Maria Sibylla Merian, a German painter and naturalist, produced an innovative work on tropical insects based on lore she gathered from the Carib, Arawak, and African women of Suriname.

Working life of Women in the Seventeenth Century, originally published in 1919, was the first comprehensive analysis of the daily lives of ordinary women in early modern England. It remains the most wide ranging introduction to the subject. Clark uses a variety of documentary sources to illuminate the experience of women in the past. Gentlewomen left memoirs, letters, and household accounts detailing administration of their family estates; craftsmen's wives and widows figure in the apprenticeship and licensing records of guilds and towns; the wives of yeomen, husbandmen and labourers are glimpsed in court evidence, petitions and the registers of parish poor relief. Alice Clark's evidence dates from the later sixteenth to the early eighteenth century, and her analysis addresses a broad transition, from a medieval subsistence economy to the industrial capitalism of the nineteenth and early twentieth centuries. Clark's conclusions about the effects of industrial capitalism on women's working conditions and contribution to the economy were controversial in her own time and remain so today. Her vivid portrayal of the everyday lives of working women - and all women who worked - in seventeenth-century England remains unsurpassed. This book was first published in 1919.

This book aims to trace the life of the seventeenth-century Frenchwoman from cradle to the grave through mainly contemporary primary sources which include just about everything from collections of laws to traveller's tales. Rather than reworking and refuting the twentieth-century experts in the field, the author works directly through from birth and childhood through matrimony, women at work, and in political life, manners and religion to conclusive death.

Women's Worlds in England presents a unique collection of source materials on women's lives in sixteenth and seventeenth century England. The book introduces a wonderfully diverse group of women and a series of voices that have rarely been heard in history, from Deborah Brackley, a poor Devon servant, to Katharine Whitstone, Oliver Cromwell's sister, and Queen Anne. Drawing on unpublished, archival materials, Women's Worlds explores the everyday lives of ordinary early modern women, including their: * experiences of work, sex, marriage and motherhood * beliefs and spirituality * political activities * relationships * mental worlds In a time when few women could write, this book reveals the multitude of ways in which their voices and experiences leave traces in the written record, and deepens and challenges our understanding of womens lives in the past.

Reveals the stories of girls making their way as apprentices in 17th-century London, through arguments, thefts, profits, and paperwork.

This pioneering book explores for the first time how ordinary women of the early modern period in England understood and experienced their bodies. Using letters, popular literature, and detailed legal records from courts that were obsessively concerned with regulating morals, the book recaptures seventeenth-century popular understandings of sex and reproduction. This history of the female body is at once intimate and wide-ranging, with sometimes startling insights about the extent to which early modern women maintained, or forfeited, control over their own bodies. Laura Gowing explores the ways social and economic pressures of daily life shaped the lived experiences of bodies: the cost of having a child, the vulnerability of being a servant, the difficulty of prosecuting rape, the social ambiguities of widowhood. She explains how the female body was governed most of all by other women—wives and midwives. Gowing casts new light on beliefs and practices of the time concerning women’s bodies and provides an original perspective on the history of women and gender.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses' scripts for love emphasize the importance of gender in determining the "right" way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.