Never before have actual battle uniforms, personal equipment, insignia and weapons of the infantrymen of the Great War been illustrated in such authentic detail. This exciting volume features the soldiers, their uniforms, their equipment and their weapons just as they were worn on the battlefield. Detailed text identifies and explains each item. Europa Militaria 3.

HISTORY-MILITARY/WAR

The opening of the former Soviet Union to the West over the past three years has made accessible, for the first time, much new material on the Red Army of the Great Patriotic War - the huge and varied forces which won some of the greatest battles of World War II against the German invasion. This book contains a range of rare, authentic uniforms modelled and photographed in Moscow: tank commanders and generals, assault infantry and women medics, pilots and NKVD security officers, artillerymen, camouflaged scouts, and many more. The photographs are backed-up by close-ups of insignia and personal equipment.

All the guns examined in this new paperback edition of Machine Guns of World War 1 belong to the class known as "automatic" and seven classic World War 1 weapons are illustrated in some 250 color photographs. Detailed sequences shows them in close-up: during step-by-step field stripping, and during handling, loading and live firing trials with ball ammunition, by gunners wearing period uniforms to put these historic guns in their visual context. These fascinating photographs are accompanied by concise, illustrated accounts of each weapon's historical and technical background. The reader will learn exactly what it looked like, sounded like and felt like to crew the German, British and French machine guns which dominated the battlefields of the Western Front in 1914-18, and which changed infantry tactics forever.

Fourth in a series of five titles which will cover each year of the war graphically. Countless thousands of pictures were taken by photographers on all sides during the First World War. These pictures appeared in the magazines, journals and newspapers of the time. Some illustrations went on to become part of post-war archives and have appeared, and continue to appear, in present-day publications and TV documentary programmes many did not. The Great War Illustrated series, beginning with the year 1914, will include in its pages many rarely seen images with individual numbers allocated, and subsequently they will be lodged with the Taylor Library Archive for use by editors and authors.The Great War Illustrated 1917 covers the battles at Arras, Passchendaele and Cambrai, the use of aviation and the role of the tanks. Some images will be familiar, and many will be seen for the first time by a new generation interested in the months that changed the world for ever.

Provides deeply researched information on the black Americans who served in the U.S. Army and the combat history/battle participation of all black troops (including the two infantry divisions, supporting organizations of the Services of Supply, and the special troops) as well as nearly 300 detailed color and war-era photographs of these men.

In 1942, Bill Manbo (1908-1992) and his family were forced from their Hollywood home into the Japanese American internment camp at Heart Mountain in Wyoming. While there, Manbo documented both the bleakness and beauty of his surroundings, using Kodachrome film, a technology then just seven years old, to capture community celebrations and to record his family's struggle to maintain a normal life under the harsh conditions of racial imprisonment. Colors of Confinement showcases sixty-five stunning images from this extremely rare collection of color photographs, presented along with three interpretive essays by leading scholars and a reflective, personal essay by a former Heart Mountain internee. The subjects of these haunting photos are the routine fare of an amateur photographer: parades, cultural events, people at play, Manbo's son. But the images are set against the backdrop of the barbed-wire enclosure surrounding the Heart Mountain Relocation Center and the dramatic expanse of Wyoming sky and landscape. The accompanying essays illuminate these scenes as they trace a tumultuous history unfolding just beyond the camera's lens, giving readers insight into Japanese American cultural life and the stark realities of life in the camps. Also contributing to the book are: Jasmine Alinder is associate professor of history at the University of Wisconsin-Milwaukee, where she coordinates the program in public history. In 2009 she published Moving Images: Photography and the Japanese American Incarceration (University of Illinois Press). She has also published articles and essays on photography and incarceration, including one on the work of contemporary photographer Patrick Nagatani in the newly released catalog Desire for Magic: Patrick Nagatani--Works, 1976-2006 (University of New Mexico Art Museum, 2009). She is currently working on a book on photography and the law. Lon Kurashige is associate professor of history and American studies and ethnicity at the University of Southern California. His scholarship focuses on racial ideologies, politics of identity, emigration and immigration, historiography, cultural enactments, and social reproduction, particularly as they pertain to Asians in the United States. His exploration of Japanese American assimilation and cultural retention, Japanese American Celebration and Conflict: A History of Ethnic Identity and Festival, 1934-1990 (University of California Press, 2002), won the History Book Award from the Association for Asian American Studies in 2004. He has published essays and reviews on the incarceration of Japanese Americans and has coedited with Alice Yang Murray an anthology of documents and essays, Major Problems in Asian American History (Cengage, 2003). Bacon Sakatani was born to immigrant Japanese parents in El Monte, California, twenty miles east of Los Angeles, in 1929. From the first through the fifth grade, he attended a segregated school for Hispanics and Japanese. Shortly after Pearl Harbor, his family was confined at Pomona Assembly Center and then later transferred to the Heart Mountain Relocation Center in Wyoming. When the war ended in 1945, his family relocated to Idaho and then returned to California. He graduated from Mount San Antonio Community College. Soon after the Korean War began, he served with the U.S. Army Engineers in Korea. He held a variety of jobs but learned computer programming and retired from that career in 1992. He has been active in Heart Mountain camp activities and with the Japanese American Korean War Veterans.

Never before have actual battle uniforms, individual equipment and weapons of the infantrymen of the great war been illustrated in such authentic detail. Original surviving items, painstakingly assembled from rare private and public collections, are illustrated in full color on live models, just as they were worn in the battlefield. Each of these 31 soldiers: British, Belgian, French, German, Russian, Austrian, Italian, America, is photographed from both front and back, with key diagrams, and accompanied by a detailed commentary.

This is the third volume by the acclaimed Hungarian collector-and-photographer team, identifying and explaining historic Soviet militaria from private collections. A wide range of uniforms, insignia awards, weapons, equipment, documents and ephemera from the Soviet Union's Great Patriotic War are illustrated, in more than 230 close-up color studies, supported by more than 60 fascinating monochrome photographs that have survived, unpublished, in private hands. This volume includes explanations of Soviet military symbolism from the early days of the Communist state, but concentrates on the period of key interest between 1943 and 1945, when Stalin consciously revived many of the visual traditions of the Tsarist years in order to harness Russian patriotism against the Nazi invaders.