Flight attendant Taylor Tippett had just finished beverage service and was sitting in the back of a Boeing 737 when she had a revelation: How can I show kindness to these passengers if I can't show it to myself? She grabbed a tiny notepad and a Sharpie and wrote a simple message that would change her life: "Be kind to yourself." Before she had time to think about it, Taylor taped the note to a window, posted a picture, and then left the slip of paper in a seat-back pocket for someone on the next flight to find. What started as a personal project to encourage herself and others soon became a viral sensation. In Words from the Window Seat, Taylor shares stories of her travels, daily life, and interactions with people of all kinds, anchoring each chapter around a note she's left for a stranger to find. As she takes you from Chicago to Paris to Barcelona on planes, trains, and even a skateboard, you'll: Learn how to embody love through little acts of kindness Discover the small moments of magic in the everyday Find ways to embrace your authentic self With charm, inspiration, and plenty of whimsy, Taylor reminds us that even in a weary world, it's possible to celebrate the beauty in each person's unique story--and make an impact that goes deeper than you'll ever know. Praise for Words from the Window Seat: "These pages will empower you to explore the many opportunities we have each day to encounter light and share love with others while traveling. Whether traveling by air or traveling through life. This book is an encouragement to be present in the everyday, no matter what comes your way." --Morgan Harper Nichols, bestselling author of All Along You Were Blooming

“Gutsy, funny, risky and wise, full of dazzling late-night insight, in-the-middle-of-everything epiphanies, moments of sheer honesty blooming into gut truths.” —Marlon James, Booker Prize–winning author Aminatta Forna is one of our most important literary voices, and her novels have won the Windham Campbell Prize and the Commonwealth Writers’ Prize for Best Book. In this elegantly rendered and wide-ranging collection of new and previously published essays, Forna writes intimately about displacement, trauma and memory, love, and how we coexist and encroach on the non-human world. Movement is a constant here. In the title piece, “The Window Seat,” she reveals the unexpected enchantments of commercial air travel. In “Obama and the Renaissance Generation,” she documents how, despite the narrative of Obama’s exceptionalism, his father, like her own, was one of a generation of gifted young Africans who came to the United Kingdom and the United States for education and were expected to build their home countries anew after colonialism. In “The Last Vet,” time spent shadowing Dr. Jalloh, the only veterinarian in Sierra Leone, as he works with the street dogs of Freetown, becomes a meditation on what a society’s treatment of animals tells us about its principles. In “Crossroads,” she examines race in America from an African perspective, and in “Power Walking” she describes what it means to walk in the world in a Black woman’s body and in “The Watch” she explores the raptures of sleep and sleeplessness the world over. Deeply meditative and written with a wry humor, The Window Seat confirms that Forna is “a compelling essayist . . . her voice direct, lucid, and fearless” (Claire Messud, Harper’s Magazine).

Unless they've lost a passport abroad, most Americans have little appreciation for the reach and scope of the US Department of State or the perils faced by its employees. Reporter Glen Johnson had been covering politics for the Boston Globe when he received a job offer that would embed him in this world of protocols, planes, and global peacekeeping. His new boss would be Secretary of State John Kerry, set to become the most prominent diplomat on the world stage. Johnson sensed it was a meeting of man and moment. For four years, he accompanied Kerry as he became the most-traveled Secretary of State in history. The former journalist kept notes while Kerry worked out a power-sharing agreement in Afghanistan, negotiated with the Israelis, convinced Iran to get rid of its nuclear weapons program, developed a counter-ISIS coalition, and brokered climate change agreements, including the 2015 Paris Agreement. Kerry also confronted two lingering challenges: how to cooperate with an assertive China and a Russia that sidestepped its own wrongdoing but felt aggrieved and justified to interfere in the 2016 presidential election. In his goal to create the best and most complete photo archive of any Secretary of State, Johnson lobbied the State Department for a decent camera and shot more than 100,000 photographs everywhere Kerry went--from the office of Pope Francis to center ice for a puck drop at Madison Square Garden, from the Kremlin and No. 10 Downing Street to a helicopter flying over Antarctica. Window Seat on the World is an all-access look at life inside the nation's first cabinet agency: the complexity of State Department protocols, the grueling schedules, the delicacy of engagement with world leaders and foreign cultures, and the dedication of a longtime public servant and his team to the practice of diplomacy.

#1 NEW YORK TIMES BESTSELLER • Meghan, The Duchess of Sussex’s first children’s book, The Bench, beautifully captures the special relationship between father and son, as seen through a mother’s eyes. The book’s storytelling and illustration give us snapshots of shared moments that evoke a deep sense of warmth, connection, and compassion. This is your bench Where you’ll witness great joy. From here you will rest See the growth of our boy. In The Bench, Meghan, The Duchess of Sussex, touchingly captures the evolving and expanding relationship between father and son and reminds us of the many ways that love can take shape and be expressed in a modern family. Evoking a deep sense of warmth, connection, and compassion, The Bench gives readers a window into shared and enduring moments between a diverse group of fathers and sons—moments of peace and reflection, trust and belief, discovery and learning, and lasting comfort. Working in watercolor for the first time, Caldecott-winning, bestselling illustrator Christian Robinson expands on his signature style to bring joy and softness to the pages, reflecting the beauty of a father’s love through a mother’s eyes. With a universal message, this thoughtful and heartwarming read-aloud is destined to be treasured by families for generations to come.

New York Times bestseller How do you hold on to hope when you don’t get the ending you asked for? When Katie Davis Majors moved to Uganda, accidentally founded a booming organization, and later became the mother of thirteen girls through the miracle of adoption, she determined to weave her life together with the people she desired to serve. But joy often gave way to sorrow as she invested her heart fully in walking alongside people in the grip of poverty, addiction, desperation, and disease. After unexpected tragedy shook her family, for the first time Katie began to wonder, Is God really good? Does He really love us? When she turned to Him with her questions, God spoke truth to her heart and drew her even deeper into relationship with Him. Daring to Hope is an invitation to cling to the God of the impossible—the God who whispers His love to us in the quiet, in the mundane, when our prayers are not answered the way we want or the miracle doesn’t come. It’s about a mother discovering the extraordinary strength it takes to be ordinary. It’s about choosing faith no matter the circumstance and about encountering God’s goodness in the least expected places. Though your heartaches and dreams may take a different shape, you will find your own questions echoed in these pages. You’ll be reminded of the gifts of joy in the midst of sorrow. And you’ll hear God’s whisper: Hold on to hope. I will meet you here.

Every writer needs inspiration, whether composing fiction, poetry, or fact-based work for an audience of children or adults. Both inspiration and company, Views from a Window Seat: Thoughts on Writing and Life poses and answers questions such as: How do we decide the best way to begin a book? How do we keep up our momentum during the long middle? What are some ways to know we've reached an ending? How do we tell the truth?

The magic and wonder of winter’s first snowfall is perfectly captured in Ezra Jack Keat’s Caldecott Medal-winning picture book. Young readers can enjoy this celebrated classic as a full-sized board book, perfect for read-alouds of all kinds and a great gift for the holiday season. In 1962, a little boy named Peter put on his snowsuit and stepped out of his house and into the hearts of millions of readers. Universal in its appeal, this story beautifully depicts a child's wonder at a new world, and the hope of capturing and keeping that wonder forever. This big, sturdy edition will bring even more young readers to the story of Peter and his adventures in the snow. Ezra Jack Keats was also the creator of such classics as Goggles, A Letter to Amy, Pet Show!, Peter’s Chair, and A Whistle for Willie. (This book is also available in Spanish, as Un dia de nieve.) Praise for The Snowy Day: “Keats made Peter’s world so inviting that it beckons us. Perhaps the busyness of daily life in the 21st century makes us appreciate Peter even more—a kid who has the luxury of a whole day to just be outside, surrounded by snow that’s begging to be enjoyed.” —The Atlantic "Ezra Jack Keats's classic The Snowy Day, winner of the 1963 Caldecott Medal, pays homage to the wonder and pure pleasure a child experiences when the world is blanketed in snow."—Publisher's Weekly

The Wild Hunt is stirring - and the dragons are finally waking from their long sleep... Cat Barahal was the only survivor of the flood that took her parents. Raised by her extended family, she and her cousin, Bee, are unaware of the dangers that threaten them both. Though they are in beginning of the Industrial Age, magic - and the power of the Cold Mages - still hold sway. Now, betrayed by her family and forced to marry a powerful Cold Mage, Cat will be drawn into a labyrinth of politics. There she will learn the full ruthlessness of the rule of the Cold Mages. What do the Cold Mages want from her? And who will help Cat in her struggle against them?

Perfect for gift-giving, here isTHE alphabet book to top all others, an over-sized work of brilliance from the illustrator of the #1 New York Times bestselling The Day the Crayons Quit! If words make up the stories and letters make up the words, then stories are made up of letters. In this menagerie we have stories made of words, made FOR all the letters. The most inventive and irresistible book of the year spans a mere 26 letters (don't they all!) and 112 pages. From an Astronaut who's afraid of heights, to a Bridge that ends up burned between friends, to a Cup stuck in a cupboard and longing for freedom, Once Upon an Alphabet is a creative tour de force from A through Z. Slyly funny in a way kids can't resist, and gorgeously illustrated in a way readers of all ages will pour over, this series of interconnected stories and characters explores the alphabet in a way that will forever raise the bar. In Once Upon an Alphabet, #1 New York Times bestseller Oliver Jeffers has created a stunning collection of words and artwork that is a story book, alphabet book, and gorgeously designed art book all in one. Praise for ONCE UPON AN ALPHABET: An Amazon Best Book of 2014! A Publishers Weekly Best Book of the Year! A School Library Journal Best Book of the Year! A New York Times Bestseller! * "The silly, spare, slightly surreal text occasionally rhymes and endlessly surprises. An utterly delightful alphabet book."–Kirkus Review, starred review * "With wry humor, equally droll ink illustrations, and a solid dose of alliteration, Jeffers creates delightful mini-narratives for each letter of the alphabet."–Publishers Weekly, starred review * "An altogether stimulating, surprising, and satisfying reading experience."–School Library Journal, starred review * "Whimsical, funny, occasionally tragic, and highly entertaining, this collection of (sometimes) interlocking tales is brilliantly inventive."–Horn Book, starred review "Jeffers knows how to catch the attention of his young audience while challenging their imagination, intellect and vocabulary. This whimsical exploration of letters and language begs to be read over and over again."–BookPage "Handsome, humorous and clad in bright tomato-red, [this] is the sort of book you may want to rush into the arms of imaginative, good-natured children between 4 and 10 years old. [T]his is no traditional abecedarian exercise.The stories are wonderfully varied, sometimes philosophical and often end surprisingly; the drawings are just as quirky and unpredictable."–The Wall Street Journal "[W]itty from A to Z . . . no one would blame you for having a copy even if there are no kids in the house. Think of it as Edward Gorey for the preschool set — and their hip parents."–The Washington Post

A narrative meditation on joint nonviolence, opening a window to the questions of power, multiple narratives, and imagination that touch on struggles for justice everywhere. As a Palestinian youth, Sulaiman Khatib encountered the occupation in his village and attempted to fight back, stabbing an Israeli. Imprisoned at the age of 14, he began a process of political and spiritual transformation still unfolding today. In a book he asked Penina Eilberg-Schwartz, an American Jew, to write, and based on years of conversation between them, Khatib shares how his activism became deeply rooted in the belief that we must ground all work—from dialogue to direct action to healing—in recognition of the history and humanity of the other. He reveals how he became convinced that Palestinian freedom can flourish alongside Jewish connection to the land where he was born. In language that is poetic and unflinchingly honest, Eilberg-Schwartz and Khatib chronicle what led him to dedicate his life to joint nonviolence. In his journey, he encountered the deep injustice of torture, witnessed the power of hunger strikes, and studied Jewish history. Ultimately, he came to realize mutual recognition, alongside a transformation of the systems that governed their lives, was necessary for both Palestinians and Israelis to move forward. Still, as he built friendships with Israelis and resisted the occupation alongside them, he could not lose sight of the great power imbalance in the relationship, of all the violence and erasure still present as they dreamt forward together. Intimate and political, In This Place Together opens us up to the dangers and hopes of working with others across vast differences in power and experience. And it opens a new space, shapes a third narrative, and finds another world that can exist—though it’s often hard to see—inside this one.