Niarmit has, for the moment, escaped the curse of the Great Helm and the grasp of the Dark Lord. Accepting at last a destiny which she never sought, her hopes of uniting the Salved people now rest on the uncertain loyalty of Prince Rugan and his army. Dema the Medusa broods in the captured fortress of Listcairn consumed by a rage for glory, to the consternation of friend and enemy alike. Hepdida strives to live up to Niarmit's expectations but finds that old nightmares can still haunt her days and that a palace can hold more peril than a battlefield. And through it all, Maelgrum weaves his malice as the guilty and the innocent are driven to fulfil his millennium long wait for revenge. *** The Medusa's hood was down and her mask was off as she carved, bit and stoned her way towards Rugan's standard. Even her allies gave her and her steed a wide birth as, at the peak of her powers and the crest of her rage, she swept all before her. A silver soldier, braver than the rest, dared to ride near and catch her sword with his. Their blades both wet with blood of different hues, slid down until they were locked hilt to hilt. "Major, no," a voice called. "Leave this abomination to me." Too late, the soldier's eyes met the Medusa's sparkling gaze and with an inward breath he turned to overbalanced stone. His mount buckled beneath the weight and the leaning statue of the rider toppled against Dema's palfrey. As the horse slid and skittered its way free of the falling new formed masonry, Dema slipped from the listing saddle and turned to face the owner of the voice.

THE STORY: In an opening scene, a man dies an agonizing death from AIDS. The play itself is an explosive AIDS support group session, where the members discover the disease they share can divide as effectively as it conquers. The members of the grou

A “thrilling . . . captivating” account of the most famous shipwreck before the Titanic—a tragedy that inspired an unforgettable masterpiece of Western art (The Boston Globe). In June 1816, the Medusa set sail. Commanded by an incompetent captain, the frigate ran aground off the desolate West African coast. During the chaotic evacuation a privileged few claimed the lifeboats, while 147 men and one woman were herded aboard a makeshift raft that was soon cut loose by the boats that had pledged to tow it to safety. Those on the boats made it ashore and undertook a two-hundred-mile trek through the sweltering Sahara, but conditions were far worse on the drifting raft. Crazed, parched, and starving, the diminishing band fell into mayhem. When rescue arrived thirteen days later, only fifteen were alive. Among the handful of survivors were two men whose bestselling account of the maritime disaster scandalized Europe and inspired promising artist Théodore Géricault, who threw himself into a study of the Medusa tragedy, turning it into a vast canvas in his painting, The Raft of the Medusa. Drawing on contemporaneously published accounts and journals of survivors, The Wreck of the Medusa is “a captivating gem about art’s relation to history” (Booklist) and ultimately “a thrilling read” (The Guardian).

The coldly methodical and unrelenting Iron Hands Space Marine Chapter clash with the cybernetic soldiers of the Adeptus Mechanicus over control of the world of Thennos. Ever since the dark days of the Great Heresy, the Iron Hands have a long and tortured history. Their years of suffering and war has left them hardened and believing in a brutal tenet: the flesh is weak. Heavily cybernetic, their flesh extensively altered, these warriors of the Imperium are more machine than man, cold in aspect as well as demeanour. Their methods of recruitment are harsh, their rituals arcane, their pride unshakable. So when a world under the protection of the Chapter falls foul of insurrection, the Iron Hands answer with fire and cold retribution. It matters not that Thennos is considered sovereign territory by the Adeptus Mechanicus - the Iron Hands' campaign is one of extermination. But there is something dark lurking within Thennos, a horror that defies the purity of cold logic and the machine, and threatens something more, something ruinous...

In graphic novel format, retells the story of how King Polydectes planned to get rid of young Perseus so he could wed his mother, Danae, by tricking him into slaying Medusa--a snake-haired monster whose look turns humans into stone.

In Ancient Greece, sometimes death is only the beginning… Medusa’s human form, granted by the virgin goddess, has always been enough for her. Until now. No longer a virgin, Medusa now faces banishment from the temple and Athena’s legendary wrath. Perseus’s love for Medusa breeds poison when kept a secret from all who live on Mt. Olympus. To have a life together, the couple must air the truth, even if it shakes the foundation of the Parthenon. Medusa struggles to embrace her monstrous past, as Perseus is faced with a choice – to embrace a hero’s life, or to follow his heart’s desire. The collision of their destinies forces them into a world that neither imagined.

The last two decades have seen the business of researching and writing about Percy Bysshe Shelley change in positive and significant ways. Shelleyan characteristics which were once deemed negative are now reviewed as critically engaging qualities. The New Shelley: Later Twentieth-Century Views is a collection of original essays by some of the leading Romanticists which situates Shelley for our own age, but not only by contextualizing him within our own scene of critical practice, but also by replacing him within his own scene of poetic production.

Ferrus Manus, primarch of the Iron Hands, employs his brutal methods of war to bring a world to heel in the Emperor's name. The Great Crusade has swept across half the galaxy, a million human worlds now embracing the truth and reason that comes with allegiance to the rule of Terra. But even such unparalleled success comes at a cost. Rumours abound that the Emperor plans to step back from the Crusade and raise one of his primarch sons to lead in his stead. Faced with the bitterly non-compliant human empire of Gardinaal and a leaderless host of Ultramarines, Thousand Sons and Emperor’s Children at his Legion’s command, the Iron Hands primarch Ferrus Manus decides to make an example that even the Emperor cannot ignore.

It's said love can change a person. Medusa wasn't always a monster... Medusa is ruled by duty, to her Titan father and the Goddess Athena. She's no room for the tenderness her warrior guard, Ariston, stirs. When Olympus frees her from service, her heart leads her into the arms of the guard she loves... and curses her as the creature with serpent locks. Ariston goes to war with a full heart... and dreadful foreboding. He learns too late of the danger Medusa faces, alone, and a Persian blade sends him into the Underworld. But death, curses, nor the wrath of the Gods will keep him from returning to her. Poseidon will use Greece's war to get what he wants: Medusa. He does not care that she belongs to another. He does not care that she will be damned. He is a God, an Olympian, and she will be his.