This volume focuses on the theoretical and analytical challenges that languages with complex morphologies pose for the theory and typology of word-level prosodic phenomena. The morphological complexity and phonological length that are characteristic of words in these languages make them a particularly fruitful ground for investigating the effects of both phonological and morphological factors in the assignment of prominence. The first three chapters in the volume explore general theoretical issues pertaining to word prominence in synthetic languages, including the issue of 'wordhood' and the empirical, theoretical, and methodological issues with delineating word-level prominence and the higher-level prosodic phenomena in these languages. These are followed by a series of case studies on stress, accent, and tone in a geographically and genetically diverse set of languages with highly synthetic morphologies including languages of the Americas, Europe and Asia, and Australia. The volume adopts an interdisciplinary perspective, combining phonetic, phonological, and morphosyntactic insights. It will be of interest not only to phonologists and morphologists, but to all those interested in the typological and theoretical issues relating to polysynthetic languages.

This volume focuses on the theoretical and analytical challenges that languages with complex morphologies pose for the theory and typology of word-level prosodic phenomena. The morphological complexity and phonological length that are characteristic of words in these languages make them a particularly fruitful ground for investigating the effects of both phonological and morphological factors in the assignment of prominence. The first three chapters in the volume explore general theoretical issues pertaining to word prominence in synthetic languages, including the issue of 'wordhood' and the empirical, theoretical, and methodological issues with delineating word-level prominence and the higher-level prosodic phenomena in these languages. These are followed by a series of case studies on stress, accent, and tone in a geographically and genetically diverse set of languages with highly synthetic morphologies including languages of the Americas, Europe and Asia, and Australia. The volume adopts an interdisciplinary perspective, combining phonetic, phonological, and morphosyntactic insights. It will be of interest not only to phonologists and morphologists, but to all those interested in the typological and theoretical issues relating to polysynthetic languages.

This book offers a comprehensive account of the phonological structure of modern Turkish within the framework of recent linguistic models. While phenomena at both the segmental and suprasegmental levels are discussed, the emphasis is on the latter, with analysis of phonological processes that extend over a number of different domains. Lower-level prosodic constituents, including syllables, feet, and prosodic words, are incorporated into a general theory alongside higher-level constituents - the phonological phrase and the intonational phrase - on the assumption that phonological structure is hierarchical in nature and that phonological representations consist of more than a single linear sequence of segments. The approach employed here draws on theories of both representation - Prosodic Phonology and Autosegmental Phonology - and computation, in the form of Optimality Theory. An overarching theme that emerges in every chapter is that not only regular but also apparently “exceptional” phonological forms demonstrate a systematic pattern, and that both can be captured by the same grammar. The volume provides a critical synthesis of research in Turkish phonology, as well as offering new analyses and data from a theoretically-oriented perspective.

Representing Phonological Detail Part I: Segmental Structure and Representations Part II: Syllable, Stress and Sign Part II of Representing Phonological Detail focuses on the latest phonological research on suprasegmental structure and sign language. The first main theme in this volume is syllable structure, touching on phonotactics, syllabification, gemination, syllable weight, diphthongization, and other rules. The other main theme is tone and stress, including issues in data collection, the assignment of primary and secondary stress, resolution of stress clashes, lexical accent, and syntax-tone interaction. The final section is on sign language, with special attention paid to iconicity, phonological processes, and the relation between phonetic and phonological representation.

Illustrated with real-life examples throughout, this book provides a complete introduction to one of the most fundamental question about what it means to be human: how does human language arise in the mind? Theory is explained in an easy-to-understand way, making it accessible for students without a background in linguistics.

The Cambridge Handbook of Morphology describes the diversity of morphological phenomena in the world's languages, surveying the methodologies by which these phenomena are investigated and the theoretical interpretations that have been proposed to explain them. The Handbook provides morphologists with a comprehensive account of the interlocking issues and hypotheses that drive research in morphology; for linguists generally, it presents current thought on the interface of morphology with other grammatical components and on the significance of morphology for understanding language change and the psychology of language; for students of linguistics, it is a guide to the present-day landscape of morphological science and to the advances that have brought it to its current state; and for readers in other fields (psychology, philosophy, computer science, and others), it reveals just how much we know about systematic relations of form to content in a language's words - and how much we have yet to learn.

Professor Sapir analyzes, for student and common reader, the elements of language. Among these are the units of language, grammatical concepts and their origins, how languages differ and resemble each other, and the history of the growth of representative languages--Cover.

Foreigners often say that English language is "easy." A language like Spanish is challenging in its variety of verb endings (the verb speak is conjugated hablo, hablas, hablamos), and gender for nouns, whereas English is more straight forward (I speak, you speak, we speak). But linguists generally swat down claims that certain languages are "easier" than others, since it is assumed all languages are complex to the same degree. For example, they will point to English's use of the word "do" -- Do you know French? This usage is counter-intuitive and difficult for non-native speakers. Linguist John McWhorter agrees that all languages are complex, but questions whether or not they are all equally complex. The topic of complexity has become a hot issue in recent years, particularly in creole studies, historical linguistics, and language contact. As McWhorter describes, when languages came into contact over the years (when French speakers ruled the English for a few centuries, or the vikings invaded England), a large number of speakers are forced to learn a new language quickly, and this came up with a simplified version, a pidgin. When this ultimately turns into a "real" language, a creole, the result is still simpler and less complex than a "non-interrupted" language that has been around for a long time. McWhorter makes the case that this kind of simplification happens in degrees, and criticizes linguists who are reluctant to say that, for example, English is simply simpler than Spanish for socio-historical reasons. He analyzes how various languages that seem simple but are not creoles, actually are simpler than they would be if they had not been broken down by large numbers of adult learners. In addition to English, he looks at Mandarin Chinese, Persian, Malay, and some Arabic varieties. His work will interest not just experts in creole studies and historical linguistics, but the wider community interested in language complexity.