Wally Wood is one of the most celebrated comic artists of all time. His legendary career runs from the glory days of EC Comics extraordinary line of science fiction titles to the brilliantly subversive Mad Comics (and, later, Magazine). He produced extraordinary illustrations for magazines like Galaxy after EC folded, and worked on the some of the most fondly remembered stories published by Marvel Comics in the mid 1960s. He also co-created the T.H.U.N.D.E.R. Agents and was a pioneer in self-publishing. This massive tome is the American edition of a museum catalogue that accompanied a gigantic career retrospective on display in De Palma Spain in 2010, the largest such exhibit ever devoted to this incredible artist. Presented simultaneously in two languages, English and Spanish.

Who was Wallace Wood? The maddest artist of Mad magazine? The man behind Marvel’s Daredevil?The Life and Legend is an incisive look back at the life and career of one of the greatest and most mythic figures of cartooning. Edited over the course of thirty years by former Wood assistant Bhob Stewart, The Life and Legend is a biographical portrait, generously illustrated with Wood’s gorgeous art as well as little-seen personal photos and childhood ephemera. Also: remembrances by Wood’s friends, colleagues, assistants, and loved ones. This collective biographical and critical portrait explores the humorous spirit, dark detours, and psychological twists of a gifted maverick in American pop culture.

This book collects Wood's early gag cartoons for men's magazines, including his wicked takes on Alice in Wonderland and the Wizard of Oz plus his raunchy version of Snow White. Wood, who garnered international fame as a premier parodist for Mad, also takes aim at comic-book icons in such stories as 'Prince Violate', 'Stuporman Meets Blunder Woman', and 'Flasher Gordon'. Wood's cartoon commentaries on sex and society are included too. Other rarities include The Marquis de Sade Coloring Book, amongst other things.

Your mission, should you choose to accept it... is CANNON by the legendary Wallace Wood (Mad, EC Comics, Daredevil)! CANNON appeared every week for two and a half years in Overseas Weekly, a newspaper distributed exclusively to U.S. Military bases around the world. Uncensored by commercial editorial restrictions, Wood pulled out all the stops - producing a thrilling and salacious Cold War spy serial run amok with brutal violence and titillating sex all in an effort to boost morale and support our troops! Under the employ of our government's Central Intelligence Agency, Cannon experiences action like no other agent! Undercover and under the covers, Cannon endures nude torture by beautiful women, explosive gunplay, naked catfights, bone-crunching plastic surgery, nudity, Hitler, nihilistic lovemaking, Weasel the spy, naked women, death from above, and more naked women! Take that, 007!

Is this the end of Vampirella!

A study of the art of cartoonist Wally Wood. It includes Wood's "Fireball XL-5" designs as well as production art for his unfinished collaboration with "Fritz the Cat", "Wizards", "Lord of the Rings", and "Cool World" film-maker Ralph Bakshi. There is an interview with Wood, along with insights from his closest colleagues; Mad Associate Publisher Joe Orlando; "Star Wars" and EC artist, Al Williamson; and more.

The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.

A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.

Retro Graphics makes it easy for DIY designers to mimic the most prominent styles of the past hundred years. A plethora of authentic design modelsfrom Art Deco and Gothic Revival to Pop Art and Post Modernismare presented and broken down into their component parts in this handy sourcebook. These entries include step-by-step techniques, color palettes, typefaces, illustration styles, and ornamentation to help anyone create the look of such diverse materials as Victorian advertisements and pulp fiction book jackets. History can't be revived, but it can be simulated with this richly illustrated and meticulously researched visual encyclopedia.

Steve Ditko's astounding career is presented here from the early 1950s to the present. Examples of his work for Charlton, Warren, Marvel and DC are shown, both as printed pages and scans from Ditko's beautiful original art! This is a Museum catalogue that will accompany a massive exhibition of this hugely influential artist's work (Ditko co-created Spider-Man and Dr. Strange) in Palma de Mallorca Spain in the Fall of 2016. By the same Eisner Award-nominated team who have created the gold-standard for museum catalogues and exhibits of classic comic artists, previous books in the series include: Woodwork: Wallace Wood 1927-1981, Flesh & Steel: The Art of Russ Heath, and Big John Buscema: Comics & Drawings.