Originating from weekly talks given to a contemplative community of monks and nuns, the meditations in this book aim to help people surrender their lives to God.

No TV, no cell phone, no social media, no family or friends. Just alone in silence for sixty days. Written from a small cabin in the mountains above Santa Cruz, California, Bok's diary recounts his retreat into solitude and his search for a return to the simplicity of pure being. Without distraction, he has no choice but to face whatever comes—whether it's the incessant chatter of the mind, the arising of overwhelming emotions, or the simple observations of running water and birdsong. We say it's Bok's diary, but he draws us in so intimately that these sixty days become our own. Through this intense and immersive process, both for Bok and the reader, a deeper place is found within, a place of stillness and well being. You may be surprised what Bok finds, or more importantly, what he doesn't find. Alexandra Burda’s illustrations are a perfect compliment to the sparseness, sensitivity and beauty of the text.

These are a collection of poems. From raging hiccups that destroy worlds to feeling the silence of nature. When you open this book, you will visit beautiful sunrises in the sky and travel to the surface of the ocean, visiting dreams, unfolding the future. Difference in having friends and being alone, as we grow older. Observing the life of a seed, and feeling hope even when all seems to be lost. Travelling from generation to generation, summer to winter and seeing the beauty of nature. Delve into this colourful world, all here in black and white.

An introduction to the practice of Christian meditation, this book offers a twelve step programme in learning meditative prayer.

Poet Veronica Golos has created a conundrum--a vocabulary of silence that acts as a kind of Zen koan for the reader: a negative space, an echo chamber, a mirror. Witnessing from afar the continuing wars in Iraq and Afghanistan conducted by the country in which she lives, the poet also witnesses herself, and struggles to find words to carry the weight of her felt responsibility. Ms. Golos then empties her beautifully wrought poems into the vast silence, filling it with the names of the dead and the living.

In A Silence of Words, Olivia Dresher's poetic aphorisms and other brevities, taken from her first few years at Twitter beginning in 2009, express her devotion to short forms that she also explored in her book In Pieces: An Anthology of Fragmentary Writing. Ten years later, in 2019, she has a significant following at Twitter and has written over 58,000 tweets, of which 874 appear in this book. As one of her followers noted, "You write as you breathe, shaping everything with some sort of second nature." Published by Impassio Press, www.impassio.com

In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.

John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: "Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant." "He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It's what's happening now." –The American Record Guide "There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away."

Silent reading is now universally accepted as normal; indeed reading aloud to oneself may be interpreted as showing a lack of ability or understanding. Yet reading aloud was usual, indeed unavoidable, throughout antiquity and most of the middle ages. Saenger investigates the origins of the gradual separation of words within a continuous written text and the consequent development of silent reading. He then explores the spread of these practices throughout western Europe, and the eventual domination of silent reading in the late medieval period. A detailed work with substantial notes and appendices for reference.