Travelling through Europe in the summer of 1939, 17-year-old Donald Plaunt witnessed preparations for war in every country he visited. After he completed high school in 1941, Donald became part of that war when he enlisted in the RCAF and became a Lancaster pilot. After training for 20 months, he flew in operations for five weeks before his death on his 11th mission in 1943. There are many compelling stories written by veterans about Bomber Command. What makes this pilot's story unique is that it is told in his youthful voice selected from 150 letters he wrote home. Peppered with his amusing sense of humour, his letters convey a very personal and colourful narrative ranging from tales of his Air Force training, the events of the war, the people he cared about, and the issues that bothered him. It is a story about youth and hope as we follow his journey from a carefree and somewhat entitled rookie pilot to the generous and proud captain of a Lancaster crew. It is also a story of sorrow that explores the heartbreaking impact of his death on his family when he, like so many other young men, did not return home.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

This book, by a psychologist with two decades of investment in writers, depicts his programs for instilling patience, pacing, constancy, and resilience in writing. He shows how writers proceed to comfort and fluency by detailing strategies, rules, and turning points for a diversity of writers--professional, professorial, and otherwise. The result is a thorough-going discussion of what helps writers and a review of the broad literature that program participants found most helpful.

NATIONAL BESTSELLER • Soon to be a Hulu Original series • The internationally acclaimed author of Wild collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor and insight—and absolute honesty—this "wise and compassionate" (New York Times Book Review) book is a balm for everything life throws our way. Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.

Now an original movie on Prime Video starring Anne Hathaway and Nicholas Galitzine! When Solène Marchand, the thirty-nine-year-old owner of a prestigious art gallery in Los Angeles, takes her daughter, Isabelle, to meet her favorite boy band, she does so reluctantly and at her ex-husband’s request. The last thing she expects is to make a connection with one of the members of the world-famous August Moon. But Hayes Campbell is clever, winning, confident, and posh, and the attraction is immediate. That he is all of twenty years old further complicates things. What begins as a series of clandestine trysts quickly evolves into a passionate relationship. It is a journey that spans continents as Solène and Hayes navigate each other’s disparate worlds: from stadium tours to international art fairs to secluded hideaways in Paris and Miami. And for Solène, it is as much a reclaiming of self, as it is a rediscovery of happiness and love. When their romance becomes a viral sensation, and both she and her daughter become the target of rabid fans and an insatiable media, Solène must face how her new status has impacted not only her life, but the lives of those closest to her.

During the 18th century, letter manuals became the most popular form of conduct literature. They were marketed to and used by a wide spectrum of society, from maidservants and apprentices, through military officers and merchants, to gentlemen, parents and children. This work presents the most influential manuals from both sides of the Atlantic.

Connect to your friends through handwritten notes, cards, letters, and postcards—an interactive workbook that encourages creative interactions between friends through the written word, complete with cross-outs, smudges, and parenthetical asides. Put down that smartphone and pick up a pen! Texting and e-mail have taken over our correspondence, but Karen Benke is ready to change that. Through prompts that invite penning short postcard-size notes, ideas for sending cards "just because," and inspired letter-writing exercises, Pass That Note! offers limitless possibilities for connecting with your friends in more personal, unique, and creative ways. Use the book for its letter-writing ideas, tear out pages to send to friends, or write in it as a journal to record big ideas for future correspondence. No matter how you use it, you'll be connecting with the people you care about the most in ways that are surprising, fun, and heartfelt. Contributors include: Neil Gaiman, Jon J Muth, Ruth Ozeki, Wendy Mass, Gary Snyder, Norman Fischer, Natalie Goldberg, Jane Hirshfield, Claire Dederer, Albert Flynn DeSilver, Alison Luterman, Sam Hamill, Ava Dellaira, Lucille Lang Day, and J. Ruth Gendler.

Volume II of Sam Houston's personal correspondence continues the four-volume series of previously unpublished personal letters to and from Sam Houston, covering the time 1846 to 1848. "Writing to people he knew and assuming confidentiality, Houston was unrestrained in his candor in discussing affairs of state and other aspects of his life and career. . . . "--AUSTIN AMERICAN-STATESMAN.

Studies of digital communication technologies often focus on the apparently unique set of multimodal resources afforded to users and the development of innovative linguistic strategies for performing mediatised identities and maintaining online social networks. This edited volume interrogates the novelty of such practices by establishing a transhistorical approach to the study of digital communication. The transhistorical approach explores language practices as lived experiences grounded in historical contexts, and aims to identify those elements of human behaviour that transcend historical boundaries, looking beyond specific developments in communication technologies to understand the enduring motivations and social concerns that drive human communication. The volume reveals long-term patterns in the indexical functions of seemingly innovative written and multimodal resources and the ideologies that underpin them, and shows that methods are not necessarily contingent on their datasets: historical analytic frameworks can be applied to digital data and newer approaches used to understand historical data. These insights present exciting opportunities for English language researchers, both historical and modern.