A biting critique of the American political and cultural scene dating back to the conservative backlash of the Reagan presidency. World, Beware! analyzes three major forces that have coalesced to produce the triumphalist policies that now dominate U.S. politics: the corporate elite, the neoconservative intelligentsia, and the fundamentalist churches.

For many of us, the only way we meet "dangerous" dogs is through news reports about vicious attacks, and films and TV shows that feature out-of-control versions of man's best friend. But there's more to the Bad Dog's story than sensational headlines and movie beasts. A deeper look at these representations reveals a villain much closer to home. This book takes the reader on a rich journey through depictions of violent dogs in popular media. It explores how press accounts and screen stories transform canines into bloodthirsty hunters, rabies-infested strays, ferocious fighters, rogue law enforcement partners and diabolical pets, all adding up to a frightening picture of our usually beloved companions. But, when media tells the dangerous dog's story, it is often with a deep connection to the person on the other end of the leash.

In the Sermon on the Mount, Jesus of Nazareth makes reference to one of the oldest beliefs in the ancient world - the malignity of an Evil Eye. The Holy Scriptures in their original languages contain no less than twenty-four references to the Evil Eye, although this is obscured by most modern Bible translations. John H. Elliott's Beware the Evil Eye describes this belief and associated practices, its history, its voluminous appearances in ancient cultures, and the extensive research devoted to it over the centuries in order to unravel this enigma for readers who have never heard of the Evil Eye and its presence in the Bible. This is the first of a four-volume work on the Evil Eye.

Filled with humor and just the right amount of scariness, this book speaks directly to the child with comments, warnings, and asides on every page. Giggle-inducing lines such as "I think you'd better hide" and "Here he comes! Close the book!" place the child right in the story.