George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

This guide to writing faster and better helps writers see what makes a story, then what it takes to research and write one. Also shows step-by-step how to cut wasted time.

Warns against common errors in structure, style, and diction, and explains the fundamentals of conducting interviews and writing travel, scientific, sports, critical, and humorous articles.

On Writing Well has been praised for its sound advice, its clarity and the warmth of its style. It is a book for everybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does in the age of e-mail and the Internet. Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental priciples as well as the insights of a distinguished writer and teacher. With more than a million copies sole, this volume has stood the test of time and remains a valuable resource for writers and would-be writers.

An important challenge to what currently masquerades as conventional wisdom regarding the teaching of writing. There seems to be widespread agreement that—when it comes to the writing skills of college students—we are in the midst of a crisis. In Why They Can't Write, John Warner, who taught writing at the college level for two decades, argues that the problem isn't caused by a lack of rigor, or smartphones, or some generational character defect. Instead, he asserts, we're teaching writing wrong. Warner blames this on decades of educational reform rooted in standardization, assessments, and accountability. We have done no more, Warner argues, than conditioned students to perform "writing-related simulations," which pass temporary muster but do little to help students develop their writing abilities. This style of teaching has made students passive and disengaged. Worse yet, it hasn't prepared them for writing in the college classroom. Rather than making choices and thinking critically, as writers must, undergraduates simply follow the rules—such as the five-paragraph essay—designed to help them pass these high-stakes assessments. In Why They Can't Write, Warner has crafted both a diagnosis for what ails us and a blueprint for fixing a broken system. Combining current knowledge of what works in teaching and learning with the most enduring philosophies of classical education, this book challenges readers to develop the skills, attitudes, knowledge, and habits of mind of strong writers.

The aim of this book is to help pre-service teachers become more proficient writers now and to encourage them to continue to be proficient writers when they become teachers. I did not write this book for English teachers, although it can be a helpful reference for them. I don't discuss spelling very much in this book, although correct spelling is an integral part of the writing process. I divided the book into three main sections: (1) grammar, (2) punctuation/capitalization, and (3) writing.

What makes an effective quote? How can I infuse my writing with style and voice? How can a sharp lead kick-start my story? What are the tricks to writing for the Web? What can I do to get an editor to listen to my idea? These topics and more are handled smartly, succinctly, and simply in the latest edition of Words Worth, an invaluable toolkit for writers aspiring to perfect the craft of nonfiction writing. Brooks and Quigleys expert views on the essence of a feature story give struggling beginners, their teachers, and professional writers alike the tools necessary to create powerful writing. As a precise guide to writing and promoting nonfiction, Words Worth furnishes a map to the world of reporting for the Web and blogging, well-crafted exercises to hone skills, and savvy advice to help writers enrich their style and make their work more marketable.

Helping Students Write Well has become the standard manual for most college instructors seeking to integrate writing into their courses more effectively. The book suggests techniques for responding to student work, guiding student peer groups, and dealing with specific writing problems. Aimed at college faculty in a variety of disciplines -- history, sociology, biology, marketing, psychology, literature, and others -- Barbara Walvoord's lively text provides methods for helping students -- generate ideas -- bring topics into focus -- gather and integrate library information -- organize reasoning and evidence -- follow a required format -- draft, revise, and edit -- improve style and mechanics -- compose visual aidsHelping Students Write Well is an essential tool both for those who teach writing and for those who want to make writing a significant part of their courses.