The distinctive and amazing songs and calls of birds: a meditation and a lexicon. “A miraculous little book: a compressed encyclopedia of our fascination with avifauna.” —The Nation “A charming, funny, and eccentric book.” —Times Literary Supplement “An elegant tribute to the beauty of its subject.” —Los Angeles Times Birds sing and call, sometimes in complex and beautiful arrangements of notes, sometimes in one-line repetitions that resemble a ringtone more than a symphony. Listening, we are stirred, transported, and even envious of birds' ability to produce what Shelley called “profuse strains of unpremeditated art.” And for hundreds of years, we have tried to write down what we hear when birds sing. Poets have put birdsong in verse (Thomas Nashe: “Cuckoo, jug-jug, pu-we, to-witta-woo”) and ornithologists have transcribed bird sounds more methodically. Drawing on this history of bird writing, in Aaaaw to Zzzzzd John Bevis offers a lexicon of the words of birds. For tourists in Birdland, there could be no more charming phrasebook. Consulting it, we find seven distinct variations of “hoo” attributed to seven different species of owls, from a simple hoo to the more ambitious hoo hoo hoo-hoo, ho hoo hoo-hoo; the understated cheet of the tree swallow; the resonant kreeaaaaaaaaaaar of the Swainson's hawk; the modest peep peep peep of the meadow pipit. We learn that some people hear the Baltimore oriole saying “here, here, come right here, dear” and the yellowhammer saying “a little bit of bread and no cheese.” Bevis, a poet, frames his lexicons—one for North America and one for Britain and northern Europe—with an evocative appreciation of birds, birdsong, and human attempts to capture the words of birds in music and poetry. He also offers an engaging account of other methods of documenting birdsong—field recording, graphic notation, and mechanical devices including duck calls and the serinette, an instrument used to teach song tunes to songbirds. The singing of birds is nature at its most sublime, and words are our medium for expressing this sublimity. Aaaaw to Zzzzzd belongs in the bird lover's backpack and on the word lover's bedside table, an unexpected and sui generis pleasure.

?Even though birds cannot speak in the strictest sense, we should stop, listen and take note of our winged friends. They (the birds) speak volumes to us?showing us our peculiarities, giving us warnings and inspiration. Isn?t that the stuff that sermons are made of??

Bird. Oiseau. Pájaro. In this delightful board book, explore words of the world and learn the names of a variety of colorful birds in the six most widely spoken languages. Curious minds will love the playful, brightly colored collages and multilingual exploration of birds and their names from around the world. This beautiful board book pairs gorgeous collages of eighteen types of birds with their names across the six most popular languages worldwide: English, Spanish, French, Hindi, Chinese (Mandarin), and Arabic, as well as the language of universal friendship, Esperanto. This book is the perfect size for little hands, and children (and parents) will enjoy testing out each word and identifying similarities in sounds across languages as well as the names that stand out. The Words of the World board book series encourages multilingual exploration and curiosity about our world among young readers. Each book promotes language learning through playful and sophisticated collages and even includes phonetic pronunciation for Hindi, Chinese, and Arabic. Language is a powerful tool that binds us together across cultures, and developing our skills beyond a single language helps us to expand our ability to: -Problem-solve and use critical-thinking skills -Consider other people's perspectives -Become aware of our surroundings A perfect gift to help spark curiosity, a love of learning, and language skills in young readers. Printed on FSC-certified paper with vegetable inks.

This book is a reissue of the collectible Charley Harper classic, which pairshis beautiful paintings with poetic commentary.

Birds played an important role in the ancient world: as indicators of time, weather, and seasons; as a resource for hunting, medicine, and farming; as pets and entertainment; as omens and messengers of the gods. Jeremy Mynott explores the similarities and surprising differences between ancient perceptions of the natural world and our own.

A powerful and poetic immigration story. A girl learns words in a new language to prepare for her move to a new country. But when her family arrives, everyone speaks so fast and “all her words fly away like birds.” The girl waits, and watches, and listens, trying to figure things out. Only, it’s hard. Then one day the girl meets someone who needs her help. And as she makes a new friend, the new words start to come easier — becoming her words, at last. A perfect read-aloud, this poignant story offers a powerful lesson in empathy for children everywhere.

This text is part of a vocabulary-based programme which pays attention to all four language skills. The whole programme consists of a students' book, a teacher's book and a listening/song cassette. It covers approximately 30 topic-based units, each covering four pages. Each unit consists of a presentation spread followed by a simple activity page (writing, drawing and colouring) and a listening page (simple dialogues and repetition activities) allowing practice and reinforcement of unit target language. Most units have an easy song, with a karaoke version so children can sing along too and practise difficult sounds and word combinations to music.

What does it mean to speak Sakha in the city? Words Like Birds, a linguistic ethnography of Sakha discourses and practices in urban far eastern Russia, examines the factors that have aided speakers in maintaining--and adapting--their minority language over the course of four hundred years of contact with Russian speakers and the federal power apparatus. Words Like Birds analyzes modern Sakha linguistic sensibilities and practices in the urban space of Yakutsk. Sakha is a north Siberian Turkic language spoken primarily in the Sakha Republic (Yakutia) in the northeastern Russian Federation. For Sakha speakers, Russian colonization in the region inaugurated a tumultuous history in which their language was at times officially supported and promoted and at other times repressed and discouraged. Jenanne Ferguson explores the communicative norms that arose in response to the top-down promotion of the Russian language in the public sphere and reveals how Sakha ways of speaking became emplaced in villages and the city's private spheres. Focusing on the language ideologies and practices of urban bilingual Sakha-Russian speakers, Ferguson illuminates the changes that have taken place in the first two post-Soviet decades, in contexts where Russian speech and communicative norms dominated during the Soviet era. Weaving together three major themes--language ideologies and ontologies, language trajectories, and linguistic syncretism--this study reveals how Sakha speakers transform and adapt their beliefs, evaluations, and practices to revalorize a language, maintain and create a sense of belonging, and make their words heard in Sakha again in many domains of city life. Like the moveable spirited words, the focus of Words Like Birds is mobility, change, and flow, the tracing of the situation of bilinguals in Yakutsk.

A Dictionary of Birds enlists contributions from over 280 ornithologists and other specialists from around the world. Major, authoritative articles cover the field of modern ornithology and related subjects, many of them running to several thousand words. In addition there are articles on all the bird families, almost all of which are illustrated by a representative species. There are also numerous short entries defining special terms, application of names, etc. The total gives a text of over 800,000 words, supported by more than 500 photographs, drawings and diagrams. The photographs have been selected under the guidance of Eric Hosking to illustrate different activities of birds, and Robert Gillmor has assembled a collection of over 200 drawings of birds, almost all of which were specially drawn for the Dictionary. Compiled for the British Ornithologists' Union, this new work is in line of succession from Newton's A Dictionary of Birds of 1896 and Landsborough Thomson's A New Dictionary of Birds published in 1964 (2nd impression 1965) and now long out of print. This dictionary, encyclopedic in treatment, is destined to be a major reference in any ornithologist's library; and its editors and contributors, most of whom gave their time and knowledge freely, have earned the thanks and acclaim of users for many years to come.

From 4 years old Discover all the vocabulary related to the birds and memorise it thanks to thorough descriptions and detailed pictures! The “Let's play with words” collection gathers illustrated ebooks for children, which aim to make them learn essential words on varied topics. EXTRACT Birds are covered with feathers called plumage. This protects them from the cold and allows to fly. The plumage of some birds can be very colourful. They fly with wings which are equipped with flight feathers. Birds do not give birth to living offspring but lay eggs instead, which then hatch in the nest. They use the beak to feed themselves, arrange their plumage and gather material to build their nest. ABOUT THE COLLECTION "Let's play with words" is a fun collection of e-books that promotes literacy and vocabulary acquisition on popular subjects taken from the world around us. Each book includes several short chapters on the subject at hand aimed at learning specific words through pictures, and includes the fully written texts as a guide at the back. For more advanced practice, young readers can also make up their own stories by following the pictures only, in such a way consolidating their vocabulary using their own words. The books are a useful source of learning specific vocabulary for native English speakers as well as learners of English – of all ages ! In the "Let's play with words" series : • In the garden • The Bees • On the farm • On the road • In the forest ABOUT THE AUTHORS Ivan Esenko presents the world of nature and invites the reader to learn more about the world that we are part of. His camera is his most faithful companion and its lens particularly likes to ‘capture’ those animals that live in close quarters to man. We take them so much for granted that we no longer seem to care for them. Ivan is their voice, he has become their ‘personal’ photographer. Alenka Vuk Trotovšek is an illustrator who knows how to give her imagination wings. She is inspired by fairy tales, children and nature. She likes to create dynamic illustrations with a touch of humour and mischief. She makes her characters come alive by breathing special life into them. ABOUT THE PUBLISHER Okaši is a Slovenian publisher with a vibrant programme. At every turn, nature reveals its new face and discloses a myriad of secrets. This is why we have devoted a special place to it in our publishing house. We are the creators of books that delight curious children and their parents in their discoveries of nature : in the home garden and the nearby park, but also further afield, in the fields and forests. At Okaši we keep pace with the times which is why have embarked upon several electronic editions of our books. We have added sound to these publications and hence a new dimension to the contents already there.