Since 1955, the annual World Press Photo contest has set the standard in visual journalism. World Press Photo 2019 brings you the winners - the most striking images and compelling stories from 2018. Selected from 73,044 pictures taken by 4,548 photojournalists and documentary photographers from 125 countries, the prize-winning pictures are presented in a moving, sometimes disturbing document. World Press Photo 2019 both informs, and inspires an understanding of the world.

Beginning in 1962, the World Press Photo Foundation has had an annual book published, featuring all prize-winning entries. 2020's Yearbook will prove to be another must-have edition, bringing together the very best press photographs from 2019, carefully selected from thousands of powerful, moving and sometimes disturbing images. The World Press Photo Foundation is a global platform connecting professionals and audiences through trustworthy visual journalism and storytelling, founded in 1955 when a group of Dutch photographers organised a contest ('World Press Photo') to expose their work to an international audience. In the six decades since then, the contest has grown into the world's most prestigious photography competition.

Publishing the results of the 42nd World Press Photo Contest, this book contains the best press photographs from 1998 - some 200 pictures submitted by photojournalists, picture agencies, newspapers and magazines. They capture the powerful, moving and sometimes disturbing events of the year.

Beginning in 1962, the World Press Photo Foundation has had an annual book published, featuring all prize-winning entries. 2021's Yearbook will prove to be another must-have edition, bringing together the very best press photographs from 2019, carefully selected from thousands of powerful, moving and sometimes disturbing images.00The World Press Photo Foundation is a global platform connecting professionals and audiences through trustworthy visual journalism and storytelling, founded in 1955 when a group of Dutch photographers organised a contest ('World Press Photo') to expose their work to an international audience. In the six decades since then, the contest has grown into the world's most prestigious photography competition.

For more than fifty years an international jury has met in Holland under the auspices of the World Press Photo Foundation to choose the world's finest photographs. This is universally recognized as the definitive competition for photographic reporting, and photojournalists, newspapers, and magazines throughout the world submit thousands of images in the race to win. The World Press Photo Competition 2004, the forty-seventh contest to date, brings together some 200 images. The best pictorial journalism from an eventful year, this selection brings us face to face with contemporary world eventsan impressive visual record of social, political, cultural, scientific, and, above all, human milestones. 200 photographs, 80 in color.

"The funniest photographs of wildlife from around the world collected here in one ... book [intended] for animal lovers of all stripes"--

Unique and devastating record of animal trafficking industry. A tale of cruelty, crime and human greed.

A collection of two hundred images culled from the most recent World Press Photo competition features the year's most significant journalist photography and provides a visual record of contemporary world events as well as key social, political, cultural, and scientific milestones. Original.

The book Habibi is a fruit of the 2020 FotoEvidence Book Award with World Press Photo. The recipient of the award, Italian photojournalist Antonio Faccilongo with his long-term project, Habibi, follows for nine years families in Palestine with men serving long sentences in Israeli jails, who smuggle sperm and use in-vitro fertilization to have children. Most media depict Palestine as a war zone. This book takes a purely humanistic approach to one non-violent response to oppression.

An intimate meditation on photography for the ages, curated around 120 epochal photographs. In On Photographs, curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany's eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier's contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany's lucid and incisive commentary.