"[The Book of Kells' contains almost 2000 decorated initials, the majority of which are formed by human figures, beasts, birds and fish. This title offers an in-depth examination of the smaller decorated initials, script layout, and marginalia of this book]"--Jacket cover.

Barbara Crooker's eighth book of poetry, The Book of Kells, focuses on the illuminated medieval manuscript with a series of meditations on its various aspects, from the ink and pigments used by the scribes and illustrators to the various plants, animals, and figures depicted on its pages, including the punctuation and use of decoration in the capital letters. It also contains poems on the flora and fauna of Ireland (swans, hares, magpies, fuchsia, gorse, crocosmia, etc.) that Crooker encountered during writing residencies at the Tyrone Guthrie Centre in County Monaghan. The third thread in this volume is a series of glosas, a fifteenth-century Spanish form that incorporates a quatrain from other poems; here, Irish writers (Yeats, Heaney, O'Driscoll) provide the embedded lines. In her work, Crooker considers the struggle to pin lines to the page, to tie experience to the written word, to wrestle between faith and doubt, to accept the aging body as it tries to be fully alive in the world. Crooker contrasts the age of faith, when the Book of Kells was created, to our modern age of doubt, and uses as her foundation the old stones of Irish myth and lore from pre-Christian times. She juxtaposes a time when the written word was laborious and sacred against our electronic world, where communication by pixel is easy and brief. Above all, she captures the awe that the word inspired in preliterate times: “The world was the Book of God. The alphabet shimmered and buzzed with beauty.”

Explore Europe's top 100 works of art with America's most trusted travel authority, Rick Steves. Travel through time and discover Europe's most iconic paintings, sculptures, and historic buildings. From Venus to Versailles, Apollo to David, and Mona Lisa to The Thinker, Rick and co-author Gene Openshaw will have you marveling, learning, and laughing, one masterpiece at a time. Whether you're traveling to Europe or just dreaming about it, this book both stokes your wanderlust and kindles a greater appreciation of art, with historical context and information on where to see it for yourself. With Rick's trusted insight and gorgeous, full-color photos throughout, Europe's Top 100 Masterpieces celebrates nearly 20,000 years of unforgettable art.

The book examines the lived experience of worship in early medieval England and Ireland, ranging from public experience of church and stone sculptures, to monastic life, to personal contemplation of, and meditation on, manuscript illuminations and other devotional objects.

Gives step-by-step instructions to the modern crafters seeking to create the ornate swirling motifs typical of Christian iconography and Insular art.

NATIONAL BESTSELLER • A book in the best tradition of popular history—the untold story of Ireland's role in maintaining Western culture while the Dark Ages settled on Europe. • The perfect St. Patrick's Day gift! Every year millions of Americans celebrate St. Patrick's Day, but they may not be aware of how great an influence St. Patrick was on the subsequent history of civilization. Not only did he bring Christianity to Ireland, he instilled a sense of literacy and learning that would create the conditions that allowed Ireland to become "the isle of saints and scholars"—and thus preserve Western culture while Europe was being overrun by barbarians. In this entertaining and compelling narrative, Thomas Cahill tells the story of how Europe evolved from the classical age of Rome to the medieval era. Without Ireland, the transition could not have taken place. Not only did Irish monks and scribes maintain the very record of Western civilization -- copying manuscripts of Greek and Latin writers, both pagan and Christian, while libraries and learning on the continent were forever lost—they brought their uniquely Irish world-view to the task. As Cahill delightfully illustrates, so much of the liveliness we associate with medieval culture has its roots in Ireland. When the seeds of culture were replanted on the European continent, it was from Ireland that they were germinated. In the tradition of Barbara Tuchman's A Distant Mirror, How The Irish Saved Civilization reconstructs an era that few know about but which is central to understanding our past and our cultural heritage. But it conveys its knowledge with a winking wit that aptly captures the sensibility of the unsung Irish who relaunched civilization.

At the heart of James Harpur’s The White Silhouette is a meditative poem inspired by the Book of Kells – a poem that follows threads into themes such as the nature of the divine, the efficacy of sacred art, and the way of silence. The title poem – described in the TLS as a ‘compelling spiritual memoir’ – is a haunting journey of ‘missed encounters’ in the landscapes of Wiltshire, Tipperary, and Patmos. Elsewhere, Harpur writes about pilgrimage, the Perseids, mystical experiences, and icons and iconoclasm – from Rublev’s golden images to decapitated angels in Galway. He complements his explorations of the sacred with more directly personal poems, including elegies and elegiac translations from Homer and Horace. Harpur’s poetry is distinguished by its lyric grace and mythohistorical resonance. The musical texture of his lines conveys the warmth, clarity and intimacy of a voice exploring the mysteries of natural, human, and metaphysical worlds. The White Silhouette is the richest summation of his spiritual journey to date.

'An important and timely book.' - Philippa Gregory Joan of Navarre was the richest woman in the land, at a time when war-torn England was penniless. Eleanor Cobham was the wife of a weak king's uncle – and her husband was about to fall from grace. Jacquetta Woodville was a personal enemy of Warwick the Kingmaker, who was about to take his revenge. Elizabeth Woodville was the widowed mother of a child king, fighting Richard III for her children's lives. In Royal Witches, Gemma Hollman explores the lives of these four unique women, looking at how rumours of witchcraft brought them to their knees in a time when superstition and suspicion was rife.

‘Almost like poetry, a rich ode to all things books and everything we love about them. The enjoyment and engagement is so palpable you can almost taste it and Kells proves to be the perfect guide through the subject matter and history.’ AU Review Libraries are filled with magic. From the Bodleian, the Folger and the Smithsonian to the fabled libraries of Middle-earth, Umberto Eco’s mediaeval library labyrinth and libraries dreamed up by John Donne, Jorge Luis Borges and Carlos Ruiz Zafón, Stuart Kells explores the bookish places, real and fictitious, that continue to capture our imaginations. The Library: A Catalogue of Wonders is a fascinating and engaging exploration of libraries as places of beauty and wonder. It’s a celebration of books as objects and an account of the deeply personal nature of these hallowed spaces by one of Australia’s leading bibliophiles. Stuart Kells is an author and book-trade historian. His 2015 book, Penguin and the Lane Brothers, won the Ashurst Business Literature Prize. An authority on rare books, he has written and published on many aspects of print culture and the book world. Stuart lives in Melbourne with his family. He is writing a book about Shakespeare’s library. ‘Libraries are filled with magic. From the Bodleian, the Folger and the Smithsonian to the fabled libraries of middle earth, Umberto Eco's mediaeval library labyrinth and libraries dreamed up by John Donne, Jorge Luis Borges and Carlos Ruiz Zafón. Stuart Kells explores the bookish places, real and fictitious, that continue to capture our imaginations. The Library: A Catalogue of Wonders is a fascinating and engaging exploration of libraries as places of beauty and wonder. It's a celebration of books as objects and an account of the deeply personal nature of these hallowed spaces by one of Australia's leading bibliophiles.’ Prime Minister’s Literary Awards 2018, Judges' comments ‘If you think you know what a library is, this marvellously idiosyncratic book will make you think again. After visiting hundreds of libraries around the world and in the realm of imagination, bibliophile and rare-book collector Stuart Kells has compiled an enchanting compendium of well-told tales and musings both on the physical and metaphysical dimensions of these multi-storied places.’ Age ‘On a vivid tour of the world’s great libraries, both real and imagined, Kells is a magnificent guide to the abundant treasures he sets out.’ Mathilda Imlah, Australian Book Review, 2017 Publisher Picks ‘The Library charts the transition between formats such as papyrus scrolls, parchment codices, moveable type and ebooks. There are many whimsical detours along the way, and Kells even devotes a chapter to fantasy libraries...Kells translates his stunning depth of research into breezy digestibility.’ Big Issue ‘The Library is a treasure trove and reaching the last page simply prompts an impassioned cry for more of the same.’ Otago Daily Times ‘Rich with gossipy tales of the inspired, crazy, brilliant and terrible people who have founded or encountered libraries through history...Kells’s reflections are wonderfully romantic, wryly funny...There’s no doubt we can all learn a lot from the magnificently obsessive and eloquent Kells.’ Australian ‘With The Library, Stuart Kells has written a deft and involving book that manages to balance the erudite with the accessible...There is, in any given chapter, a dozen odd details or compelling stories a reader can only hope to memorise, with an eye towards future use (perfectly timed and skilfully deployed, naturally).’ Monthly ‘There is so much to learn and enjoy in this book, with the impressive amount of research never weighing down the accessible writing...Kells makes an elegant plea for the future library—one that will resonate with most book lovers.’ Good Reading ‘A sprightly cabinet of bookish curiosities.’ Jane Sullivan, Sydney Morning Herald ‘Kells proves a generous guide, taking us on a whirlwind tour through several thousand years of book history.’ Australian Book Review ‘The Library abounds in fascinating tales of lost codices and found manuscripts, and the sometimes unscrupulous schemes by which people have conspired to obtain or amass valuable volumes.’ New York Times