Take a journey with Sibusiso, Paul, Refiloe, and Zechariah. They are four individuals living different lives. Yet they don't know that heaven has great plans for them. They also don't know that the dark kingdom does too. The multi-billionaire Sibusiso Khumalo grapples with his spirituality while his partner, Refiloe Chabedi a journalist with a passion for adventure, struggles to stay alive. Paul Damas is a free-lance writer with immense financial problems. His wife Charmaine, a medical doctor, tries to support him as a good wife should. Zechariah, a clergyman, and member of the Order of Freemasons is doubting his course and seeks a way out of the prison he placed himself in. All their personal struggles, all their strife leads them to one great event which changes their lives. Each of them has a special role to play in the final hours of the world's history. All around them a war is taking place. In the place that eyes don't see, where hands cannot touch, there are battles fought for their very lives. The Dark Sun is rising and it seems nothing can stop it. The devil and his minions seem to be getting their way. But the forces of righteousness will not let them gain victory. Heaven is gathering up a few to lead many out of darkness into light true light. The whole creation groans and travails in pain together until now (Romans 8:22) under the weight of sin and its results, but the Son of is coming to banish all darkness. When He comes He will usher in an era of light.

A memoir and cultural history the World’s End, a West London area once home to bohemian artists and punk rock and now an outpost of neoliberalism. Charlie Gere’s account of growing up in the World’s End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King’s Road, the World’s End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon’s muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called “Bomb Culture,” formed by the threat of nuclear annihilation. The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber’s Flying Dragon Tea Room, and the commune Gandalf’s Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World’s End was the center of punk rock. Gere’s parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatized by the prospect of nuclear war. He has lived long enough to see the World’s End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality. But this too shall pass as worlds end.

Book two of Joan D. Vinge's beloved Snow Queen cycle of classic science fiction, back in print! When BZ Gundhalinu’s irresponsible older brothers go missing in World’s End, a badlands rumored to drive people mad, he begrudgingly goes after them. The further in he travels, the stranger things get. The Snow Queen Series The Snow Queen World’s End Summer Queen Tangled Up In Blue Other Books 47 Ronin Catspaw Cowboys & Aliens Dreamfall At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A dragon firebombs a freeway. Shape-shifters stalk the commercial district. The deadly Wild Hunt wreaks havoc on the highway. The Age of Misrule has dawned. When Jack Churchill and Ruth Gallagher encounter a terrifying, misshapen giant beneath a London bridge, they are plunged into a mystery that portends the end of the world as we know it. All over the country, the ancient gods of Celtic myth are returning to the land from which they were banished millennia ago. Following in their footsteps are creatures of folklore: fabulous beasts, wonders and dark terrors. As technology starts to fail, Jack and Ruth are forced to embark on a desperate quest for four magical items—the last chance for humanity in the face of powers barely comprehended. A pedal-to-the-floor, high-octane fantasy thriller that pitches magic and wonder into a pop culture mash-up of the modern world. Described as "One part Lord of the Rings, one part Illuminatus!, one part Arthurian romance, one part Harry Potter—100 % original!" From the Trade Paperback edition.

Ever since returning from Dormia, Alfonso has enjoyed sleeping in a bed like a normal person. No more waking up at the top of a tree or the edge of a cliff. In fact, no sleepwalking at all. But then, while visiting France on a class trip, Alfonso feels that strange and familiar pull of sleep. Upon waking, he finds himself in the belly of a ship headed to Egypt. In his backpack are a few old books and a vial of medicine he stole while asleep. Something is calling Alfonso back to Dormia. Perhaps it’s the Founding Tree? Or perhaps it's the man he sees in his dreams—the one who looks just like his deceased father? Whatever it is, Alfonso is powerless to resist. Storytellers Jake Halpern and Peter Kujawinski take Alfonso on another fantastical quest to Dormia—and beyond—to a vast underground world that holds the answer to a terrifying message: Let me tell you of a dark shadow tree and the world's end.

The peaceful village of Middletown began it's days as it always did. The children went to school, the postman delivered the mail with typical timing and loyalty. Kenniston went to work his daily ritual without fail. In a millisecond life changed for the people of Middletown and the World. Cities burned one by one in the Nuclear Flames of World War Three. A small band of survivors vow to rebuild civilization once again

In this book-length poem, translated for the first time into English and presented in a bilingual format, Nobel Laureate Neruda composes a "valediction to the Sixties" and confronts a grim disillusionment growing inside him.

In Beyond the World's End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.

Introducing Alfonso Perplexon, hero of the epic fantasy tale Dormia! Alfonso Perplexon is an unusual sleeper. He climbs trees, raises falcons, even shoots deadly accurate arrows, all in his sleep. No one can figure out why. Then one evening a man arrives at Alfonso’s door, claiming to be Alfonso’s long-lost uncle Hill. This uncle tells a fantastical tale: Alfonso’s ancestors hail from Dormia—an ancient kingdom of gifted sleepers—which is hidden in the snowy peaks of the Ural Mountains. According to Hill, Dormia exists thanks to a tree known as the Founding Tree, with roots that pump life into the frozen valley. But the Founding Tree is now dying, and in a matter of days, Dormia faces an icy apocalypse. Dormia’s salvation lies with the Great Sleeper, who possesses the special powers to enter a sleep trance and grow a new Founding Tree. Hill suspects that Alfonso is just such a person. In fact, Alfonso’s sleeping-self has already hatched this tree. Now the question is: Can Alfonso and his uncle deliver it in time? They must hurry, but they also must be careful not to be followed by Dormia’s age-old enemy, the Dragoonya, who are always hunting for one of the secret entryways into Dormia. Alfonso agrees to take the tree to Dormia, and thus begins one of the greatest adventures a twelve-year-old boy could ever wish for. As he woke up from a late afternoon nap, Alfonso blinked open his eyes and discovered that he was perched at the top of a gigantic pine tree – some two-hundred feet above the ground. The view was spectacular. Alfonso could see for miles in every direction and he could even make out his house in the distant hamlet of World’s End, Minnesota. Unfortunately, there was no time to enjoy the view. The small branch that Alfonso stood upon was covered with gleaming snow and creaked dangerously under the pressure of his weight. Icy gusts of wind shook the entire treetop. Alfonso looked down grimly at the ground far below. If he fell, he would most certainly die. “Oh brother,” muttered Alfonso to himself. “Not again.”