Distinguished anthropologist Ruth Underhill devoted thirteen years of her career to travel among the Indian reservations of the Southwest. This compendium of prehistory, history, folkways, and ethnology, prepared for the Bureau of Indian Affairs, is intended to interpret Pueblo lifestyles for the general public. Generously illustrated with black-and-white photographs and line drawings, with chapters on crafts, foods, hunting, and family and village life. It is an excellent introduction for students and novices of Southwest Pueblo culture.

Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915–30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the “vanishing Indian.” Georgia O’Keeffe’s images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.

Explores the patron saints and the pottery traditions of each of the Pueblos of New Mexico.

The rich religious beliefs and ceremonials of the Pueblo Indians of Arizona and New Mexico were first synthesized and compared by ethnologist Elsie Clews Parsons. Prodigious research and a quarter-century of fieldwork went into her 1939 encyclopedic two-volume work, Pueblo Indian Religion. The author gives an integrated picture of the complex religious and social life in the pueblos, including Zuni, Acoma, Laguna, Taos, Isleta, Sandia, Jemez, Cochiti, Santa Clara, San Felipe, Santa Domingo, San Juan, and the Hopi villages. In volume I she discusses shelter, social structure, land tenure, customs, and popular beliefs. Parsons also describes spirits, cosmic notions, and a wide range of rituals. The cohesion of spiritual and material aspects of Pueblo culture is also apparent in volume II, which presents an extensive body of solstice, installation, initiation, war, weather, curing, kachina, and planting and harvesting ceremonies, as well as games, animal dances, and offerings to the dead. A review of Pueblo ceremonies from town to town considers variations and borrowings. Today, a half century after its original publication, Pueblo Indian Religion remains central to studies of Pueblo religious life.

Describes the history, daily activities, construction of dwellings, and special relationship to the land of the Pueblo Indians.

Life in a Pueblo uses remarkable photographs and clear text to explore the daily lives of the peoples who lived in these communal adobe dwellings. Children will be fascinated to learn how pueblos were built, the roles played by men, women, and children, and the different spiritual beliefs of pueblo peoples.

Over 500 years ago in the desert Southwest, a Pueblo Indian boy and his rescued wolf pup become inseparable companions.

Po'pay: Leader of the First American Revolution is the story of the visionary leader of the Pueblo Revolt of 1680, which drove the Spanish conquerors out of New Mexico for twelve years. This enabled the Pueblos to continue their languages, traditions and religion on their own ancestral lands, thus helping to create the multicultural tradition that continues to this day in the "Land of Enchantment." The book is the first history of these events from a Pueblo perspective. Edited by Joe S. Sando, a historian from Jemez Pueblo, and Herman Agoyo, a tribal leader from San Juan Pueblo, it draws upon the Pueblos' rich oral history as well as early Spanish records. It also provides the most comprehensive account available of Po'pay the man, revered by his people but largely unknown to other historians. Finally, the book describes the successful effort to honor Po'pay by installing a seven-foot-tall likeness of him as one of New Mexico's two statues in the National Statuary Hall in Washington, D.C. This magnificent statue, carved in marble by Pueblo sculptor Cliff Fragua, is a fitting tribute to a most remarkable man.

Dispelling myths, answering questions, and stimulating thoughtful avenues for further inquiry, this highly absorbing reference provides a wealth of specific information about over 200 North American Indian groups in Canada and the United States. Readers will easily access important historical and contemporary facts about everything from notable leaders and relations with non-natives to customs, dress, dwellings, weapons, government, and religion. This book is at once exhaustive and captivating, covering myriad aspects of a people spread across a continent. Divided into ten geographic areas for easy reference, this work illustrates each Native American group in careful detail. Listed alphabetically, starting with the tribal name, translation, origin, and definition, each entry includes significant facts about the group's location and population, as well as impressive accounts of the group's history and culture. Bringing entries up-to-date, Barry Pritzker also presents current information on each group's government, economy, legal status, and land holdings. Whether interpreting the term "tribe" (many traditional Native American groups were not tribes at all but more like extended families) or describing how a Shoshone woman served as a guide on the Lewis and Clark expedition, Pritzker always presents the material in a clear and lively manner. In light of past and ongoing injustices and the momentum of Indian and Inuit self-determination movements, an understanding of Native American cultures as well as their contributions to contemporary society becomes increasingly important. A magnificent resource, this book liberally provides the essential information necessary to better grasp the history and cultures of North American Indians.