The World Textiles Thesaurus provides a unique hierarchical overview of all key concepts that are relevant to navigating scientific literature in the textiles and fibres domain. Both the Tree Structure and Term Relations are available for building sophisticated search strategies. In constructing the World Textiles Thesaurus, the same editorial rules were applied as to other successful thesauri such as EMTREE, the life Science Thesaurus.In addition to the Thesaurus, the World Textiles Atlas offers a comprehensive listing of all journals indexed in the World Textiles Abstract database, publishers' details, plus two extensive lists of major Textile Conferences and Organizations.

Current fashion is a complex phenomenon. In a constant state of constant flux, contemporary fashion combines a mix of the different cultural aspects that inform the modern individual. Atlas of Fashion Designers is born out of this proposition, and features a compilation of the most important fashion designers and their work in the past five years, selected from a multi-disciplinary perspective that display the heterogeneous mix of today’s fashion world. Featured designers all have one trait in common: they were singled out, not only for the quality of their work, but also because they illustrate different perspectives in their approach to fashion. This book includes designers with a wide array of visions, from classical haute couture to those who experiment with developing fields such as anthropology, new textiles, high technology, architecture, art, or recycling. From Ricardo Tiscci, Nicholas Ghesquière to Sybilla, to artists who are primarily concerned with pure fashion such as Lucy Orta, or to those investigators who concern themselves with innovation in the fields of textile research and technology, such as Issey Miyake or Hussein Chalayan. Atlas of Fashion Designers is a very relevant and useful reference in a hybrid society, which is composed of ever increasing heterogeneous elements. By offering a synthetic, fluid and diverse approach to the subject, the “Atlas� draws a map of the complex world of fashion at present time, and looks forward to what it may be tomorrow.

Shows examples of textiles from around the world, including textiles decorated using paint, dyes, sewing, embroidery, and other embellishments.

The result of years of research, this epic volume shows the global reach of the Art Nouveau idiom Modernismo, Jugendstil or Art Nouveau--the different names given to Art Nouveau in different geographical contexts highlight the territorial scope and diversity of the style, but also its common features: it was new, modern, young and groundbreaking. Whether in Austria, Spain, Denmark or Russia, Art Nouveau defined itself as something that opposed tradition and broke with the past. Rejecting a classicizing academic grammar, and reaching deep into the fantastical for inspiration (from the imagined history of the medieval to the Orientalist exotic), artists and architects such as Victor Horta, Hector Guimard, Viollet-le-Duc, William Morris, Otto Wagner, Samuel Bing and the Goncourt brothers created a new style with a holistic vision, embracing architecture, painting, graphic art, interior design, textiles, ceramics and metalwork. Imaginative form was matched by innovative building techniques. The architects of Art Nouveau were some of the first to experiment with building with iron, glass, pottery and prefabricated concrete; their buildings offer instructive models of industrial development and collaborative design. Beautifully illustrated and exhaustively researched, The World Atlas of Art Nouveau Architecture brings together a selection of key Art Nouveau buildings in a truly global survey that includes, for the first time, examples of the style outside of Europe. Exemplars of the form were chosen through a rigorous selection process involving a panel of expert advisors with specialist input from each world region. A general introduction to the style grounds the selection, and short essays explain how Art Nouveau differed in different cities and countries. The World Atlas of Art Nouveau Architecture honors one of the world's first truly global modern art movements.

Mapping India's crafts was a mammoth task that took eleven years. During this period, many new crafts were born, skills rejuvenated and some may have languished and faded away. The nature of crafts production in India is both ephemeral and resilient. India's crafts journey resembles the progress of a river from the mountains to the ocean, picking up material, depositing some, changes course, disappearing underground to surface somewhere else. Yet, the tradition continues forever. The Dastkari Haat Samiti, a national association of craftspeople, undertook the enormous task of documenting whatever skills and crafts it could find and created artistic crafts maps of each state of India. Three new states were born during the process. A traditional art form of each state provides the backdrop for information meticulously gathered from first and second hand sources. The maps provide resource material to people working in different disciplines and a source of aesthetic joy to anyone who uses them as wall posters. The vibrant illustrations and academically rich content are recreated as an atlas of India's crafts, handmade textiles and traditional arts, covering India's cultural history. "Crafts Atlas of India" is therefore a unique documentation and a rare visual treat.

"A grand tour of the world's great tattoos"--Atlas Obscura "This book--part global art historical tome, part coffee-table book of visual wonders--is a valuable corrective to many silly things that we assume about tattooing."--The New Republic A lavishly illustrated global exploration of the vast array of styles and most significant practitioners of tattoo from ancient times to today Tattoo art and practice has seen radical changes in the 21st century, as its popularity has exploded. An expanding number of tattoo artists have been mining the past for lost traditions and innovating with new technology. An enormous diversity of styles, genres, and techniques has emerged, ranging from geometric blackwork to vibrant, painterly styles, and from hand-tattooed works to machine-produced designs. With over 700 stunning color illustrations, this volume considers historical and contemporary tattoo practices in Europe, the Americas, the Middle East, North and Sub-Saharan Africa, Asia, Australia, and the Pacific Islands. Each section, dedicated to a specific geographic region, features fascinating text by tattoo experts that explores the history and traditions native to that area as well as current styles and trends. The World Atlas of Tattoo also tracks the movement of styles from their indigenous settings to diasporic communities, where they have often been transformed into creative, multicultural, hybrid designs. The work of 100 notable artists from around the globe is showcased in this definitive reference on a widespread and intriguing art practice.

The history of textiles, more than that of any other artefact, is a history of human ingenuity. From the very earliest needles of 50,000 years ago to the smart textiles of today, textiles have been fundamental to human existence, and enjoyed, prized and valued by every culture. Silks from China, cottons from India, tapestries from Flanders, dyes from South America the appeal of different weaves, colours and patterns was long a motivation for trade, the exchange of ideas and sometimes even war. Mary Schoesers groundbreaking book, now revised and updated to incorporate new research, presents a chronological survey of textiles around the world from prehistory to the present. It explores how they are made, what they are made from, how they function in society and the ways in which they are valued and given meaning as well as reflecting on the environmental challenges they present today. World Textiles offers an invaluable introduction to this vast and fascinating subject for makers, designers, textile and fashion professionals, collectors and students alike.

This Is Not an Atlas gathers more than 40 counter-cartographies from all over the world. This collection shows how maps are created and transformed as a part of political struggle, for critical research or in art and education: from indigenous territories in the Amazon to the anti-eviction movement in San Francisco; from defending commons in Mexico to mapping refugee camps with balloons in Lebanon; from slums in Nairobi to squats in Berlin; from supporting communities in the Philippines to reporting sexual harassment in Cairo. This Is Not an Atlas seeks to inspire, to document the underrepresented, and to be a useful companion when becoming a counter-cartographer yourself.