iberian and English politics and religion as well as scholars of book history.